Artbibliographies Modern
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Published: 1999
Total Pages: 850
ISBN-13:
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Published: 1999
Total Pages: 850
ISBN-13:
DOWNLOAD EBOOKAuthor: Jo Devereux
Publisher: McFarland
Published: 2016-08-10
Total Pages: 265
ISBN-13: 0786494093
DOWNLOAD EBOOKWhen women were admitted to the Royal Academy Schools in 1860, female art students gained a foothold in the most conservative art institution in England. The Royal Female College of Art, the South Kensington Schools and the Slade School of Fine Art also produced increasing numbers of women artists. Their entry into a male-dominated art world altered the perspective of other artists and the public. They came from disparate levels of society--Princess Louise, the fourth daughter of Queen Victoria, studied sculpture at the National Art Training School--yet they all shared ambition, talent and courage. Analyzing their education and careers, this book argues that the women who attended the art schools during the 1860s and 1870s--including Kate Greenaway, Elizabeth Butler, Helen Allingham, Evelyn De Morgan and Henrietta Rae--produced work that would accommodate yet subtly challenge the orthodoxies of the fine art establishment. Without their contributions, Victorian art would be not simply the poorer but hardly recognizable to us today.
Author: Royal Academy of Arts (Great Britain)
Publisher:
Published: 1838
Total Pages: 622
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DOWNLOAD EBOOKAuthor: David Fraser Jenkins
Publisher: Tate
Published: 2004-12-07
Total Pages: 232
ISBN-13:
DOWNLOAD EBOOKAugustus John (1878-1961) was a hugely charismatic and colourful figure, his technical skill as a draughtsman matched by his bohemian manners and dashing appearance. In the pre-war years he epitomised the rebellious artist, travelling the country in a caravan and learning Romany as a result of the time he spent with gypsies. An official War artist during the first war, he subsequently took up a career as a portraitist, painting the leading literary figures of his day as well as inheriting Sargent's mantle as a painter of Society. Gwen John (1876-1939) studied at the Slade along with Augustus, leaving in the same year (1898). She then studied in Paris under Whistler, adopting his remarkable control of colour. In 1904 she settled permanently in France, where she earned a living as a model for artists including Rodin, who became her lover. The opposite of her brother both in personality and artistically, she favoured introspective subjects, and led a reclusive life.
Author: Elizabeth Wyse
Publisher:
Published: 1996
Total Pages: 360
ISBN-13: 9780851126937
DOWNLOAD EBOOKAuthor: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Published: 2009
Total Pages: 322
ISBN-13: 1588393488
DOWNLOAD EBOOKCovering the period between the late 16th century through to the third quarter of the 19th century, this book features paintings by English, Scottish, Welsh and Irish artists which are part of the collection of the Metropolitan Museum of Art.
Author: David Wootton
Publisher: Chris Beetles Dist
Published: 2002
Total Pages: 188
ISBN-13:
DOWNLOAD EBOOKPeter Coker was born in London in 1926. He first studied art at St. Martin's School of Art while working at Odhams Press (1941-1943), a leading publisher of instruction manuals and children's books, and returned as a full-time student (1947-1950) after se
Author: Maria Quirk
Publisher: Bloomsbury Publishing USA
Published: 2019-05-16
Total Pages: 249
ISBN-13: 1501343076
DOWNLOAD EBOOKWomen, Art and Money in England establishes the importance of women artists' commercial dealings to their professional identities and reputations in the late nineteenth and early twentieth centuries. Grounded in economic, social and art history, the book draws on and synthesises data from a broad range of documentary and archival sources to present a comprehensive history of women artists' professional status and business relationships within the complex and changing art market of late-Victorian England. By providing new insights into the routines and incomes of women artists, and the spaces where they created, exhibited and sold their art, this book challenges established ideas about what women had to do to be considered 'professional' artists. More important than a Royal Academy education or membership to exhibiting societies was a woman's ability to sell her work. This meant that women had strong incentive to paint in saleable, popular and 'middlebrow' genres, which reinforced prejudices towards women's 'naturally' inferior artistic ability prejudices that continued far into the twentieth century. From shining a light on the difficult to trace pecuniary arrangements of little researched artists like Ethel Mortlock to offering new and direct comparisons between the incomes earned by male and female artists, and the genres, commissions and exhibitions that earned women the most money, Women, Art and Money is a timely contribution to the history of women's working lives that is relevant to a number of scholarly disciplines.
Author:
Publisher:
Published: 1890
Total Pages: 1536
ISBN-13:
DOWNLOAD EBOOKAuthor: Helen Grant Cushing
Publisher: New York : H.W. Wilson
Published: 1944
Total Pages: 810
ISBN-13:
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