After numerous generations of witches and warlocks had descended from Marlet and Walden, the first witch and warlock of Oz, the time had come for Evil to split itself in two and put power into the hands of twin girls, whose Evil deeds and demise at the hands of a little farm girl from Kansas would become the stuff of legends. But first, Ena and Ana had to come to terms with their own secrets, which would split them apart and destroy their family forever. But of course, that is the way of Evil.
DIVClaire and Luna may be witches, but there’s no easy spell to stop a wedding!/divDIV Though identical on the outside, ten-year-old twins Claire and Luna Bundkin are as different on the inside as peaches and peanut butter. Claire is mischievous and Luna is a dreamer, but they do share a favorite hobby: witchcraft. Whether it’s making breakfast or washing dishes, there’s nothing a five-star witch can’t accomplish with a wave of her pinkie finger. But there are two strict rules: Don’t tell Mom, and don’t try any spells without Grandy—their magical grandmother—watching./divDIV /divDIVWhen Claire and Luna’s father announces that he’s getting remarried to a loudmouthed Texas woman named Fluffy, the twins know they need to do something to stop the wedding. Fluffy wouldn’t be a bad stepmother, but Claire and Luna know that she would lure their father to far-away Houston. A spell might be the only way to save their dad, and they’ll try anything. Even if magic usually lands them in a pot of trouble./divDIV /divDIVThis ebook features a personal history by Adele Griffin including rare images and never-before-seen documents from the author’s own collection./div
The Road to Wicked examines the long life of the Oz myth. It is both a study in cultural sustainability— the capacity of artists, narratives, art forms, and genres to remain viable over time—and an examination of the marketing machinery and consumption patterns that make such sustainability possible. Drawing on the fields of macromarketing, consumer behavior, literary and cultural studies, and theories of adaption and remediation, the authors examine key adaptations and extensions of Baum’s 1900 novel. These include the original Oz craze, the MGM film and its television afterlife, Wicked and its extensions, and Oz the Great and Powerful—Disney’s recent (and highly lucrative) venture that builds on the considerable success of Wicked. At the end of the book, the authors offer a foundational framework for a new theory of cultural sustainability and propose a set of explanatory conditions under which any artistic experience might achieve it.
Deep in the walls of a witches' cottage lays an ancient magical kitchen. Dangling over that kitchen's cauldron, pinched between the fingers of two witches, is a toad. And the Toad has no idea how she got there, and no memory of even her name. All she knows is she doesn't think she was always a Toad, or that she's ever been here before. Determined to recover her memories she sets out on a journey to the oracle, and along the way picks up a rag-tag team of friends: an iron-handed imp, a carnivorous fairy, and a few friendly locals. But the Kitchen won't make it easy. It is pitch black, infinite, and impossible to navigate, a living maze. Hiding in dark corners are beastly, starving things. Worse yet are the Witches themselves, who have sent a procession of horrific, deadly monsters on her trail. With some courage and wisdom, the Toad just might find herself yet-and with that knowledge, the power to defeat the mighty Witches. Filled with forty stunning pencil illustrations from the author, the Witches' Kitchen is a rich, well-imagined fantasy setting unlike any other.
The New York Times bestseller and basis for the Tony-winning hit musical, soon to be a major motion picture starring Cynthia Erivo and Ariana Grande With millions of copies in print around the world, Gregory Maguire’s Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum’s 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination. Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens. But Elphaba’s Oz is no utopia. The Wizard’s secret police are everywhere. Animals—those creatures with voices, souls, and minds—are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals—even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas. Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same name—one of the longest-running plays in Broadway history. Popular, indeed. But while the novel’s distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire’s Wicked is as unique as its green-skinned witch.
This fully annotated volume collects three of Baum's fourteen Oz novels in which he developed his utopian vision and which garnered an immense and loyal following. The Wizard of Oz (1900) introduces Dorothy, who arrives from Kansas and meets the Scarecrow, the Tin Woodman, the Cowardly Lion, and a host of other characters. The Emerald City of Oz (1910) finds Dorothy, Aunt Em, and Uncle Henry coming to Oz just as the wicked Nome King is plotting to conquer its people. In Baum's final novel, Glinda of Oz (1920), Dorothy and Princess Ozma try to prevent a battle between the Skeezers and the Flatheads. Tapping into a deeply rooted desire in himself and his loyal readers to live in a peaceful country which values the sharing of talents and gifts, Baum's imaginative creation, like all great utopian literature, holds out the possibility for change. Also included is a selection of the original illustrations by W. W. Denslow and John R. Neill. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The first book in Chris Colfer's #1 New York Times bestselling series The Land of Stories about two siblings who fall into a fairy-tale world! Alex and Conner Bailey's world is about to change forever, in this fast-paced adventure that uniquely combines our modern day world with the enchanting realm of classic fairy tales. The Land of Stories tells the tale of twins Alex and Conner. Through the mysterious powers of a cherished book of stories, they leave their world behind and find themselves in a foreign land full of wonder and magic where they come face-to-face with fairy tale characters they grew up reading about. But after a series of encounters with witches, wolves, goblins, and trolls alike, getting back home is going to be harder than they thought.
Dorothy tries to rescue the Tin Woodman and Scarecrow from the giantess who has changed them into a tin owl and a teddy bear and is using them for playthings.
"The Happiest Who's Who Ever Written" -Original advertising slogan for book in 1954. Who's Who in Oz is an illustrated index of nearly every character that ever appeared in the first 39 Oz books. Who's Who in Oz is Wonderful in its scope and reach; author, Jack Snow, did a remarkable job gathering these characters together and his descriptions or as he calls them " informal introductions to over six hundred and thirty Oz characters- people, animals, and creatures- with hints on the parts they play in the thirty-nine Oz books" show a foremost Oz scholar, and excellent writer himself, at work. Each character description also has a reference telling you the first page on which this character appeared, and in which Oz book. There are many black and white illustrations, by John R. Neill, Frank Kramer and "Dirk", that give us a delightful glimpse into the truly amazing, imaginative world of OZ.
