With no way for fans to verify their facts, the sportswriters of the 1920s enjoyed a near monopoly on sports news. Journalist Mark Inabinett explores the incomparable Grantland Rice's role in creating the legends that surrounded six sports stars--Jack Dempsey, Babe Ruth, Bobby Jones, Bill Tilden, Red Grange, and Knute Rockne. Photographs.
50 YEARS OF SPORT AS SEEN BY THE CHAMPION OF ALL SPORTS WRITERS ‘This isn’t, praise be, a formal book. It is no literary exercise in balanced sentences and the painfully selected word. This is Grant Rice talking, rambling happily along, tell again in his wonderful way the wonderful stories he loved to tell. ‘They are great tales of men and deeds, told with affection and warmth and gentle humour. Yet it isn’t the stories of the great which make this a great book. It’s the way Granny himself shines through the hurrying pages, his wisdom, his kindness, his faith. He wrote of men he loved and deeds he admired and never knew how much bigger he was than his finest hero.’—Red Smith, N.Y. Herald Tribune Book Review ‘THE TUMULT AND THE SHOUTING is Grantland Rice as we of the Fourth Estate knew and loved him for so many years. The book is a must, especially for the male animals in every American family.’—Ed Sullivan ‘THE TUMULT AND THE SHOUTING is the ‘living’ Grantland Rice I knew and loved...I can’t think of a finer present to anyone who loves sport—or even loves good writing.’—Bill Cunningham, The Boston Herald ‘Folded into THE TUMULT AND THE SHOUTING are some of Granny’s verses. About sports and war and loved ones. About all the things that were dear to his great heart. Buy it for yourself. Buy it for your friends. Buy it for your enemies, the bums, who on reading it will learn, maybe for the first time, what it means to be a right guy.’—Frank Graham, N.Y. Journal American ‘Rice was the champion writer and the champion of sports writers. He ranked at the top of his profession for half a century and THE TUMULT AND THE SHOUTING is his final contribution to the sports literature of his native land.’—Harry Salsinger, Detroit (Mich.) News
In Inventing Baseball Heroes, Amber Roessner examines "herocrafting" in sports journalism through an incisive analysis of the work surrounding two of baseball's most enduring personalities -- Detroit Tigers outfielder Ty Cobb and New York Giants pitcher Christy Mathewson. While other scholars have demonstrated that the mythmakers of the Golden Age of Sports Writing (1920--1930) manufactured heroes out of baseball players for the mainstream media, Roessner probes further, with a penetrating look at how sportswriters compromised emerging professional standards of journalism as they crafted heroic tales that sought to teach American boys how to be successful players in the game of life. Cobb and Mathewson, respectively stereotyped as the game's sinner and saint, helped shape their public images in the mainstream press through their relationship with four of the most prominent sports journalists of the time: Grantland Rice, F. C. Lane, Ring Lardner, and John N. Wheeler. Roessner traces the interactions between the athletes and the reporters, delving into newsgathering strategies as well as rapport-building techniques, and ultimately revealing an inherent tension in objective sports reporting in the era. Inventing Baseball Heroes will be of interest to scholars of American history, sports history, cultural studies, and communication. Its interdisciplinary approach provides a broad understanding of the role sports journalists played in the production of American heroes.
When Frank Hardy published Power Without Glory, his notorious novel about corruption and venality in the Victorian Labor Party, it quickly came to be seen as a true account of the party. Until now, there has been no authoritative chronicle of the struggles of political Labor in Victoria, from its origins in the mid-nineteenth century through to the calamitous split of the 1950s. By conventional measures these were fallow years. Ensnared by the colony's powerful liberal protectionist tradition in the late nineteenth century, Victorian Labor then found itself hindered by a grossly unfair electoral system and the lack of a constituency outside Melbourne's industrial suburbs. But exile from government also meant that the party developed its own distinctive traditions and culture. It was a unique and intriguing species among the state Labor parties. Meticulously researched and elegantly written, Neither Power Nor Glory fills an important gap in Australian political history and our understanding of the Labor Party. It is also a timely antidote to nostalgia about Labor’s past. In Victoria at least, that past was anything but golden. WINNER OF THE 2013 HENRY MAYER PRIZE
New York Times Bestseller: Sweeping from the 1850s through the early 1920s, this towering family saga examines the price of ambition and power. Joseph Francis Xavier Armagh is twelve years old when he gets his first glimpse of the promised land of America through a dirty porthole in steerage on an Irish immigrant ship. His long voyage, dogged by tragedy, ends not in the great city of New York but in the bigoted, small town of Winfield, Pennsylvania, where his younger brother, Sean, and his infant sister, Regina, are sent to an orphanage. Joseph toils at whatever work will pay a living wage and plans for the day he can take his siblings away from St. Agnes’s Orphanage and make a home for them all. Joseph’s journey will catapult him to the highest echelons of power and grant him entry into the most elite political circles. Even as misfortune continues to follow the Armagh family like an ancient curse, Joseph takes his revenge against the uncaring world that once took everything from him. He orchestrates his eldest son Rory’s political ascent from the offspring of an Irish immigrant to US senator. And Joseph will settle for nothing less than the pinnacle of glory: seeing his boy crowned the first Catholic president of the United States. Spanning seventy years, Captains and the Kings, which was adapted into an eight-part television miniseries, is Taylor Caldwell’s masterpiece about nineteenth- and early twentieth-century America, and the grit, ambition, fortitude, and sheer hubris it takes for an immigrant to survive and thrive in a dynamic new land.
KNÖS Once upon a time there was a poor widow, who found an egg under a pile of brush as she was gathering kindlings in the forest. She took it and placed it under a goose, and when the goose had hatched it, a little boy slipped out of the shell. The widow had him baptized Knös, and such a lad was a rarity; for when no more than five years old he was grown, and taller than the tallest man. And he ate in proportion, for he would swallow a whole batch of bread at a single sitting, and at last the poor widow had to go to the commissioners for the relief of the poor in order to get food for him. But the town authorities said she must apprentice the boy at a trade, for he was big enough and strong enough to earn his own keep. So Knös was apprenticed to a smith for three years. For his pay he asked a suit of clothes and a sword each year: a sword of five hundredweights the first year, one of ten hundredweights the second year, and one of fifteen hundredweights the third year. But after he had been in the smithy only a few days, the smith was glad to give him all three suits and all three swords at once; for he smashed all his iron and steel to bits.
Once upon a time there was a poor widow, who found an egg under a pile of brush as she was gathering kindlings in the forest. She took it and placed it under a goose, and when the goose had hatched it, a little boy slipped out of the shell. The widow had him baptized Knös, and such a lad was a rarity; for when no more than five years old he was grown, and taller than the tallest man. And he ate in proportion, for he would swallow a whole batch of bread at a single sitting, and at last the poor widow had to go to the commissioners for the relief of the poor in order to get food for him. But the town authorities said she must apprentice the boy at a trade, for he was big enough and strong enough to earn his own keep. So Knös was apprenticed to a smith for three years. For his pay he asked a suit of clothes and a sword each year: a sword of five hundredweights the first year, one of ten hundredweights the second year, and one of fifteen hundredweights the third year. But after he had been in the smithy only a few days, the smith was glad to give him all three suits and all three swords at once; for he smashed all his iron and steel to bits. Knös received his suits and swords, went to a knight's estate, and hired himself out as a serving-man. Once he was told to go to the forest to gather firewood with the rest of the men, but sat at the table eating long after the others had driven off and when he had at last satisfied his hunger and was ready to start, he saw the two young oxen he was to drive waiting for him. But he let them stand and went into the forest, seized the two largest trees growing there, tore them out by the roots, took one tree under each arm, and carried them back to the estate. And he got there long before the rest, for they had to chop down the trees, saw them up and load them on the carts. On the following day Knös had to thresh. First he hunted up the largest stone he could find, and rolled it around on the grain, so that all the corn was loosened from the ears. Then he had to separate the grain from the chaff. So he made a hole in each side of the roof of the barn, and stood outside the barn and blew, and the chaff and straw flew out into the yard, and the corn remained lying in a heap on the floor. His master happened to come along, laid a ladder against the barn, climbed up and looked down into one of the holes. But Knös was still blowing, and the wind caught his master, and he fell down and was nearly killed on the stone pavement of the court. "He's a dangerous fellow," thought his master. It would be a good thing to be rid of him, otherwise he might do away with all of them; and besides, he ate so that it was all one could do to keep him fed. So he called Knös in, and paid him his wages for the full year, on condition that he leave. Knös agreed, but said he must first be decently provisioned for his journey. So he was allowed to go into the store-house himself, and there he hoisted a flitch of bacon on each shoulder, slid a batch of bread under each arm, and took leave. But his master loosed the vicious bull on him. Knös, however, grasped him by the horns, and flung him over his shoulder, and thus he went off. Then he came to a thicket where he slaughtered the bull, roasted him and ate him together with a batch of bread. And when he had done this he had about taken the edge off his hunger.
Musaicum Books presents to you the collection of the greatest Swedish fairy tales: Knös Lasse, My Thrall! Finn, the Giant, and the Minster of Lund The Skalunda Giant Yuletide Specters Silverwhite and Lillwacker StompePilt The Girl and the Snake Faithful and Unfaithful Starkad and Bale The Werewolf First Born, First Wed The Lame Dog The Mount of the Golden Queen Old Hopgiant The Princess and the Glass Mountain Queen Crane Tales of the Trolls Charcoal Nils and the Troll-Woman The Three Dogs The Poor Devil How Smaland and Schonen Came To Be The Evil One and KittaGrau The Lady of Pintorp The Specter in Fjelkinge The Rooster, the Hand-Mill and the Swarm of Hornets Torre Jeppe The Man Who Died on Holy Innocents'
