Fairies have fluttered through popular fairy tales for many years. Have you ever wondered what fairies look like, where they live, or what kinds of tricks they play? Fly through this book to find out the truth about fairies.
An introduction to fairy folklore shares historical tales of fairy sightings from various cultures, from the West African forest fairies to Scotland's magical brownies.
“The Cottingley Secret tells the tale of two girls who somehow convince the world that magic exists. An artful weaving of old legends with new realities, this tale invites the reader to wonder: could it be true?” — Kate Alcott, New York Times bestselling author of The Dressmaker One of BookBub's Most-Anticipated Books of Summer 2017! The New York Times bestselling author of The Girl Who Came Home turns the clock back one hundred years to a time when two young girls from Cottingley, Yorkshire, convinced the world that they had done the impossible and photographed fairies in their garden. Now, in her newest novel, international bestseller Hazel Gaynor reimagines their story. 1917… It was inexplicable, impossible, but it had to be true—didn’t it? When two young cousins, Frances Griffiths and Elsie Wright from Cottingley, England, claim to have photographed fairies at the bottom of the garden, their parents are astonished. But when one of the great novelists of the time, Sir Arthur Conan Doyle, becomes convinced of the photographs’ authenticity, the girls become a national sensation, their discovery offering hope to those longing for something to believe in amid a world ravaged by war. Frances and Elsie will hide their secret for many decades. But Frances longs for the truth to be told. One hundred years later… When Olivia Kavanagh finds an old manuscript in her late grandfather’s bookshop she becomes fascinated by the story it tells of two young girls who mystified the world. But it is the discovery of an old photograph that leads her to realize how the fairy girls’ lives intertwine with hers, connecting past to present, and blurring her understanding of what is real and what is imagined. As she begins to understand why a nation once believed in fairies, can Olivia find a way to believe in herself?
Don’t be fooled by Tinkerbell and her pixie dust—the real fairies were dangerous. In the late seventeenth century, they could still scare people to death. Little wonder, as they were thought to be descended from the Fallen Angels and to have the power to destroy the world itself. Despite their modern image as gauzy playmates, fairies caused ordinary people to flee their homes out of fear, to revere fairy trees and paths, and to abuse or even kill infants or adults held to be fairy changelings. Such beliefs, along with some remarkably detailed sightings, lingered on in places well into the twentieth century. Often associated with witchcraft and black magic, fairies were also closely involved with reports of ghosts and poltergeists. In literature and art, the fairies still retained this edge of danger. From the wild magic of A Midsummer Night’s Dream, through the dark glamour of Keats, Christina Rosetti’s improbably erotic poem “Goblin Market,” or the paintings inspired by opium dreams, the amoral otherness of the fairies ran side-by-side with the newly delicate or feminized creations of the Victorian world. In the past thirty years, the enduring link between fairies and nature has been robustly exploited by eco-warriors and conservationists, from Ireland to Iceland. As changeable as changelings themselves, fairies have transformed over time like no other supernatural beings. And in this book, Richard Sugg tells the story of how the fairies went from terror to Tink.
Written by a former member of the Monty Python troupe, this satire of the fairy picture hoax of 1895 is riotously witty, visually extraordinary and wildly original. Illustrations.
The true story of British cousins who fooled the world for more than 60 years with a remarkable hoax, photographs of “real” fairies. Exquisitely illustrated with art by Eliza Wheeler as well as the original photos taken by the girls. In 1917, in Cottingley, England, a girl named Elsie took a picture of her younger cousin, Frances. Also in the photo was a group of fairies, fairies that the girls insisted were real. Through a remarkable set of circumstances, that photograph and the ones that followed came to be widely believed as evidence of real fairies. It was not until 1983 that the girls, then late in life, confessed that the Cottingley Fairies were a hoax. Their take is an extraordinary slice of history, from a time when anything in a photograph was assumed to be fact and it was possible to trick an eager public into believing something magical. Exquisitely illustrated with art and the original fairy photographs.
In this study, which is first of all a folk-lore study, we pursue principally an anthropo-psychological method of interpreting the Celtic belief in fairies, though we do not hesitate now and then to call in the aid of philology; and we make good use of the evidence offered by mythologies, religions, metaphysics, and physical sciences.
The myths and legends of the Fair Folk are the oldest in Britain and our Fairy lore is unique to this island. Meetings with Faery are well recorded. Humans have always been aware of a form of life called Fairy, but how exactly do we meet these beings? What is their physical form and nature, and how and where do they live? Here is a deep analysis of the traditional knowledge of the nature of Fairies, and their importance to us, combined with an examination of our interaction with Faery.