The author is introduced to his ancestors by his old aunt Lois. His ancestors are from different ethnic groups but share a bond of love and faith. The story is told as the author struggles with being an epidemiologist in the face of racism and classism. His aunt helps him celebrate each ancestor’s weaknesses, strengths, moral failures, and victories.
Told in the words of the musicians themselves, Keeping the Beat on the Street celebrates the renewed passion and pageantry among black brass bands in New Orleans. Mick Burns introduces the people who play the music and shares their insights, showing why New Orleans is the place where jazz continues to grow. Brass bands waned during the civil rights era but revived around 1970 and then flourished in the 1980s when the music became cool with the younger generation. In the only book to cover this revival, Burns interviews members from a variety of bands, including the Fairview Baptist Church Brass Band, the Dirty Dozen, Tuba Fats' Chosen Few, and the Rebirth Brass Band. He captures their thoughts about the music, their careers, audiences, influences from rap and hip-hop, the resurgence of New Orleans social and pleasure clubs and second lines, traditional versus funk style, recording deals, and touring. For anyone who loves jazz and the city where it was born, Keeping the Beat on the Street is a book to savor. "We should be grateful to Mick Burns for undertaking the task of producing... the only book to cover the subject of what he rightly calls the brass band renaissance." -- New Orleans Music"A welcome look at the history of brass bands. These oral histories provide a valuable contribution to New Orleans musical history.... What shines through the musicians' words is love of craft, love of culture." -- New Orleans Times-Picayune "A seminal work about the Brass Bands of New Orleans." -- Louisiana Libraries
If I Could Turn My Tongue Like That, by Thomas Klingler, is an in-depth study of the Creole language spoken in Pointe Coupee Parish, Louisiana, a community situated on the west bank of the Mississippi River above Baton Rouge that dates back to the early eighteenth century. The first comprehensive grammatical description of this particular variety of Louisiana Creole, Klingler's work is timely indeed, since most Creole speakers in the Pointe Coupee area are over sixty-five and the language is not being passed on to younger generations. It preserves and explains an important yet little understood part of America's cultural heritage that is rapidly disappearing. The heart of the book is a detailed morphosyntactic description based on some 150 hours of interviews with Pointe Coupee Creole speakers. Each grammatical feature is amply illustrated with contextual examples, and Klingler's descriptive framework will facilitate comparative research. The author also provides historical and sociolinguistic background information on the region, examining economic, demographic, and social conditions that contributed to the formation and spread of Creole in Louisiana. Pointe Coupee Creole is unusual, and in some cases unique, because of such factors as the parish's early exposure to English, its rapid development of a plantation economy, and its relative insulation from Cajun French. The volume concludes with transcriptions and English translations of Creole folk tales and of Klingler's conversations with Pointe Coupee's residents, a treasure trove of cultural and linguistic raw data. This kind of rarely printed material will be essential in preserving Creole in the future. Encylopedic in its approach and featuring a comprehensive bibliography, If I Could Turn My Tongue Like That is a rich resource for those interested in the development of Louisiana Creole and in Francophony.
Claude Wheeler is a young man who was born after the American frontier has vanished. The son of a successful farmer and an intensely pious mother, Wheeler is guaranteed a comfortable livelihood. Nevertheless, Wheeler views himself as a victim of his father's success and his own inexplicable malaise.Thus, devoid of parental and spousal love, Wheeler finds a new purpose to his life in France, a faraway country that only existed for him in maps before the First World War. Will Wheeler ever succeed in his new goal? The novel is inspired from real-life events and also won the Pulitzer Prize in 1923.
Written by a distinguished musicologist, this comprehensive history of musical instruments traces their evolution from prehistoric times in a fusion of music, anthropology, and fine arts. Includes 24 plates and 167 illustrations.
