"An erudite, intelligent and imaginative work of literary scholarship. With vivacity, grace, and wit, Doody traces the history (of the novel) from the ancient novels of Apuleium and Heliodorus through the Renaissance fictions of Boccaccio, Cervantes, and Rabelais to the 'official' birth of the novel in 18th-century England".--BOSTON GLOBE. 39 illustrations.
“A gripping, ripped-from-headlines tale.” —People “Spellbinding.” —Megan Abbott, The New York Times Book Review Tracing the fifteen-year fallout of a toxic high school rumor, a riveting, astonishingly original debut novel about the power of stories—and who gets to tell them 2015. A gifted and reclusive ghostwriter, Alice Lovett makes a living helping other people tell their stories. But she is haunted by the one story she can't tell: the story of, as she puts it, "the things that happened while I was asleep." 1999. Nick Brothers and his lacrosse teammates return for their senior year at their wealthy Maryland high school as the reigning state champions. They're on top of the world—until two of his friends drive a passed-out girl home from of the team's "legendary" parties, and a rumor about what happened in the backseat spreads through the town like wildfire. The boys deny the allegations, and, eventually, the town moves on. But not everyone can. Nick descends into alcoholism, and Alice builds a life in fits and starts, underestimating herself and placing her trust in the wrong people. When she finally gets the opportunity to confront the past she can't remember—but which has nevertheless shaped her life—will she take it? An inventive and breathtaking exploration of a woman finding her voice in the wake of trauma, True Story is part psychological thriller, part fever dream, and part timely comment on sexual assault, power, and the very nature of truth. Ingeniously constructed and full of twists and turns that will keep you guessing until the final pages, it marks the debut of a singular and daring new voice in fiction.
NEW YORK TIMES BESTSELLER • “Driving, wild and hilarious” (The Washington Post), here is the incredible “memoir” of the legendary actor, gambler, raconteur, and Saturday Night Live veteran. When Norm Macdonald, one of the greatest stand-up comics of all time, was approached to write a celebrity memoir, he flatly refused, calling the genre “one step below instruction manuals.” Norm then promptly took a two-year hiatus from stand-up comedy to live on a farm in northern Canada. When he emerged he had under his arm a manuscript, a genre-smashing book about comedy, tragedy, love, loss, war, and redemption. When asked if this was the celebrity memoir, Norm replied, “Call it anything you damn like.”
The improbable but true story of a man accused of murdering his entire family and the journalist he impersonated while on the run In 2001, Mike Finkel was on top of the world: young, talented, and recently promoted to a plum job at the New York Times Magazine. Then he made an irremediable slip: Under extraordinary pressure to keep producing blockbuster stories, he fabricated parts of an article. Caught and excommunicated from the Times, he retreated to his home in Montana, swearing off any contact with the media. When the phone rang, though, he couldn’t resist. At the other end was a reporter from the San Francisco Chronicle, whom Finkel congratulated on being the first in what was sure to be a long and bloodthirsty line of media watchdogs. The reporter was puzzled. In Waldport, Oregon, Christian Longo had killed his young wife and three children and dumped their bodies into the bay. With a stolen credit card, he fled south, making his way to Cancun, where he lived for several weeks under an assumed identity: Michael Finkel, journalist for the New York Times. True Story is the tale of a bizarre and convoluted collision between fact and fiction, and a meditation on the slippery nature of truth. When Finkel contacts Longo in jail, the two men begin a close and complex relationship. Over the course of a year, they exchange long letters and weekly phone calls, playing out a cat-and-mouse game in which it’s never quite clear if the pursuer is Finkel or Longo—or both. Finkel’s dogged pursuit of the true story pays off only at the end, in the gripping trial scenes in which Longo, after a lifetime of deception, finally tells the whole truth. Or so he says.
'A wonderful literary trompe l'oeil: a book about friendship, writing and the boundary between reality and fantasy ... Dark, smart, strange, compelling' Harriet Lane, bestselling author of Her Overwhelmed by the huge success of her latest novel, exhausted and suffering from a crippling inability to write, Delphine meets L. L. embodies everything Delphine admires; sophisticated and unusually intuitive, she slowly but deliberately carves herself a niche in the writer's life. However, as she makes herself indispensable to Delphine, the intensity of this unexpected friendship manifests itself in increasingly sinister ways. And as their lives become further entwined, L. begins to threaten Delphine's identity and her safety.
This book provides an overview of the grand narrative of the Bible, showing how God's action in the world gives meaning to our lives and provides us with a foundation for our actions. The authors' bestselling textbook, The Drama of Scripture, presented this message for a student audience. It was then abridged and published at a more popular level as The True Story of the Whole World. This revised edition has been further updated and streamlined throughout for church readers and small groups. It includes contemporary reflection sections and discussion questions for individual or group use in each chapter.
Based on a real scientific event and inspired by a beloved real human in the author's life, this is a story about science and the poetry of existence; about time and chance, genetics and gender, love and death, evolution and infinity -- concepts often too abstract for the human mind to fathom, often more accessible to the young imagination; concepts made fathomable in the concrete, finite life of one tiny, unusual creature dwelling in a pile of compost amid an English garden. Emerging from this singular life is a lyrical universal invitation not to mistake difference for defect and to welcome, across the accordion scales of time and space, diversity as the wellspring of the universe's beauty and resilience.
"Nephew of Sitting Bull, chief of the Sioux, Pte San Hunka (White Bull) was a famous warrior in his own right. ... On the afternoon of June 25, 1876, five troops of the U.S. Seventh Cavalry under the command of George Armstrong Custer rode into the valley of Little Big Horn River, confidently expecting to rout the Indian encampments there. Instea, the cavalry met the gathered strength of Sioux and Cheyenne warriors, who did not run as expected but turned the battle toward the soldiers. White Bull charged again and again, fighting until the last soldier was dead. The battle was Custer's Last Stand, and White Bull was later referred to as the warrior who killed Custer. In 1932 White Bull related his life story to Stanley Vestal, who corroborated the details from other sources and prepared this biography."--
There is not a dragon in the collection, nor even a giant; witches, here, play no part, and almost all the characters are grown up. On the other hand, if we have no fairies, we have princes in plenty, and a sweeter young prince than Tearlach (as far as this part of his story goes) the editor flatters himself that you shall nowhere find, not in Grimm, or Dasent, or Perrault. Still, it cannot be denied that true stories are not so good as fairy tales. They do not always end happily, and, what is worse, they do remind a young student of lessons and schoolrooms... There is, to be honest, no way of getting over this difficulty. But the editor vows that he does not mean to teach anybody, and he has tried to mix the stories up so much that no clear and consecutive view of history can possibly be obtained from them; moreover, when history does come in, it is not the kind of history favoured most by examiners. They seldom set questions on the conquest of Mexico, for example.
