Everything you wanted to know about the Peace Corps, but were afraid to ask. A rare powerful story with baby boomer appeal showing that despite personal tragedy, you can always forge a new direction.
Frederick R. Dickinson illuminates a new, integrative history of interwar Japan that highlights the transformative effects of the Great War far from the Western Front. World War I and the Triumph of a New Japan, 1919–1930 reveals how Japan embarked upon a decade of national reconstruction following the Paris Peace Conference, rivalling the monumental rebuilding efforts in post-Versailles Europe. Taking World War I as his anchor, Dickinson examines the structural foundations of a new Japan, discussing the country's wholehearted participation in new post-war projects of democracy, internationalism, disarmament and peace. Dickinson proposes that Japan's renewed drive for military expansion in the 1930s marked less a failure of Japan's interwar culture than the start of a tumultuous domestic debate over the most desirable shape of Japan's twentieth-century world. This stimulating study will engage students and researchers alike, offering a unique, global perspective of interwar Japan.
As seen on PBS's American Spring LIVE, the award-winning author of Buzz and Feathers presents a natural and human history of seeds, the marvels of the plant kingdom. "The genius of Hanson's fascinating, inspiring, and entertaining book stems from the fact that it is not about how all kinds of things grow from seeds; it is about the seeds themselves." -- Mark Kurlansky, New York Times Book Review We live in a world of seeds. From our morning toast to the cotton in our clothes, they are quite literally the stuff and staff of life: supporting diets, economies, and civilizations around the globe. Just as the search for nutmeg and pepper drove the Age of Discovery, coffee beans fueled the Enlightenment and cottonseed sparked the Industrial Revolution. Seeds are fundamental objects of beauty, evolutionary wonders, and simple fascinations. Yet, despite their importance, seeds are often seen as commonplace, their extraordinary natural and human histories overlooked. Thanks to this stunning new book, they can be overlooked no more. This is a book of knowledge, adventure, and wonder, spun by an award-winning writer with both the charm of a fireside story-teller and the hard-won expertise of a field biologist. A fascinating scientific adventure, it is essential reading for anyone who loves to see a plant grow.
With a particular focus on the court ballet, comedy-ballet, opera, and opera-ballet, Georgia J. Cowart tells the long-neglected story of how the festive arts deployed an intricate network of subversive satire to undermine the rhetoric of sovereign authority.
Most studies of World War II assume that it was, in some way, a triumph for Britain. John Charmley’s important new reappraisal of the immediate origins of the war is based on extensive new work in the Chamberlain papers. It starts from Chamberlain’s belief that even a victorious war would be a disaster—it would destroy the foundations of British power and hand over Europe to Russian domination. Reconstructing Chamberlain’s policy assumptions, Mr. Charmley argues that they were neither naïve nor foolish. While focusing on the prime minister’s personality, he also shows that Chamberlain’s views were shared by many other leading politicians and diplomats. Mr. Charmley thus resurrects a whole school of thought on foreign policy which was forgotten in the wake of Churchill’s triumph. Unlike Churchill, Chamberlain was not prepared to gamble an empire; but events produced, according to Mr. Charmley, indeed a “human tragedy.” Early British reviews of the book have called it “important,” “entertaining and absorbing,” “concise and spirited,” and “provocative.” The Guardian wrote: “Chamberlain hardly emerges a hero from these pages, but at least there is no excuse left for regarding him as no more than a wimp in a wing-collar.”
Historians have traditionally drawn distinctions between Ulysses S. Grant's military and political careers. In Let Us Have Peace, Brooks Simpson questions such distinctions and offers a new understanding of this often enigmatic leader. He argues that during the 1860s Grant was both soldier and politician, for military and civil policy were inevitably intertwined during the Civil War and Reconstruction era. According to Simpson, Grant instinctively understood that war was 'politics by other means.' Moreover, he realized that civil wars presented special challenges: reconciliation, not conquest, was the Union's ultimate goal. And in peace, Grant sought to secure what had been won in war, stepping in to assume a more active role in policymaking when the intransigence of white Southerners and the obstructionist behavior of President Andrew Johnson threatened to spoil the fruits of Northern victory.