The Treasury of Clean Jokes provides a witty alternative to the often coarse humor found in much of today's books and media. This volume provides hundreds of hilarious stories, puns, and riddles that are appropriate for any audience.
For speakers, preachers, or anyone who enjoys a good laugh, this series is a treasure! All jokes are conveniently listed by subject for quick reference and preparation on the run.
This collection of clean jokes gives young people a witty alternative to the often coarse humor found in much of today's books and media. Hundreds of hilarious stories, puns, and riddles that are appropriate for any audience are included.
What do you call 600 lawyers at the bottom of the sea? Marc Galanter calls it an opportunity to investigate the meanings of a rich and time-honored genre of American humor: lawyer jokes. Lowering the Bar analyzes hundreds of jokes from Mark Twain classics to contemporary anecdotes about Dan Quayle, Johnnie Cochran, and Kenneth Starr. Drawing on representations of law and lawyers in the mass media, political discourse, and public opinion surveys, Galanter finds that the increasing reliance on law has coexisted uneasily with anxiety about the “legalization” of society. Informative and always entertaining, his book explores the tensions between Americans’ deep-seated belief in the law and their ambivalence about lawyers.
In the Dutch countryside the war seems far away. For most people, at least. But not for Ed, a Jew in Nazi-occupied Holland trying to find some safe sanctuary. Compelled to go into hiding in the rural province of Zeeland, he is taken in by a seemingly benevolent family of farmers. But, as Ed comes to realize, the Van 't Westeindes are not what they seem. Camiel, the son of the house, is still in mourning for his best friend, a German soldier who committed suicide the year before. And Camiel's fiery, unstable sister Mariete begins to nurse a growing unrequited passion for their young guest, just as Ed realizes his own attraction to Camiel. As time goes by, Ed is drawn into the domestic intrigues around him, and the farmhouse that had begun as his refuge slowly becomes his prison.
Grab your giggle box! Here comes Barbara Johnson with another helping heap of joy for women of all ages, aches, and "architecture." Author Barbara Johnson's encouraging book about a woman's adventures in aging, Living Somewhere Between Estrogen and Death, became the number-one best-selling paperback in the Christian market for the year in which it was published. Soon hordes of happy readers were flooding Barbara's mailbox with their own favorite jokes, touching stories, and hilarious tales of female misadventures. Now Barb has packed that amazing collection of wacky wit into this boisterously funny new book that's full of "laff leaks" about every stage of a woman's life?from diapers to dentures. No matter what stage of the "hormonal cesspool" you're splashing through, there's something here to touch your heart. You'll love Barb's quirky empty-nest de-cluttering strategies, her joyful insights on stress-soothing, husband-handling, kid-corralling, and parent-parenting in chapters like these: Having a Baby Is Like Writing a Book?Lots of Whining, Begging, and Pushing Who Are These Kids, and Why Are They Calling Me Mom? I Finally Got My Head Together?Then My Body Fell Apart We Started Out With Nothing?and Still Have Most of It Left Leaking Laffs Between Pampers and Depends is a heart-warming ride over the waves of humor in God's endless sea of love.
As playgoers hear the voices in Marilyn Monroes head and encounter seven visitors to James Dean, they must rethink their relationships with cultural icons. As they ride through a Louisiana swamp in the middle of a hurricane, they must rethink their own lives and losses. ONeill can somehow enable her audiences to laugh uproariously while re-examining the lies they have been telling themselves. Katherine H. Adams, HUTCHINSON PROFESSOR OF ENGLISH, LOYOLA UNIVERSITY NEW ORLEANS Rosary ONeills third volume of plays certainly provides ample evidence of the playwrights versatility and artistic fertility. As our resident dramatist, our 112 year-old institution is so proud we have this gifted artist at this period of world history that has never needed more the power of theatre to confront, alert, and awaken. O. Aldon James PRESIDENT, NATIONAL ARTS CLUB, NEW YORK, NY Rosarys work has scope: From her Southern Gothic roots, her epic collection of plays about a dysfunctional Louisiana family, to that Boulevard of broken dreams, Hollywood. Finally on to her great insights into the worlds of other great artists of the past, Rosary leaves no stone unturned. Peter Bloch DIRECTOR, NEW YORK, NY
Both anthologies are about New Orleans: the past and the present. This author has grown up in this city, and there is a certain timelessness about it - the past definitely influences the present. All the plays are permeated with the sensuousness, decadence and bewilderment of brave and driven people living in chaos, confusion, extreme pleasure and delight. I hope you get a taste of this rich jambalaya of life as you experience these plays. Volume Two contains historical plays, mostly Victorian, with characters driven by stratified society and tradition. Knowledge of New Orleans history made me want to adapt Uncle Vanya. I loved the play but felt its details were too Russian. I took the bones of Vanya and put it on a plantation called Waverly, the last sugarcane plantation in Louisiana, and called my play Uncle Victor. That play won a number of awards and hooked me on historical drama. I also researched Edgar Degas' visit to New Orleans in 1872 and wrote a nine-cast show, so struck was I by all Degas' relatives who had lived with him in 1872. Degas had tried to save his Uncle's failing cotton business and create new roots in the city of his mother. He fell prey to scandal and decadence. I spent days visiting Kate Chopin's house in Cloutierville, La. and interviewed descendents of Chopin's lover Albert Sanpitie and town members about the scandals of her life. I researched in French and English all the books on Degas. I did similar research in New York and Paris for Beckett at Greystones Bay and John Singer Sargent and Madame X, which are loosely tied to New Orleans. We are glad Degas did go back to Paris and paint and didn't succumb to the temptations of New Orleans. We are pleased Sargent refused to change his scorned portrait of Madame X and that Kate Chopin forged a way to raise her six children and still write.