The Transmigration of Timothy Archer, the final novel in the trilogy that also includes Valis and The Divine Invasion, is an anguished, learned, and very moving investigation of the paradoxes of belief. It is the story of Timothy Archer, an urbane Episcopal bishop haunted by the suicides of his son and mistress--and driven by them into a bizarre quest for the identity of Christ. From the Trade Paperback edition.
This e-book only edition brings together the three novels of Philip K. Dick's VALIS trilogy. VALIS What is VALIS? This question is at the heart of Philip K. Dick’s groundbreaking novel, the first book in his defining trilogy. When a beam of pink light begins giving a schizophrenic man named Horselover Fat (who just might also be known as Philip K. Dick) visions of an alternate Earth where the Roman Empire still reigns, he must decide whether he is crazy, or whether a godlike entity is showing him the true nature of the world. The Divine Invasion God is not dead, he has merely been exiled to an extraterrestrial planet. And it is on this planet that God meets Herb Asher and convinces him to help retake Earth from the demonic Belial. As the middlie novel of Dick's VALIS trilogy, The Divine Invasion plays a pivotal role in answering the questions raised by the first novel, expanding that world while exploring just how much anyone can really know -- even God himself. The Transmigration of Timothy Archer The final book in the VALIS trilogy, The Transmigration of Timothy Archer brings the author’s search for the identity and nature of God to a close. The novel follows Bishop Timothy Archer as he travels to Israel, ostensibly to examine ancient scrolls bearing the words of Christ. But, more importantly, this leads him to examine the decisions he made during his life and how they may have contributed to the suicide of his mistress and son.
From the acclaimed author of VALIS, the world of an Episcopal bishop is shaken up by death and the discovery of ancient scrolls in Israel. The final book in Philip K. Dick’s VALIS trilogy, The Transmigration of Timothy Archer brings the author’s search for the identity and nature of God to a close. The novel follows Bishop Timothy Archer as he travels to Israel, ostensibly to examine ancient scrolls bearing the words of Christ. But, more importantly, this leads him to examine the decisions he made during his life and how they may have contributed to the suicide of his mistress and son. This introspective book is one of Dick’s most philosophical and literary, delving into the mysteries of religion and of faith itself. As one of Dick’s final works, it also provides unique insight into the mind of a genius, whose work was still in the process of maturing at the time of his death. “An eerie and splendid book.”—Washington Post
n The Divine Invasion, Philip K. Dick asks: What if God--or a being called Yah--were alive and in exile on a distant planet? How could a second coming succeed against the high technology and finely tuned rationalized evil of the modern police state? The Divine Invasion "blends Judaism, Kabalah, Zoroastrianism, and Christianity into a fascinating fable of human existence" (West Coast Revew of Books). From the Trade Paperback edition.
Interviews with the genius behind The Man in the High Castle and countless other science fiction classics. In the field of science fiction, Philip K. Dick is unparalleled. His novel Do Androids Dream of Electric Sheep? became the classic film Blade Runner. His short story “The Minority Report” was adapted for the screen by Steven Spielberg. The Man in the High Castle has become a hit series on Amazon, and those titles represent only a small fraction of his work. In November 1982, six months before the author’s untimely death, journalist Gwen Lee recorded the first of several in-depth discussions with Philip K. Dick that continued over the course of the next three months. This transcription is a fascinating read for anyone interested in the field of science fiction. “These transcripts bring fresh insights—notably, into the imaginative biotech plot line of the unwritten The Owl in Daylight . . . Dick also discusses music, writing, philosophers and his 1974–1975 mystical visions, when the revelation of his son’s undiagnosed birth defect—‘down to anatomical details’—saved the child’s life . . . Fans will rejoice.” —Publishers Weekly
"A great and calamitous sequence of arguments with the universe: poignant, terrifying, ludicrous, and brilliant. The Exegesis is the sort of book associated with legends and madmen, but Dick wasn't a legend and he wasn't mad. He lived among us, and was a genius."-Jonathan Lethem Based on thousands of pages of typed and handwritten notes, journal entries, letters, and story sketches, The Exegesis of Philip K. Dick is the magnificent and imaginative final work of an author who dedicated his life to questioning the nature of reality and perception, the malleability of space and time, and the relationship between the human and the divine. Edited and introduced by Pamela Jackson and Jonathan Lethem, this will be the definitive presentation of Dick's brilliant, and epic, final work. In The Exegesis, Dick documents his eight-year attempt to fathom what he called "2-3-74," a postmodern visionary experience of the entire universe "transformed into information." In entries that sometimes ran to hundreds of pages, Dick tried to write his way into the heart of a cosmic mystery that tested his powers of imagination and invention to the limit, adding to, revising, and discarding theory after theory, mixing in dreams and visionary experiences as they occurred, and pulling it all together in three late novels known as the VALIS trilogy. In this abridgment, Jackson and Lethem serve as guides, taking the reader through the Exegesis and establishing connections with moments in Dick's life and work.
Winner of the 2022 Australian Shadows Award for Best Long Fiction Nominated for the 2023 British Fantasy Award for Best Novella "Intelligent, compassionate and unsettling."—The New York Times “Devlin twists and breaks the typical zombie narrative without spoiling one of the cleverest conceits in recent horror. Suffice to say that the author takes a scalpel to the post-truth era.”—Esquire In the tradition of Mira Grant and Stephen Graham Jones, Malcolm Devlin’s And Then I Woke Up is a creepy, layered, literary story about false narratives and their ability to divide us. In a world reeling from an unusual plague, monsters lurk in the streets while terrified survivors arm themselves and roam the countryside in packs. Or perhaps something very different is happening. When a disease affects how reality is perceived, it’s hard to be certain of anything... Spence is one of the “cured” living at the Ironside rehabilitation facility. Haunted by guilt, he refuses to face the changed world until a new inmate challenges him to help her find her old crew. But if he can’t tell the truth from the lies, how will he know if he has earned the redemption he dreams of? How will he know he hasn’t just made things worse? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
WINNER OF A NATIONAL JEWISH BOOK AWARD A USA TODAY BESTSELLER "A gifted writer, astonishingly adept at nuance, narration, and the politics of passion."—Toni Morrison Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history. When Helen is summoned by a former student to view a cache of newly discovered seventeenth-century Jewish documents, she enlists the help of Aaron Levy, an American graduate student as impatient as he is charming, and embarks on one last project: to determine the identity of the documents' scribe, the elusive "Aleph." Electrifying and ambitious, The Weight of Ink is about women separated by centuries—and the choices and sacrifices they must make in order to reconcile the life of the heart and mind.
Louis Rosen and his partners sell people--ingeniously designed, historically authentic simulacra of personages such as Edwin M. Stanton and Abraham Lincoln. The problem is that the only prospective buyer is a rapacious billionaire whose plans for the simulacra could land Louis in jail. Then there's the added complication that someone--or something--like Abraham Lincoln may not want to be sold. Is an electronic Lincoln any less alive than his creators? Is a machine that cares and suffers inferior to the woman Louis loves--a borderline psychopath who does neither? With irresistible momentum, intelligence, and wit, Philip K. Dick creates an arresting techno-thriller that suggests a marriage of Bladerunner and Barbarians at the Gate.
