The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.
Danto argues that recent developments in art--in particular the production of works that cannot be told from ordinary things--make urgent the need for a new theory of art. He demonstrates the relationship between philosophy and art and the connections that hold between art, social institutions, and art history.
“This book will prove to be a most effective weapon… against the debunking and skeptical attitudes toward the Gospels that are so prevalent, not only in academe, but also on the street, among young people who, sadly, are leaving the Churches in droves.” – Robert Barron, author of Catholicism For well over a hundred years now, many scholars have questioned the historical truth of the Gospels, claiming that they were originally anonymous. Others have even argued that Jesus of Nazareth did not think he was God and never claimed to be divine. In The Case for Jesus, Dr. Brant Pitre, the bestselling author of Jesus and the Jewish Roots of the Eucharist, goes back to the sources—the biblical and historical evidence for Christ—in order to answer several key questions, including: • Were the four Gospels really anonymous? • Are the Gospels folklore? Or are they biographies? • Were the four Gospels written too late to be reliable? • What about the so-called “Lost Gospels,” such as “Q” and the Gospel of Thomas? • Did Jesus claim to be God? • Is Jesus divine in all four Gospels? Or only in John? • Did Jesus fulfill the Jewish prophecies of the Messiah? • Why was Jesus crucified? • What is the evidence for the Resurrection? As The Case for Jesus will show, recent discoveries in New Testament scholarship, as well as neglected evidence from ancient manuscripts and the early church fathers, together have the potential to pull the rug out from under a century of skepticism toward the traditional Gospels. Above all, Pitre shows how the divine claims of Jesus of Nazareth can only be understood by putting them in their ancient Jewish context.
Jesus: His Story in Stone is a reflection on still-existing stone objects that Jesus would have known, seen, or even touched. Each of the seventy short chapters is accompanied by a photograph taken on location in Israel. Arranged chronologically, the one-page meditations compose a portrait of Christ as seen through the significant stones in His life, from the cave where He was born to the rock of Calvary. While packed with historical and archaeological detail, the book’s main thrust is devotional, leading the reader both spiritually and physically closer to Jesus.
Our Bibles consistently use the noun 'Transfiguration' with regard to Jesus but 'Transformation' with regard to the Christian - and yet it is one and the same verb, transliterated 'metamorphosed, ' that is used in those places in the original text. Why is that so? Is there an important difference between them? And why does the noun 'metamorphosis' which is familiar to us never occur in the New Testament? And yet is there some connection between the Transfiguration of Jesus and the Transformation of the Christian? Hywel R. Jones presents answers to these questions in this book. In the course of doing so he shows how the divine can penetrate the human without destroying it as in the Person of Christ, and how the human can become conformed to the divine without its ceasing to be human as in the case of the Christian. That kind of metamorphosis accords and exalts the Christian gospel over against the humanism of our culture, whether secularised or spiritualised. There is a distinction between God and Man which will never be obliterated but preserved for ever - even in the glorified Christ in whom they are joined. But communion between the God-Man and his believing people will result in each Christian being fully conformed to the perfect humanity of Christ while retaining his or her own individuality. It will not result in a faceless absorption into the divine but face to face communion with the triune God for ever. 'The transfiguration of Christ shows how the divine can penetrate the human without destroying it. The transformation of the believer shows how the human can become conformed to the divine without its ceasing to be human. This is the ultimate metamorphosis that is compatible with Christian truth.' -- HYWEL R. JONES
"The episode of the Transfiguration of Jesus plays a key role in the narrative of the Synoptic Gospels. Peter and his fellow Apostles have just acknowledged Jesus to be Israel’s long-awaited Messiah, and have been shocked by Jesus’ immediate prediction of his coming passion and death. Now Peter, James and John are allowed to share an extraordinary vision, marking him out as truly God’s own Son, radiant with divine glory. Early Christian commentators and preachers recognized the crucial importance of this incident for Christian faith and discipleship, as pointing in advance to the power of the cross and resurrection of Christ. The liturgical feast of the Transfiguration, anticipating that of the Exaltation of the Cross by forty days, came to be celebrated in the Eastern and Western Churches, beginning in the seventh century; yet since at least the third century, theologians have reflected on the significance of this event for the life of faith. This volume brings together, in a new translation, a comprehensive collection of homilies on the Transfiguration of Christ from the Greek Patristic and Medieval Church, from Origen in the third century to St. Gregory Palamas in the fourteenth. Together they form a profound and moving set of meditations, from many perspectives and in many voices, on “the light of the recognition of the glory of God in the face of Christ” (II Cor 4.6), and on its importance for our lives"--
"This book taps the vein of the blending of theology and art in the Middle Ages, in particular, the evolution of the imagery and theology surrounding the Transfiguration Of Christ. In this well-researched volume, Andreas Andreopoulos discusses in detail every philosophical and ritual application of the Transfiguration icon - the mountain, the cloud, the mandorla, the positioning of the apostles, the Old Testament prophets, and the image of Christ himself - taking the reader through an illustrated historical journey. The author simplifies the complex relationship between the dogma of the church fathers and Byzantine art and makes it understandable to a non-specialist audience. Nevertheless, theologians, historians, and art historians alike will appreciate the interdisciplinary value of this clearly presented documentation. Andreopoulos's expert use of patristic texts and Jewish sources, as well as the New Testament and apocryphal writings and pagan sources, elucidates the development of art and doctrine that surround this scriptural epiphany."--BOOK JACKET.
Friedrich Nietzsche and the Politics of Transfiguration provides a comprehensive analysis of the politics that are implicit and explicit in Nietzsche's work. Tracy B. Strong's discussion shows that Nietzsche's writings are of a piece and have as their common goal a politics of transfiguration: a politics that seeks radical change in how human beings live and act in the modern Western world. This edition includes a new introduction that demonstrates how the styles of Nietzsche's writings expand our notions of democratic politics and democratic understanding.
Journey with Christ to Mount Tabor, where He reveals His Divinity to Peter, James, and John - Be glad today! Be glad and sing! / For Jesus Christ, the King of kings / and Lord of lords, on Tabor shines / With uncreated Light Divine!