Theory and Practice in the Conservation of Modern and Contemporary Art
Theory and Practice in the Conservation of Modern and Contemporary Art

Author: Ursula Schädler-Saub

Publisher: Archetype Publications

Published: 2010

Total Pages: 240

ISBN-13:

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"The papers in this volume ... confront the theoretical foundation and the ethical and aesthetical principles of the conservation of modern and contemporary art, testing the limits and possibilities of the development of established positions and seeking new challenges. The authors tackle the crucial question-- whether there should be specific theoretical, ethical and aesthetical guidelines for the conservation and restoration of modern and contemporary art-- by starting from important historical theories and seeing how these might be adapted to meet the demands of contemporary society in dealing with modern artworks and all the multiform cultural manifestations of today"--Page 4 of cover.

Ground Layers in European Painting 1550-1750
Ground Layers in European Painting 1550-1750

Author: Anne Haack Christensen

Publisher:

Published: 2020

Total Pages: 0

ISBN-13: 9781909492790

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Most of the papers in this volume were presented at the CATS international technical art history conference in June 2019 titled Mobility Creates Masters - Discovering Artists' Grounds 1550-1700, which explored the introduction of, and change to, the colored ground layers in European paintings form the Early Modern period. The title of the conference stemmed from the desire to instigate new research projects within the topic of the influence of artists' mobility on material choices and techniques related to the preparation of paintings. As well as contributions presented at the conference, this volume includes additional papers from recent research exploring the same topic. The volume begins with several studies on the documentation of grounds. The contributions are then arranged according to the country in which the painter was active, from southern Europe moving northwards. The lavishly illustrated contributions in this volume deal with the above questions and shed light on different methods of preparing painting supports, the purpose of preparatory layers, materials used in different countries and influence of shifts in fashion or availability of materials on ground layers. This fifth CATS Proceedings will be of interest to scholars and students, and museum professionals including curators, conservators, art historians and conservation scientists.

Hidden Waters of New York City: A History and Guide to 101 Forgotten Lakes, Ponds, Creeks, and Streams in the Five Boroughs
Hidden Waters of New York City: A History and Guide to 101 Forgotten Lakes, Ponds, Creeks, and Streams in the Five Boroughs

Author: Sergey Kadinsky

Publisher: The Countryman Press

Published: 2016-03-07

Total Pages: 340

ISBN-13: 1581575661

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A guide to the forgotten waterways hidden throughout the five boroughs Beneath the asphalt streets of Manhattan, creeks and streams once flowed freely. The remnants of these once-pristine waterways are all over the Big Apple, hidden in plain sight. Hidden Waters of New York City offers a glimpse at the big city’s forgotten past and ever-changing present, including: Minetta Brook, which ran through today's Greenwich Village Collect Pond in the Financial District, the city's first water source Newtown Creek, separating Brooklyn and Queens Bronx River, still a hotspot for urban canoeing and hiking Filled with eye-opening historical anecdotes and walking tours of all five boroughs, this is a side of New York City you’ve never seen.

Two Golden Ages
Two Golden Ages

Author: Lene Bøgh Rønberg

Publisher: University of Washington Press

Published: 2001

Total Pages: 188

ISBN-13:

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Like the seventeenth century in Holland, the Danish Golden Age in the first half of the nineteenth century was an important period in which painting grew and flourished. Despite the gap of almost 200 years the Dutch masters were a source of inspiration fo

Trading Paintings and Painters' Materials
Trading Paintings and Painters' Materials

Author: Anne Haack Christensen

Publisher:

Published: 2019-07-08

Total Pages: 170

ISBN-13: 9781909492714

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The papers in this volume were presented at the CATS international technical art history conference Trading Paintings and Painters' Materials 1550-1800 which explored international markets for paintings and artists' materials in the early modern period and their implications for artistic production. Questions central to these papers include: did preferences exist for artists' materials and paintings from specific geographical areas in particular places and if so why? How did the import of painting materials and artworks impact local production, connoisseurship and art theory? In what conditions were these artists' materials and finished artworks produced and traded in early modern Europe and beyond? The lavishly illustrated contributions in this volume deal with the above questions and shed light on different trades, products, countries and timeframes by combining a large variety of methods and sources, including visual analyses, written sources, pigment analyses and archaeological excavations. This fourth CATS Proceedings will be of interest to scholars and students, museum professionals, curators, conservators, art historians and conservation scientists.

Studying the European Visual Arts 1800-1850
Studying the European Visual Arts 1800-1850

Author: Centre for Art Technological Studies and Conservation. Conference

Publisher:

Published: 2017

Total Pages: 0

ISBN-13: 9781909492523

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-A publication collecting the papers from the CATS conference, Technology & Practice: Studying the European Visual Arts 1800-1850 This publication contains papers from the CATS conference - Technology & Practice: Studying the European Visual Arts 1800-1850. The conference focused on artists' techniques and materials, written sources, conservation science, the history of science and technology, history of trade, and innovation of artists' materials during the first half of the 19th century. In the preceding several decades a succession of art academies emerged throughout Europe, and another focal point of the conference was the impact of these institutions on a new generation of artists, examining how this manifested itself in their paintings, sculpture, interiors and art on paper.

Women Artists in Paris, 1850-1900
Women Artists in Paris, 1850-1900

Author: Laurence Madeline

Publisher: Yale University Press

Published: 2017-01-01

Total Pages: 289

ISBN-13: 0300223935

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Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher.