The second volume in the Nobel Prize winning author Elias Canetti's trilogy of memoirs, The Torch in My Ear This book presents an account of Canetti's young manhood, of his arrival in Vienna in the early 1920s, of his schooling, and of the beginning of his life as a writer.
A compelling account of the development of a great artist, and a portrait of the tragic character of an entire era The uncompromising achievement of Elias Canetti has been matched by few writers this century. Canetti worked brilliantly in many forms, but the three volumes that comprise his autobiography are where his genius is perhaps most evident. The first volume, The Tongue Set Free, presents the events, personalities, and intellectual forces that fed Canetti's early creative development. The Torch in My Ear explores his admiration for the first great mentor of his adulthood, Karl Krauss, and also describes his first marriage. The final volume, The Play of the Eyes, is set in Vienna between 1931 and 1937, with the European catastrophe imminent; here he vividly portrays relationships with Hermann Broch and Robert Musil, among others.
The Play of the Eyes is the third volume in Nobel Prize winning author Elias Canetti's trilogy of memoirs. Here, Canetti describes his young adult life as he tries to make it as a writer in Vienna during the 1930s, and provides vivid accounts of the remarkable figures he meets along the way, usually in cafes, from Robert Musil, Thomas Mann, and Herman Broch, among others. "Canetti uses a dramatist's gifts here to achieve emotional depth; his mother's death, sketched simply against the backdrop of a crumbling Europe, takes on a tragic dignity." - Publishers Weekly
Elsie Levy was born in the Jewish East End of London, came to Sydney with her family when she was 14, and joined the Communist Party of Australia when she was a young woman. In this book, her son explores her disaporic Jewish identity, both English and Australian, and in the process journeys into Jewish cultural histories. We meet important cultural figures such as Leonard Woolf, Freud, Schnitzler, Veza Canetti and Ida Rubinstein. This journey leads also to English anti-Semitism, including, shockingly, Bloomsbury. In turning to Communism and marrying out, Elsie Levy became one of history's undutiful daughters.
"The Elsewhere." Or, midbar-biblical Hebrew for both "wilderness" and "speech." A place of possession and dispossession, loss and nostalgia. But also a place that speaks. Ingeniously using a Talmudic interpretive formula about the disposition of boundaries, Newton explores narratives of "place, flight, border, and beyond." The writers of The Elsewhere are a disparate company of twentieth-century memoirists and fabulists from the Levant (Palestine/Israel, Egypt) and East Central Europe. Together, their texts-cunningly paired so as to speak to one another in mutually revelatory ways-narrate the paradox of the "near distance."
Luka Kane has been inside hi-tech prison the Loop for over two years. A death sentence is hanging over his head but his day-to-day routine is mind-numbingly repetitive. Then everything changes. Soon, Luka has to face a new reality: breaking out of the Loop might be his only chance to save himself - and the world ...
Through an interlocking series of texts and images, this work explores how extreme sensations such as wonder, misery, ecstasy and rage have been portrayed at different moments in Western culture. Moving across multiple fields of creative endeavour and intellectual inquiry - from classical artefacts to Chicano art, political protest to operatic performance, Rene Descartes's writings on the soul to the Internet's digitised flesh - it reveals how the passions have elicited, eluded and transformed the act of representation.