The Torch Bearer

The Torch Bearer

Author: Agnes E. Ryan

Publisher:

Published: 1916

Total Pages: 68

ISBN-13:

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This pamphlet contains a history of the "Woman's journal" which was of the official publication of AWSA.


Picturing Political Power

Picturing Political Power

Author: Allison K. Lange

Publisher: University of Chicago Press

Published: 2021-09-27

Total Pages: 331

ISBN-13: 0226815846

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"For as long as American women have battled for equitable political representation, those battles have been defined by images--whether drawn, etched, photographed, or filmed. Some of these have been flattering, many of them have been condescending, and some have been scabrous. They have drawn upon prevailing cultural tropes about the perceived nature of women's roles and abilities, and they have circulated both with and without conscious political objectives. Allison K. Lange takes a systematic look at American women's efforts to control the production and dissemination of images of them in the long battle for representation, from the mid-nineteenth-century onward"--


Ruthless Criticism

Ruthless Criticism

Author: William Samuel Solomon

Publisher: U of Minnesota Press

Published: 1993

Total Pages: 402

ISBN-13: 0816621705

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Ruthless Criticism was first published in 1993. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Ruthless Criticism offers perspectives and subjects largely outside traditional historiography. It broadens the concept of media history to include lesser-studied media, and offers alternative interpretations of traditional media. This anthology of original research includes an array of scholarly and theoretical perspectives. Each addresses specific topic within a specific era. reflecting the diversity of U.S. mass media. Solomon and McChesney begin by using critical theory and deconstruction to examine the meanings of print in the colonial era. Subsequent chapters study the media ecology of the antebellum press; the intense focus on profits of the post-Civil War mainstream press; gender images in the labor press; the diversity of political views within the working-class press; and the development of a commercial press in the black community. The essays concerning the twentieth century focus on the rise of a culture industry and include studies on the origins of the broadcast ratings system and the commercial broadcast system and the commercial broadcast system, early television's portrayals of childhood, the televisions networks' close ties with the federal government, the government's key role in creating and developing the field of mass communication research, and teenage girls' popular culture from 1960–1968 as a formative influence on the feminist movement.


The Oxford History of Popular Print Culture

The Oxford History of Popular Print Culture

Author: Gary Kelly

Publisher:

Published: 2011

Total Pages: 742

ISBN-13: 019923406X

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Planned nine-volume series devoted to the exploration of popular print culture in English from the beginning of the sixteenth century to the present.


Why They Marched

Why They Marched

Author: Susan Ware

Publisher: Harvard University Press

Published: 2019-05-06

Total Pages: 361

ISBN-13: 0674240804

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“Lively and delightful...zooms in on the faces in the crowd to help us understand both the depth and the diversity of the women’s suffrage movement. Some women went to jail. Others climbed mountains. Visual artists, dancers, and journalists all played a part...Far from perfect, they used their own abilities, defects, and opportunities to build a movement that still resonates today.” —Laurel Thatcher Ulrich, author of Well-Behaved Women Seldom Make History “An intimate account of the unheralded activism that won women the right to vote, and an opportunity to celebrate a truly diverse cohort of first-wave feminist changemakers.” —Ms. “Demonstrates the steady advance of women’s suffrage while also complicating the standard portrait of it.” —New Yorker The story of how American women won the right to vote is usually told through the lives of a few iconic leaders. But movements for social change are rarely so tidy or top-heavy. Why They Marched profiles nineteen women—some famous, many unknown—who worked tirelessly out of the spotlight protesting, petitioning, and insisting on their right to full citizenship. Ware shows how women who never thought they would participate in politics took actions that were risky, sometimes quirky, and often joyous to fight for a cause that mobilized three generations of activists. The dramatic experiences of these pioneering feminists—including an African American journalist, a mountain-climbing physician, a southern novelist, a polygamous Mormon wife, and two sisters on opposite sides of the suffrage divide—resonate powerfully today, as a new generation of women demands to be heard.


Women Win the Vote!: 19 for the 19th Amendment

Women Win the Vote!: 19 for the 19th Amendment

Author: Nancy B. Kennedy

Publisher: WW Norton

Published: 2020-02-11

Total Pages: 192

ISBN-13: 1324004169

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A bold new collection showcasing the trailblazing individuals who fought for women’s suffrage, honoring the Nineteenth Amendment’s centennial anniversary. On August 18, 1920, women in the United States secured their right to vote with the passage of the Nineteenth Amendment to the Constitution. Their fight for suffrage took decades of campaigning and marching, protesting and picketing, speeches and imprisonments. Millions of women across the country gave their all to achieve victory. From Lucretia Mott, who stoked the first flames of the suffrage movement in the 1800s, to Alice Paul, the militant twentieth-century suffragist who helped clinch ratification, Women Win the Vote! maps the road to the Nineteenth Amendment through the lives of nineteen of these fierce and courageous women who paved the way. With vivid profiles of iconic figures like Sojourner Truth and Elizabeth Cady Stanton, as well as those who may be less well-known, like Mary Ann Shadd Cary and Adelina Otero-Warren, this vibrant collection celebrates the one hundredth anniversary of the Nineteenth Amendment and the daring individuals who upended tradition to empower future generations of women.


Gilded Suffragists

Gilded Suffragists

Author: Johanna Neuman

Publisher: Washington Mews Books/NYU Press

Published: 2019-03-01

Total Pages: 237

ISBN-13: 1479806625

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New York City’s elite women who turned a feminist cause into a fashionable revolution In the early twentieth century over two hundred of New York's most glamorous socialites joined the suffrage movement. Their names—Astor, Belmont, Rockefeller, Tiffany, Vanderbilt, Whitney and the like—carried enormous public value. These women were the media darlings of their day because of the extravagance of their costume balls and the opulence of the French couture clothes, and they leveraged their social celebrity for political power, turning women's right to vote into a fashionable cause. Although they were dismissed by critics as bored socialites “trying on suffrage as they might the latest couture designs from Paris,” these gilded suffragists were at the epicenter of the great reforms known collectively as the Progressive Era. From championing education for women, to pursuing careers, and advocating for the end of marriage, these women were engaged with the swirl of change that swept through the streets of New York City. Johanna Neuman restores these women to their rightful place in the story of women’s suffrage. Understanding the need for popular approval for any social change, these socialites used their wealth, power, social connections and style to excite mainstream interest and to diffuse resistance to the cause. In the end, as Neuman says, when change was in the air, these women helped push women’s suffrage over the finish line.


The Only Efficient Instrument

The Only Efficient Instrument

Author: Aleta Feinsod Cane

Publisher: University of Iowa Press

Published: 2005-04

Total Pages: 257

ISBN-13: 1587294001

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Many farsighted women writers in nineteenth-century America made thoughtful and sustained use of newspapers and magazines to effect social and political change. “The Only Efficient Instrument”: American Women Writers and the Periodical, 1837-1916 examines these pioneering efforts and demonstrates that American women had a vital presence in the political and intellectual communities of their day. Women writers and editors of diverse social backgrounds and ethnicities realized very early that the periodical was a powerful tool for education and social reform—it was the only efficient instrument to make themselves and their ideas better known. This collection of critical essays explores American women's engagement with the periodical press and shows their threefold use of the periodical: for social and political advocacy; for the critique of gender roles and social expectations; and for refashioning the periodical as a more inclusive genre that both articulated and obscured such distinctions as class, race, and gender. Including essays on familiar figures such as Margaret Fuller, Harriet Beecher Stowe, Kate Chopin, and Charlotte Perkins Gilman, “The Only Efficient Instrument” also focuses on writings from lesser-known authors, including Native American Zitkala-Sä, Mexican American María Cristina Mena, African American Frances Ellen Watkins Harper, and the Lowell factory workers. Covering nearly eighty years of publishing history, from the press censure of the outspoken Angelina Grimké in 1837 to the last issue of Gilman's Forerunner in 1916, this fascinating collection breaks new ground in the study of the women's rights movement in America.


Funding Feminism

Funding Feminism

Author: Joan Marie Johnson

Publisher: UNC Press Books

Published: 2017-08-04

Total Pages: 321

ISBN-13: 1469634708

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Joan Marie Johnson examines an understudied dimension of women's history in the United States: how a group of affluent white women from the late nineteenth through the mid-twentieth centuries advanced the status of all women through acts of philanthropy. This cadre of activists included Phoebe Hearst, the mother of William Randolph Hearst; Grace Dodge, granddaughter of Wall Street "Merchant Prince" William Earle Dodge; and Ava Belmont, who married into the Vanderbilt family fortune. Motivated by their own experiences with sexism, and focusing on women's need for economic independence, these benefactors sought to expand women's access to higher education, promote suffrage, and champion reproductive rights, as well as to provide assistance to working-class women. In a time when women still wielded limited political power, philanthropy was perhaps the most potent tool they had. But even as these wealthy women exercised considerable influence, their activism had significant limits. As Johnson argues, restrictions tied to their giving engendered resentment and jeopardized efforts to establish coalitions across racial and class lines. As the struggle for full economic and political power and self-determination for women continues today, this history reveals how generous women helped shape the movement. And Johnson shows us that tensions over wealth and power that persist in the modern movement have deep historical roots.


Selling Suffrage

Selling Suffrage

Author: Margaret Mary Finnegan

Publisher: Columbia University Press

Published: 1999

Total Pages: 254

ISBN-13: 9780231107389

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Margaret Finnegan's pathbreaking study of woman suffrage from the 1850s to the Nineteenth Amendment in 1920 reveals how activists came to identify with consumer culture and employ its methods of publicity to win popular support through carefully crafted images of enfranchised women as "personable, likable, and modern." Drawing on organization records, suffragists' papers and memoirs, and newspapers and magazines, Finnegan shows how women found it in their political interest to ally themselves with the rise of consumer culture--but the cost of this alliance was a concession of possibilities for social reform. When manufacturers and department stores made consumption central to middle-class life, suffragists made an argument for the ballot by comparing good voters to prudent comparison shoppers. Through suffrage commodities such as newspapers, sunflower badges, Kewpie dolls, and "Womanalls" (overalls for the modern woman), as well as pantomimes staged on the steps of the federal Treasury building, fashionable window displays, and other devices, "Votes for Women" entered public space and the marketplace. Together these activities and commodities helped suffragists claim legitimacy in a consumer capitalist society.Imaginatively interweaving cultural and political history, Selling Suffrage is a revealing look at how the growth of consumerism influenced women's self-identity.