Becoming a Garamut Player in Baluan, Papua New Guinea
Becoming a Garamut Player in Baluan, Papua New Guinea

Author: Tony Lewis

Publisher: Routledge

Published: 2018-04-19

Total Pages: 228

ISBN-13: 1315406489

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The garamut is a log idiophone that is found in many of the coastal and island areas of Papua New Guinea. The instrument’s primary use is as a speech surrogate and in some regions the garamut is also used in large ensembles to play complex music for dancing. In Baluan Island, within the Manus Province, this style of garamut playing is comparatively highly developed. This book follows the author’s processes and methods in learning to play the music of the garamut, to the level at which he became accepted as a garamut player by the people of Baluan. Lewis argues that analysis is essential in learning to play the rapid tempi and complex rhythms of Baluan garamut music, in a cultural context where there is no formal teaching process for the music. The transcription and analysis of the Baluan garamut repertoire is the centrepiece of this study, reflecting the cognitive structures of the learning process, and revealing the inner workings of the music’s complexity as well as a striking beauty of form and structure. The book concludes with reflections on the process of a ‘cultural outsider’ becoming a garamut player in Baluan and on the role of musical analysis in that process, on the ethnomusicologist’s role in transmission of the music, and on the nature of continuity and change in a musical society such as Baluan.

Christianity, Conflict, and Renewal in Australia and the Pacific
Christianity, Conflict, and Renewal in Australia and the Pacific

Author:

Publisher: BRILL

Published: 2016-06-21

Total Pages: 311

ISBN-13: 9004311459

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Cultural expressions of Christianity show great diversity around the globe. While scholarship has tended to consider charismatic practices in distinct geographical contexts, this volume advances the anthropology of Christianity through ethnographically rich, comparative insights from across the Australia-Pacific region. Christianity, Conflict, and Renewal in Australia and the Pacific presents new perspectives on the performative dynamics of Christian belief, conflict, and renewal. Addressing experiences of cultural and spiritual renewal, contributors reveal how tensions can arise between spiritual and political expressions of culture and identity, opening up alternative spaces for spiritual realization and religious change. These local processes further mobilize responses of individuals and groups to state forces and political reforms, in turn, influencing the shape of translocal and transnational Christian practices. Contributors are: Diane Austin-Broos, John Barker, Alison Dundon, Yannick Fer, Kirsty Gillespie, Jessica Hardin, Rodolfo Maggio, Fiona Magowan, Gwendoline Malogne-Fer, Debra McDougall, Joel Robbins, Carolyn Schwarz, and John Taylor.

Musical Islands
Musical Islands

Author: Katelyn Barney

Publisher: Cambridge Scholars Publishing

Published: 2009-05-05

Total Pages: 495

ISBN-13: 1443810495

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The island is a powerful metaphor in everyday speech which extends almost naturally into several academic disciplines, including musicology. Islands are imagined as isolated and unique places where strange, exotic, different and unexpected treasures can be found by daring adventurers. The magic inherent within this positioning of islands as places of discovery is an aspect which permeates the theoretical, methodological and analytical boundaries of this edited book. Showcasing the breadth of current musicological research in Australia and New Zealand, this edited collection offers a range of subtle and innovative reflections on this concept both in established and well-charted territories of music research.

Steep Slopes
Steep Slopes

Author: Kirsty Gillespie

Publisher: ANU E Press

Published: 2010-12-01

Total Pages: 271

ISBN-13: 1921666439

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This book is a musical ethnography of the Duna people of Papua New Guinea. A people who have experienced extraordinary social change in recent history, their musical traditions have also radically changed during this time. New forms of music have been introduced, while ancestral traditions have been altered or even abandoned. This study shows how, through musical creativity, Duna people maintain a connection with their past, and their identity, whilst simultaneously embracing the challenges of the present.

Religions of Melanesia
Religions of Melanesia

Author: Garry Trompf

Publisher: Bloomsbury Publishing USA

Published: 2006-09-30

Total Pages: 721

ISBN-13: 1567206662

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Melansia boasts over one-quarter of the world's distinct religions and presents the most complex religious panorama on earth. The region is famous for its unusual new religious movements that have adapted traditional beliefs to modernity in surprising ways. As the first bibliographical survey to comprehensively cover the entire region, Religions of Melanesia is an invaluable research aid for anyone interested in this growing field. Trompf's work is a complete listing of scholarly publications and provides readable and concise descriptions that will clearly guide the researcher toward the most relevant sources. This survey covers 2188 entries organized topically and regionally. Trompf covers such subjects as traditional and modern belief systems and the emergent indigenous Christianity that has taken root. Regional coverage includes Irian Jaya, Papua New Guinea, Solomon Islands, Vanuatu, New Caledonia, and Fiji.

Oceanic Music Encounters
Oceanic Music Encounters

Author: Mervyn McLean

Publisher: Department of Anthropology University of Auckland

Published: 2007

Total Pages: 154

ISBN-13:

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Mervyn Evan McLean, teacher, mentor, researcher and archivist, is the worthy recipient of this set of essays. Oceanic Music Encounters - the Print Resource and the Human Resource. The authors include colleagues and former students of an academic who was a practising ethnomusicologist only three years after the term was coined. Although most of his university career was spent at the University of Auckland, Mervyn's influence in the fields of Pacific music research and archiving were such that the contributions in this volume arc the result of both distant reputation and personal acquaintance. The volume is the product of the Study Group on Musics of Oceania within the International Council for Traditional Music, of which Mervyn has been a member for many years. The volume title is intended to encompass the span of Mervyn's professional interests, which include the role of archives in Oceanic music research and performance; material culture collections in music research and performance; the role of transcription in music research and performance; the importance of bibliographic research in tracing the connections between the past and the present; the significance of collaboration in research, particularly with scholars in other disciplines, and its significance to performance; and the colonial encounter and its implications for historical and contemporary performance.