The Theatrical Notation of Roman and Pre-Shakespearean Comedy
Author: Georg Rudolf
Publisher:
Published: 1981
Total Pages: 194
ISBN-13:
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Author: Georg Rudolf
Publisher:
Published: 1981
Total Pages: 194
ISBN-13:
DOWNLOAD EBOOKAuthor: Stanley Wells
Publisher: Cambridge University Press
Published: 2002-11-28
Total Pages: 244
ISBN-13: 9780521523752
DOWNLOAD EBOOKThe first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Author: Timothy J. Moore
Publisher: Cambridge University Press
Published: 2012-05-03
Total Pages: 185
ISBN-13: 0521138183
DOWNLOAD EBOOKAn exciting series that provides students with direct access to the ancient world by offering new translations of extracts from its key texts.
Author: Gesine Manuwald
Publisher: Bristol Classical Press
Published: 2010-06-17
Total Pages: 0
ISBN-13: 9780715638699
DOWNLOAD EBOOKRoman drama is a genre of Latin literature that was influential both in the cultural life of the ancient Romans and in the European theatre tradition. Plays of Plautus, Terence and Seneca are still very well known today; yet there were numerous works by other poets besides, though they survive only in fragmentary form. On the basis of a selection of paradigmatic sample texts by a number of Roman dramatists, this anthology provides a stimulating overview of the entire literary genre, including its various subtypes (tragedy, praetexta, comedy, togata, mime) and its historical development. To make these texts accessible to a wide readership, new English translations (on facing pages) as well as introductions to the individual excerpts and to the general context have been included. A selection of relevant testimonia provides information about the cultural background to Roman drama and ancient views on this literary genre. Paradigmatic extracts from dramas written in England between the sixteenth and twentieth centuries illustrate the continuing influence of Roman plays. Thus this anthology conveniently documents the history of an interesting and exciting literary genre from its beginnings to the modern period.
Author: Balz Engler
Publisher:
Published: 1982
Total Pages: 152
ISBN-13:
DOWNLOAD EBOOKAuthor: Amy Richlin
Publisher: Cambridge University Press
Published: 2017-12-28
Total Pages: 582
ISBN-13: 1108216439
DOWNLOAD EBOOKRoman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displaced persons and the newly enslaved; together, the actors made comedy to address mixed-class, hybrid, multilingual audiences. Surveying the whole of the Plautine corpus, where slaves are central figures, and the extant fragments of early comedy, this book is grounded in the history of slavery and integrates theories of resistant speech, humor, and performance. Part I shows how actors joked about what people feared - natal alienation, beatings, sexual abuse, hard labor, hunger, poverty - and how street-theater forms confronted debt, violence, and war loss. Part II catalogues the onstage expression of what people desired: revenge, honor, free will, legal personhood, family, marriage, sex, food, free speech; a way home, through memory; and manumission, or escape - all complicated by the actors' maleness. Comedy starts with anger.
Author:
Publisher:
Published: 1981
Total Pages: 196
ISBN-13:
DOWNLOAD EBOOKAuthor: Martin T. Dinter
Publisher: Cambridge University Press
Published: 2019-04-04
Total Pages: 449
ISBN-13: 1107002109
DOWNLOAD EBOOKProvides a comprehensive critical engagement with Roman comedy and its reception presented by leading international scholars in accessible and up-to-date chapters.
Author: William Shakespeare
Publisher:
Published: 1734
Total Pages: 72
ISBN-13:
DOWNLOAD EBOOKNational Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.