The Tenacious Terrier Caper is the eighth book in the Jennifer Gray Veterinarian Mystery Series. The other seven books, The Unlucky Collie Caper, The Dog Named Elvis Caper, The Deadly Dog-Bone Caper, The Black Cat Caper, The Telltale Turkey Caper, The Precocious Parrot Caper, The Mischievous Monkey Caper, and The Potbellied Pig Caper are also available.
Like other fictional characters, female sleuths may live in the past or the future. They may represent current times with some level of reality or shape their settings to suit an agenda. There are audiences for both realism and escapism in the mystery novel. It is interesting, however, to compare the fictional world of the mystery sleuth with the world in which readers live. Of course, mystery readers do not share one simplistic world. They live in urban, suburban, and rural areas, as do the female heroines in the books they read. They may choose a book because it has a familiar background or because it takes them to places they long to visit. Readers may be rich or poor; young or old; conservative or liberal. So are the heroines. What incredible choices there are today in mystery series! This three-volume encyclopedia of women characters in the mystery novel is like a gigantic menu. Like a menu, the descriptions of the items that are provided are subjective. Volume 3 of Mystery Women as currently updated adds an additional 42 sleuths to the 500 plus who were covered in the initial Volume 3. These are more recently discovered sleuths who were introduced during the period from January 1, 1990 to December 31, 1999. This more than doubles the number of sleuths introduced in the 1980s (298 of whom were covered in Volume 2) and easily exceeded the 347 series (and some outstanding individuals) described in Volume 1, which covered a 130-year period from 1860-1979. It also includes updates on those individuals covered in the first edition; changes in status, short reviews of books published since the first edition through December 31, 2008.
When Peaches, a chimpanzee, is kidnapped, the whole town enters the hunt to find her before her life can be traded for the recipe for the Cromwell Sisters' homemade elixer.
Calico is holding a six-day spectacular over Labor Day, but there's more than just festivities going on in this sleepy little Nebraska town. First of all, there's the sudden appearance of counterfeit money, and the equally sudden appearance of Paul Bishop, a handsome blond-haired man with a beautiful dog named Casey. Next, there's the picture that veterinarian Jennifer Gray bought from Elmer Dodd that he is trying to buy back at a much higher price. Attracted to a possible counterfeiter, and the owner of a painting in great demand, Jennifer doesn't exactly know what is going on...but she is determined to find out!
Two little boys are missing, and a ransom note has arrived. The FBI sends a team of experts, but Jennifer has another idea. Why not enlist the services of Elvis, the biggest and best tracking dog in the county? The lovable Saint Bernard (who fancies himself a bloodhound) may be a bit past his prime, but he and Jennifer embark on an unforgettable adventure that turns out to be the boys' only hope for survival. And as the situation becomes increasingly dangerous, Jennifer's own life may depend on the courage of her canine partner.
NEW YORK TIMES BESTSELLER • Janet Evanovich, bestselling author of the Stephanie Plum series, teams up with Emmy-winning writer Phoef Sutton for a brand-new series of mysteries featuring Emerson Knight and Riley Moon, a dynamic duo with instant and undeniable chemistry. Emerson Knight is introverted, eccentric, and has little to no sense of social etiquette. Good thing he’s also brilliant, rich, and (some people might say) handsome, or he’d probably be homeless. Riley Moon has just graduated from Harvard Business and Harvard Law. Her aggressive Texas spitfire attitude has helped her land her dream job as a junior analyst with mega-bank Blane-Grunwald. At least Riley Moon thought it was her dream job, until she is given her first assignment: babysitting Emerson Knight. What starts off as an inquiry about missing bank funds in the Knight account leads to inquiries about a missing man, missing gold, and a life-and-death race across the country. Through the streets of Washington, D.C., and down into the underground vault of the Federal Reserve in New York City, an evil plan is exposed. A plan so sinister that only a megalomaniac could think it up, and only the unlikely duo of the irrepressibly charming Emerson Knight and the tenacious Riley Moon can stop it. Praise for Curious Minds “The one-liners fly at a ferocious pace. . . . Evanovich fans will find this closer in style to the Stephanie Plum novels.”—Booklist “Evanovich’s comedic timing and pacing are evident on every page.”—Daily Republic
Wuthering Heights is the name of Mr. HeathcliffÕs dwelling. ÔWutheringÕ being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow windows are deeply set in the wall, and the corners defended with large jutting stones. Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principal door; above which, among a wilderness of crumbling griffins and shameless little boys, I detected the date Ô1500,Õ and the name ÔHareton Earnshaw.Õ I would have made a few comments, and requested a short history of the place from the surly owner; but his attitude at the door appeared to demand my speedy entrance, or complete departure, and I had no desire to aggravate his impatience previous to inspecting the penetralium. One stop brought us into the family sitting-room, without any introductory lobby or passage: they call it here Ôthe houseÕ pre-eminently. It includes kitchen and parlour, generally; but I believe at Wuthering Heights the kitchen is forced to retreat altogether into another quarter: at least I distinguished a chatter of tongues, and a clatter of culinary utensils, deep within; and I observed no signs of roasting, boiling, or baking, about the huge fireplace; nor any glitter of copper saucepans and tin cullenders on the walls. One end, indeed, reflected splendidly both light and heat from ranks of immense pewter dishes, interspersed with silver jugs and tankards, towering row after row, on a vast oak dresser, to the very roof. The latter had never been under-drawn: its entire anatomy lay bare to an inquiring eye, except where a frame of wood laden with oatcakes and clusters of legs of beef, mutton, and ham, concealed it. Above the chimney were sundry villainous old guns, and a couple of horse-pistols: and, by way of ornament, three gaudily-painted canisters disposed along its ledge. The floor was of smooth, white stone; the chairs, high-backed, primitive structures, painted green: one or two heavy black ones lurking in the shade. In an arch under the dresser reposed a huge, liver-coloured bitch pointer, surrounded by a swarm of squealing puppies; and other dogs haunted other recesses.
Goad Omen is Wakeling's first full-length collection of poems, a vibrant and witty interplay of depths and resurfacings, portraying a world littered with grim foreshadowings and kitschy memorabilia alike. Traversing fable and found object, hearsay and gainsay, intrigue and abstraction, its characters are immersed in natural and urban 'landscapes of peril' - whether in Melbourne, Glasgow, Rottnest Island or Japan. His poetry has a strong sense of community, and converses with a wide range of poets and writers, while at the same time being keenly aware of the absurd and the extreme. Fuelled by a mad energy, his 'omens' are calamitous, intoxicating, ribald, but always tender and surprising at their core. Corey Wakeling lives in Melbourne. He is a PhD student and tutor at the University of Melbourne, reviews editor of the magazine Rabbit, and interviews editor of Cordite Poetry Journal.
"In this volume Professor Groos makes a contribution to three distinct but cognate departments of inquiry: philosophical biology, animal psychology, and the genetic study of art. The world of play, to which art belongs, stands in most important and interesting contrast with the stern realities of life; yet there are few scientific works in the field of human play, and none at all in that of animal play--a fact to be accounted for, probably, by the inherent difficulties of the subject, both objective and subjective. The animal psychologist must harbour in his breast not only two souls, but more; he must unite with a thorough training in physiology, psychology, and biology the experience of a traveller, the practical knowledge of the director of a zoological garden, and the outdoor lore of a forester. And even then he could not round up his labours satisfactorily unless he were familiar with the trend of modern aesthetics. Groos holds play to be an instinct developed by natural selection, and to be on a level with the other instincts which are developed for their utility. Its utility is, in the main, twofold: First, it enables the young animal to exercise himself beforehand in the strenuous and necessary functions of its life and so to be ready for their onset; and, second, it enables the animal by a general instinct to do many things in a playful way, and so to learn for itself much that would otherwise have to be inherited in the form of special instincts; this puts a premium on intelligence, which thus comes to replace instinct"--Preface. (PsycINFO Database Record (c) 2010 APA, all rights reserved).
