Velda Brotherton returns to the scene of the crime with her second thrilling Twist of Poe Mystery… The Tell-Tale Stone. A long-dead body unearthed from a shallow grave sets idyllic Grace County, Arkansas on edge, but nobody seems to be able to explain exactly why. When small town reporter Jessie West connects the victim to an unsolved diamond heist from decades ago, though, what first appears to be a cold case turns quickly hot. Amidst a barrage of sudden threats and misdirections, she sets herself the task of finding the missing jewels. With the help of her lover, Deputy Sheriff Dallas Starr, they work to solve a pair of grisly murders while searching for the stolen diamonds and pursuing their favorite pastime—finding love in all the not-so-usual places. The culprits know they’re coming, though, and now their lives are in danger... and even Dal’s watchful eye might not be enough to keep Jessie from danger this time.
In Edgar Allan Poe's "The Tell-Tale Heart", the narrator tries to prove his sanity after murdering an elderly man because of his "vulture eye". His growing guilt leads him to hear the old man's heart beating under the floorboards, which drives him to confess the crime to the police.
The Speaking Stone: Stories Cemeteries Tell is a literary love letter to the joys of wandering graveyards and the discoveries such wanderings can yield. Here, Michael Griffith roams Spring Grove (founded 1844), the nation's third-largest cemetery, following curiosity and accident wherever they lead. The result is this fascinating collection, which narrates the lives of those he encountered on the way. Griffith lingers amidst the traces left behind--these are stories of race, feminism, art, and death, uncovered through obituaries, archival documents, and family legacies. Some essays focus on well-known figures like the feminist icon and freethinker Fanny Wright, but most chronicle the lives of lesser-known figures (a spiritual medium, a temperance advocate, the designers of caskets and hearses, the inventor of the glass-door oven) or of nearly unknown ones (a young heiress who died under mysterious circumstances, the daring sign-painters known as walldogs). The Speaking Stone examines what endures and what doesn't, reflecting on the vanity and poignancy of our attempts to leave monuments that last. Archival photos grace the pages of these thirteen essays that explore a larger, deeply tangled complex of ideas about place, history, self, and art.
Jesus: His Story in Stone is a reflection on still-existing stone objects that Jesus would have known, seen, or even touched. Each of the seventy short chapters is accompanied by a photograph taken on location in Israel. Arranged chronologically, the one-page meditations compose a portrait of Christ as seen through the significant stones in His life, from the cave where He was born to the rock of Calvary. While packed with historical and archaeological detail, the book’s main thrust is devotional, leading the reader both spiritually and physically closer to Jesus.
This text is meant to educate and help people with the identification of unusual stones fashioned by early man. Many of these stones are nothing short of true works of art, as you will see. In these pages are photographs and drawings of stones collected over thirty years, and four years to write this book—60,000 words and 318 photos and drawings to help you understand how ancient man used and really looked at a stone, and you will too. There's no book like this on earth!
This newly updated and revised second edition of "A Story in Stones" explores the relationship between Portugal and Ethiopia during the XVI and XVII centuries from the unique perspective of stonework. Through research and many years of working in the field, J.J. Hespeler-Boultbee examines the first early Renaissance links between the principal European superpower of the day and the ancient Christian empire of Ethiopia's Highlands - using contemporary architectural vestige as a catalyst for his findings. What began as Portugal's mission to discover an unknown world soon became a quest to find Prester John, the legendary Christian priest/king presumed to be living on the far side of Islam. In an attempt to form a Christian military alliance, the search was both concluded and, in a manner, initiated by explorer P ro da Covilh in 1493 with his overland journey to the Highland court of Emperor Eskendar. This was instrumental in setting up a string of ties between the two nations - diplomatic, military, religious, cultural and (most long-lasting of all) architectural - almost three decades before Portugal's diplomatic mission of 1520. The fascinating story contained in the stones can yet be seen in the Portuguese and "Gondarine" ruins that dot the Gojjam and Lake Tana regions; they continue to influence today's Highland architectural design. Hespeler-Boultbee examines over thirty different sites, many of which are remote and rarely visited. Fully illustrated with colour photos and drawings. About the Author J.J. Hespeler-Boultbee is an Art & Architectural Historian and Associate of the Institute of Ethiopian Studies, Addis Ababa University. He lived for twenty-five years in Portugal, during that time making several forays into the Ethiopian Highlands on behalf of the Department of History and CIDEHUS (Centro de Investiga o e Desenvolvimento em Ci ncias Humanas e Sociais), the research and development institute at the University of vora. For the two year period, 2007-2009, he lived in and conducted research from Bahir Dar on Lake Tana, Ethiopia, during which time he found his historical conclusions were at considerable variance with colleagues in the History Department at Bahir Dar University - disagreements which have prompted the revisions leading to this current updated and revised edition of "A Story in Stones."
A car crash takes one life and changes the destiny of four others in this “deftly written, moving novel about picking up the pieces after great loss” (Jenny Offill, author of Dept. of Speculation). Winner of the 2017 STAR AWARD from the Women’s Fiction Writers Association The Stone Necklace braids together the stories of a grieving widow, a struggling nurse, a young mother, and a troubled homeless man, reminding us of the empowering and surprising ways our lives touch one another. Lena Hastings survived breast cancer and marital infidelity but now faces an uncertain future without the support of the one person she has always counted on. Intensive care nurse Sandy Albright, newly released from drug rehab, confronts temptations from her past and false accusations that threaten her career. Tonya Ladson, a mother whose child is injured in a car wreck, must decide if a lawsuit will solve her problems. Joe Booker, a homeless man, loses his gentle benefactor and must either succumb to the evils of his world or find the courage to care for himself. Weighted down by their respective pasts, the characters must make life-altering choices that reverberate into the fates of the others, ultimately bringing them together in unexpected but healing acts of compassion, forgiveness, and redemption. Foreword by New York Times bestselling novelist Patti Callahan Henry.
Greed and guilt, near-indecipherable codes, murder plots born of madness--these motifs drive the best modern mysteries, but they are rooted in the early nineteenth century and the carefully constructed fiction of Edgar Allan Poe. Poe's methods of storytelling and suspense remain relevant, reappearing in detective novels and on screens large and small. This work examines a wide selection of today's mystery and thriller novels, films, television programs, and video games to explore Poe's ongoing influence on popular entertainment. Authors such as Michael Connelly, Stieg Larsson and Dennis Lehane, television shows like The Closer and Dexter, and movies from Laura and Vertigo to Shutter Island and The Girl with the Dragon Tattoo all receive attention. The popularity of Poe's narratives in these contemporary guises is testimony to his visionary genius. Instructors considering this book for use in a course may request an examination copy here.
