The Theory of Citrasutras in Indian Painting

The Theory of Citrasutras in Indian Painting

Author: Isabella Nardi

Publisher: Routledge

Published: 2007-01-24

Total Pages: 281

ISBN-13: 1134165234

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The study of technical treatises in Indian art has increasingly attracted much interest. This work puts forward a critical re-examination of the key Indian concepts of painting described in the Sanskrit treatises, called citrasutras. In an in-depth and systematic analysis of the texts on the theory of Indian painting, it critically examines the different ways in which the texts have been interpreted and used in the study of Indian painting, and suggests a new approach to reading and understanding their concepts. Contrary to previous publications on the subject, it is argued that the intended use of such texts as a standard of critique largely failed due to a fundamental misconceptualization of the significance of ‘text’ for Indian painters. Isabella Nardi offers an original approach to research in this field by drawing on the experiences of painters, who are considered as a valid source of knowledge for our understanding of the citrasutras, and provides a new conceptual framework for understanding the interlinkages between textual sources and the practice of Indian painting. Filling a significant gap in Indian scholarship, Nardi's study will appeal to those studying Indian painting and Indian art in general.


The Theory of Citrasutras in Indian Painting

The Theory of Citrasutras in Indian Painting

Author: Isabella Nardi

Publisher: Routledge

Published: 2007-01-24

Total Pages: 209

ISBN-13: 1134165242

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Filling a distinct gap in Indian scholarship, this original account presents a critical re-examination of the key Indian concepts of painting as described in the Sanskrit treatises. Drawing on the experiences of significant painters, Nardi suggests a new way of reading and understanding these concepts.


Development of Modern Art Criticism in India after Independence

Development of Modern Art Criticism in India after Independence

Author: Dr. Sangeeta

Publisher: Notion Press

Published: 2017-10-06

Total Pages: 292

ISBN-13: 1947697315

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Any artistic creation, be it a painting or sculpture, initiates a reaction within us, invoking within us a desire to analyse or evaluate it. The criticism of art definitely has its presence. But the question is—in what form and of what relevance is it? Art criticism is exclusively presented in the written form—it does not consist of descriptions of pictures, interpretations, or re-creations; but of something new and autonomous, related to the piece of art in some way. Criticism always gives us novel ideas for modern art, which in turn, enriches the Indian heritage. Art has been part of our life since ancient times. Traditionally, Indian art writing was mainly composed of commentaries on courtly art conventions and on the poetic texts that inspired paintings and sculptures. Since the 20th century, there has been a breakdown of established conceptions of meaning in the all streams of arts and several rapid changes in artistic style. This book will help readers understand the journey of modern art criticism since Indian independence. It formulates as precisely as possible, the basic principles and norms that will enrich artistically sensitive laymen and critics alike.


HowExpert Guide to Modern Indian Art

HowExpert Guide to Modern Indian Art

Author: Urvi Chheda

Publisher: HowExpert

Published: 2021-06-30

Total Pages: 142

ISBN-13: 1648917305

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HowExpert Guide to Modern Indian Art is a holistic and one of the first learning projects to draw Modern Indian Art. The author emphasizes modern Indian painting. The genre is discussed, assessed, and practiced with robust and authentic information. The book is divided into nine chapters, inclusive of the Introduction. The author has provided a basic concept of the theory of Indian modern art in the Introduction. Beginning from the late 19th century, when India was under the colonial regime, the book will draw your attention to the evolution of the Indian modern style. The book addresses a myriad of styles of modern Indian artists, who are identified with modernism, to learn drawing and paint contemporary Indian art. Consequently, the tome discusses eight artists: six Indians, one European, and one American. At the same time, the author has also attempted to provide a biographical context of artists, in short, to inspire fellow readers and learners. How to Learn Modern Indian Art will step by step guide to understand the concepts of each artist’s style. Besides, it will suggest handling the material and contexts. Significantly, the Introduction caters to creating a groundwork so that readers do not feel lost while reading about the discussed artists. HowExpert Guide to Modern Indian Art will drive you through an artistic journey by its sensitive and creative vistas. While guiding you through patterns, compositions, and anecdotes, it will also allow the participant to think, analyze, and create an outstanding Indian modern artwork. About the Expert Urvi Chheda has trained in art from Sir JJ School of Art, Mumbai, in 2010. She has a Master of Visual Art (MVA) in Art History from MS University Baroda, India. With a general interest in learning the theory of art and aesthetics, Urvi strives to discover the junctions where different art forms co-exist. She is involved in several art research projects. Working as an independent art researcher and writer, she regularly contributes her articles and blogs to Art Journal, Mumbai, and Dailyartmazazine. Due to her zeal in training for adventure sports, she has completed basic and advance mountaineering courses and the Basic Skiing Course. Ardently learning new things, she is presently training in an ancient martial art form known as Kalaripayattu. There is still more; she also learned improv comedy and regularly participated in several jams in Mumbai. She works and practices at her residence in Mumbai. HowExpert publishes quick ‘how to’ guides on all topics from A to Z by everyday experts.