Oz, the Complete Collection, Volume 4

Oz, the Complete Collection, Volume 4

Author: L. Frank Baum

Publisher: Simon and Schuster

Published: 2013-03-05

Total Pages: 656

ISBN-13: 1442485507

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"Volume 4" in this new collection of Baum's classic Oz books includes "Rinkitink in Oz, The Lost Princess of Oz, " and "The Tin Woodman of Oz." Original.


Shellac and Swing!

Shellac and Swing!

Author: Bruce Lindsay

Publisher: Fonthill Media

Published: 2020-05-29

Total Pages: 297

ISBN-13:

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'Shellac and Swing!' tells the story of the gramophone's 'golden age,' from 1900-1955, when it helped to shape Britain's culture from the arts to warfare. The story focuses on the gramophone, the invention of Emile Berliner in the 1880s, but begins with a brief outline of the first attempts to record the human voice and of Edison's invention of the cylinder and the phonograph. It uses primary evidence, images and interviews with DJs, fans, musicians and historians to explore this fascinating and often eccentric tale. Each chapter ends with 'On the Record,' a discussion of a record that relates to the chapter's themes. Although the gramophone and its fragile shellac discs were vital to Britain's music scene-opera and music hall, the Jazz Age, the crooners, early rock'n'roll-its impact was far more extensive. Its place in British history encompasses advertising and design, fraud and piracy, phallic symbols, talking books, the threat from radio and TV, the contrasting worlds of the Salvation Army and adult 'party' discs, the creation of a parliamentary insult, new political strategies and the seditious activity of the Mau Mau. From the establishment of the Gramophone Company in London in the late 1890s to the end of shellac record production in the 1950s, the British public bought the machines and the discs in their millions and the record labels made stars of performers like Caruso, Harry Lauder, Al Bowlly and Dame Nellie Melba. 'Shellac and Swing!' explores the ways in which the gramophone helped these singers to achieve stardom but it also explores in detail and for the first time many other stories of not-so-famous performers, of the gramophone in political electioneering and of forgotten technology: the first pirate radio broadcasters, the soldiers who took their 'Trench Decca' portables to the Western Front, the invention of the Flame-O-Phone, the People's Budget recordings and the pioneering label owner and producer of 'blue' discs. The gramophone's heyday ended with the rise of rock 'n 'roll, teenagers, the 45 rpm single, the LP and the record player, but it survives today as part of a vibrant contemporary music, fashion and lifestyle scene.


Oz, the Complete Collection Volume 4 bind-up

Oz, the Complete Collection Volume 4 bind-up

Author: L. Frank Baum

Publisher: Simon and Schuster

Published: 2013-03-28

Total Pages: 564

ISBN-13: 1471117219

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In Rinkitink in Oz, Prince Inga of Pingaree must rescue his parents and all of the subjects from his kingdom who were kidnapped by marauders form Regos and Coregos. Prince Inga along with the visiting King Rinkitink and Bilbil the goat set off on a series of grand adventures that will lead them to the underground kingdom of the Nome King. Will Inga's bravery and courage be enough to save his parents and all of their subjects? In The Lost Princess of Oz, Ozma, the beloved ruler of Oz, has disappeared, so Dorothy, the Wizard, the Cowardly Lion, and a band of friends must search the vast land of Oz to find her. In The Tin Woodman of Oz, Tin Woodman, Woot the Wanderer, and Captain Fyter set off on a quest to find the lovely Munchkin, Nimmie Amee. Once upon a time, she and the Woodman were going to marry, but then the Wicked Witch of the West turned him to tin. Can the Tin Woodman find Nimmie Amee? And will she remember him?


Black Recording Artists, 1877-1926

Black Recording Artists, 1877-1926

Author:

Publisher: McFarland

Published: 2013-01-03

Total Pages: 499

ISBN-13: 0786472383

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This annotated discography covers the first 50 years of audio recordings by black artists in chronological order, music made in the "acoustic era" of recording technology. The book has cross-referenced bibliographical information on recording sessions, including audio sources for extant material, and appendices on field recordings; Caribbean, Mexican and South American recordings; piano rolls performed by black artists; and a filmography detailing the visual record of black performing artists from the period. Indexes contain all featured artists, titles recorded and labels.