Beauty is not a singular thing, Francette Pacteau tells us, but a generic term for an unspecifiable number of disparate experiences. What these experiences are is the subject of Pacteau's book, an intriguing psychoanalytic study of beauty that looks into the eye of the beholder and to the mind conjuring behind it. Less interested in the contingent object of desire than the fantasy that frames it, Pacteau considers the staging of the aesthetic emotion. Her book is an ambitious attempt to describe the mise-en-scène of beauty within a particular field of representations - that of the beauty of woman. Within this field, which extends from the classical ideals of beauty from Renaissance to the most recent pinups and bionic women, Pacteau analyzes the formulation of beauty in Western culture. -- from back cover.
For a woman in the Western world, there is no escaping beauty. Either she possesses it, or she lacks it. If she lacks it, she may hope to gain it. If she already has it, she will certainly lose it. But what is "it"? Not an objective thing, Francette Pacteau tells us, but a generic term for an unspecifiable number of psychological experiences in the mind of the observer. What these experiences are, what causes them, and how they manifest themselves as a notion of beauty is the subject of this book. Less interested in the contingent object of desire than the fantasy that frames it, Pacteau considers the staging of the aesthetic emotion. Her analysis extends from the Classical ideals of beauty, through Renaissance poetry to the recent formulations of Hollywood. Her book is an ambitious attempt to describe the mise-en-scène of beauty within a particular field of representations – that of the beauty of a woman.
“[Beauty Sick] will blow the top off the body image movement…provocative and necessary.” — Rebellious Magazine An award-winning psychology professor reveals how the cultural obsession with women's appearance is an epidemic that harms women's ability to get ahead and to live happy, meaningful lives, in this powerful, eye-opening work in the vein of Peggy Orenstein and Sheryl Sandberg. Today’s young women face a bewildering set of contradictions when it comes to beauty. They don’t want to be Barbie dolls but, like generations of women before them, are told they must look like them. They’re angry about the media’s treatment of women but hungrily consume the outlets that belittle them. They mock modern culture’s absurd beauty ideal and make videos exposing Photoshopping tricks, but feel pressured to emulate the same images they criticize by posing with a "skinny arm." They understand that what they see isn’t real but still download apps to airbrush their selfies. Yet these same young women are fierce fighters for the issues they care about. They are ready to fight back against their beauty-sick culture and create a different world for themselves, but they need a way forward. In Beauty Sick, Dr. Renee Engeln, whose TEDx talk on beauty sickness has received more than 250,000 views, reveals the shocking consequences of our obsession with girls’ appearance on their emotional and physical health and their wallets and ambitions, including depression, eating disorders, disruptions in cognitive processing, and lost money and time. Combining scientific studies with the voices of real women of all ages, she makes clear that to truly fulfill their potential, we must break free from cultural forces that feed destructive desires, attitudes, and words—from fat-shaming to denigrating commentary about other women. She provides inspiration and workable solutions to help girls and women overcome negative attitudes and embrace their whole selves, to transform their lives, claim the futures they deserve, and, ultimately, change their world.
During the late 18th and early 19th centuries, there was a tubercular 'moment' in which perceptions of the consumptive disease became inextricably tied to contemporary concepts of beauty, playing out in the clothing fashions of the day. With the ravages of the illness widely regarded as conferring beauty on the sufferer, it became commonplace to regard tuberculosis as a positive affliction, one to be emulated in both beauty practices and dress. While medical writers of the time believed that the fashionable way of life of many women actually rendered them susceptible to the disease, Carolyn A. Day investigates the deliberate and widespread flouting of admonitions against these fashion practices in the pursuit of beauty. Through an exploration of contemporary social trends and medical advice revealed in medical writing, literature and personal papers, Consumptive Chic uncovers the intimate relationship between fashionable women's clothing, and medical understandings of the illness. Illustrated with over 40 full color fashion plates, caricatures, medical images, and photographs of original garments, this is a compelling story of the intimate relationship between the body, beauty, and disease - and the rise of 'tubercular chic'.
The author of the introduction to this new edition, John McCormick, reminds us that The Sense of Beauty is the first work in aesthetics written in the United States. Santayana was versed in the history of his subject, from Plato and Aristotle to Schopenhauer and Taine in the nineteenth century. Santayana took as his task a complete rethinking of the idea that beauty is embedded in objects. Rather, beauty is an emotion, a value, and a sense of the good. In this aesthetics was unlike ethics: not a correction of evil or pursuit of the virtuous. Rather it is a pleasure that residues in the sense of self. The work is divided into chapters on the materials of beauty, form, and expression. A good many of Santayana's later works are presaged by this early effort. And this volume also anticipates the development of art as a movement as well as a value apart from other aspects of life.
The symptoms of culture are the anxieties that underlie modern life: the instability of gender roles, the mysteries of female sexuality, the enigma of authority, the desire for greatness in ourselves and our heroes. From concern over fake orgasms to our worries about Great Books reading lists, from wanting God on our side at sports contests to wanting Shakespeare on our side whenever we want to sound important, we are a walking case of symptoms. Whatever the modern illness may be, the doctor locates the symptoms in a box of Jello or in Charlotte's marvelous web, on the football field or in the bedroom, in our great Mr. Shakespeare, in our classroom or the courtroom, or in a sneeze.
“Many days I believe menopause is the new (if long overdue) frontier for the most compelling and necessary philosophy; Darcey Steinke is already there, blazing the way. This elegant, wise, fascinating, deeply moving book is an instant classic. I’m about to buy it for everyone I know.” —Maggie Nelson, author of The Argonauts A brave, brilliant, and unprecedented examination of menopause Menopause hit Darcey Steinke hard. First came hot flashes. Then insomnia. Then depression. As she struggled to express what was happening to her, she came up against a culture of silence. Throughout history, the natural physical transition of menopause has been viewed as something to deny, fear, and eradicate. Menstruation signals fertility and life, and childbirth is revered as the ultimate expression of womanhood. Menopause is seen as a harbinger of death. Some books Steinke found promoted hormone replacement therapy. Others encouraged acceptance. But Steinke longed to understand menopause in a more complex, spiritual, and intellectually engaged way. In Flash Count Diary, Steinke writes frankly about aspects of Menopause that have rarely been written about before. She explores the changing gender landscape that comes with reduced hormone levels, and lays bare the transformation of female desire and the realities of prejudice against older women. Weaving together her personal story with philosophy, science, art, and literature, Steinke reveals that in the seventeenth century, women who had hot flashes in front of others could be accused of being witches; that the model for Duchamp's famous Étant donnés was a post-reproductive woman; and that killer whales—one of the only other species on earth to undergo menopause—live long post-reproductive lives. Flash Count Diary, with its deep research, open play of ideas, and reverence for the female body, will change the way you think about menopause. It's a deeply feminist book—honest about the intimations of mortality that menopause brings while also arguing for the ascendancy, beauty, and power of the post-reproductive years.
The key to looking younger isn't always plastic surgery. There are many better, safer, and less expensive options that will remove wrinkles, revitalize skin, and make you look years younger--and they all can be performed by a dermatologist, not a plastic surgeon. Steven Victor, one of America's leading cosmetic dermatologists, reveals the secrets of these nonsurgical treatments in Ageless Beauty. From laser resurfacing to chemical peels to mesotherapy, readers will learn how a dermatologist can take the years off by removing wrinkles, age spots, and varicose veins from their faces, hands, necks, and legs. None of the procedures requires anesthesia, and in many cases, the results are even better than the traditional nip and tuck! With straightforward, accessible information and advice, Ageless Beauty is the equivalent of a costly consultation with one of the pioneers of cosmetic dermatology. It's the ultimate sourcebook for all women--and men--who want to look younger but don't want the risks, expense, and recovery time of plastic surgery. ... Now, of course, you may be wondering: Why choose these treatments over plastic surgery? Isn't plastic surgery still the way to go for truly transformative results? In most cases, the answer is a resounding no. Naturally there is an important place for plastic surgery, which, in fact, I recommend to patients as a worthy complement to certain resurfacing techniques, if I think it's merited. But no matter how old you are or how many wrinkles you have, if your skin isn't sagging, your first visit should absolutely, unequivocally be to a cosmetic dermatologist. --From Ageless Beauty
"A sure comic touch . . . smart and sweet . . . a tribute to the pleasures of friendship." —The New Yorker In the heart of New York City, a group of artistic friends struggles with society's standards of beauty. At the center are Barb and Lily, two women at opposite ends of the beauty spectrum, but with the same problem: each fears she will never find a love that can overcome her looks. Barb, a stunningly beautiful costume designer, makes herself ugly in hopes of finding true love. Meanwhile, her friend Lily, a brilliantly talented but plain-looking musician, goes to fantastic lengths to attract the man who has rejected her—with results that are as touching as they are transformative. To complicate matters, Barb and Lily discover that they may have a murderer in their midst, that Barb’s calm disposition is more dangerously provocative than her beauty ever was, and that Lily's musical talents are more powerful than anyone could have imagined. Part literary whodunit, part surrealist farce, The Unfortunate Importance of Beauty is a smart, modern-day fairy tale. With biting wit and offbeat charm, Amanda Filipacchi illuminates the labyrinthine relationship between beauty, desire, and identity, asking at every turn: what does it truly mean to allow oneself to be seen?
