"A gripping psychological thriller."—Daily Telegraph "A fascinating and addicting read."—Suspense Magazine The Sunday Girl delivers a dramatic thriller for any woman who's ever been involved with a bad, bad man and who knows how it feels to be broken, broken-hearted, and bent on revenge. Taylor Bishop is hurt, angry, and wants to destroy Angus Hollingsworth in the way he destroyed her. She's got nothing left to lose, so why not shatter his property, his reputation, and his life. So Taylor consults The Art of War and makes a plan. Then she takes the next thrilling, irrevocable step—one that will change her life forever. Things quickly spiral into a dangerous game of cat-and-mouse, and caught up in the suspense, Taylor isn't sure who's winning. The Sunday Girl is impossible to put down—fans of Liane Moriarty and Greer Hendricks will devour this twisty psychological thriller of love gone wrong...and revenge done right.
The Girl on the Train meets Before I Go to Sleep with a dash of Bridget Jones in this chilling tale of love gone horribly wrong … Any woman who’s ever been involved with a bad, bad man and been dumped will understand what it feels like to be broken, broken-hearted and bent on revenge. Taylor Bishop is hurt, angry and wants to destroy Angus Hollingsworth in the way he destroyed her: ‘Insidiously. Irreparably. Like a puzzle he’d slowly dissembled … stolen a couple of pieces from, and then discarded, knowing that nobody would ever be able to put it back together ever again.’ So Taylor consults The Art of War and makes a plan. Then she takes the next irrevocable step – one that will change her life forever. Things start to spiral out of her control – and The Sunday Girl becomes impossible to put down. Praise for The Sunday Girl 'A gripping psychological thriller.' – The Daily Telegraph 'The Girls Club of psychological thrillers has a worthy new member.' – Herald Sun 'Exciting, irresistible, and real.' – Good Reading ? ‘An abrasive thriller that will leave readers with a bit of a burn’ – Booklist
The Girl on the Train meets Before I Go to Sleep with a dash of Bridget Jones in this chilling tale of love gone horribly wrong … Some love affairs change you forever. Someone comes into your orbit and swivels you on your axis, like the wind working on a rooftop weather vane. And when they leave, as the wind always does, you are different; you have a new direction. And it’s not always north.’ Any woman who’s ever been involved with a bad, bad man and been dumped will understand what it feels like to be broken, broken-hearted and bent on revenge. Taylor Bishop is hurt, angry and wants to destroy Angus Hollingsworth in the way he destroyed her: ‘Insidiously. Irreparably. Like a puzzle he’d slowly dissembled … stolen a couple of pieces from, and then discarded, knowing that nobody would ever be able to put it back together ever again.’ So Taylor consults The Art of War and makes a plan. Then she takes the next irrevocable step – one that will change her life forever. Things start to spiral out of her control – and The Sunday Girl becomes impossible to put down.
What do you do when a broken hymen leads to a broken heart?Do you stay with Tony, your first love and the man with a readymade family, wife included?Or, do you fall for Darren, the single guy with a passion for leather trousers?And then there's Miles, but how do you turn a best mate into a bedmate?Meet Kathryn Beck, she's an old-fashioned girl and a complete non-starter when it came to love and sex.All she wanted was her man, but which one?As the lies and deception mounted up, Kath discovered the time for running and hiding was over.Now she has to choose between love, lust and loneliness.
Imagine seeing your loving husband pop up on your best friend’s dating app. Now imagine that’s the best thing that happens to you all week... When Charlie sees a man who is the spitting image of her husband, Oliver, on a dating app, her heart stops. Her first desperate instinct is to tell herself she must be mistaken—after all, she only caught a glimpse from a distance as her friends laughingly swiped through the men on offer. But no matter how much she tries to push her fears aside, she can’t let it go. Because she took that photo. On their honeymoon. When other signs of betrayal begin to surface, Charlie does the only thing she can think of to defend herself—she signs up for the app to catch Oliver in the act. But Charlie soon discovers that infidelity is the least of her problems. Nothing is as it seems, and nobody is who she thinks they are...
INSTANT #1 NATIONAL BESTSELLER The #1 New York Times bestselling author of the “claustrophobic spine-tingler” (People) One by One returns with an unputdownable mystery following a woman on the search for answers a decade after her friend’s murder. April Clarke-Cliveden was the first person Hannah Jones met at Oxford. Vivacious, bright, occasionally vicious, and the ultimate It girl, she quickly pulled Hannah into her dazzling orbit. Together, they developed a group of devoted and inseparable friends—Will, Hugh, Ryan, and Emily—during their first term. By the end of the year, April was dead. Now, a decade later, Hannah and Will are expecting their first child, and the man convicted of killing April, former Oxford porter John Neville, has died in prison. Relieved to have finally put the past behind her, Hannah’s world is rocked when a young journalist comes knocking and presents new evidence that Neville may have been innocent. As Hannah reconnects with old friends and delves deeper into the mystery of April’s death, she realizes that the friends she thought she knew all have something to hide...including a murder. “The Agatha Christie of our generation” (David Baldacci, #1 New York Times bestselling author) proves once again that she is “as ingenious and indefatigable as the Queen of Crime” (The Washington Post) with this propulsive murder mystery that will keep you on the edge of your seat.
In this searing memoir, the author, "the girl" at the center of the infamous Roman Polanski sexual assault case, breaks a virtual thirty-five year silence to tell her story and reflect on the events of that day and their lifelong repercussions. March 1977, Southern California. Roman Polanski drives a rented Mercedes along Mulholland Drive to Jack Nicholson's house. Sitting next to him is an aspiring actress, Samantha Geimer, recently arrived from York, Pennsylvania. She is thirteen years old. The undisputed facts of what happened in the following hours appear in the court record: Polanski spent hours taking pictures of Samantha on a deck overlooking the Hollywood Hills, on a kitchen counter, topless in a Jacuzzi. Wine and Quaaludes were consumed, balance and innocence were lost, and a young girl's life was altered forever, eternally cast as a background player in her own story. For months on end, the Polanski case dominated the media in the U.S. and abroad. But even with the extensive coverage, much about that day and the girl at the center of it all remains a mystery. Just about everyone had an opinion about the renowned director and the girl he was accused of drugging and raping. Who was the predator? Who was the prey? Was the girl an innocent victim or a cunning Lolita artfully directed by her ambitious stage mother? How could the criminal justice system have failed all the parties concerned in such a spectacular fashion? Once Polanski fled the country, what became of Samantha, the young girl forever associated with one of Hollywood's most notorious episodes? Samantha, as much as Polanski, has been a fugitive since the events of that night more than thirty years ago. Taking us far beyond the headlines, this memoir reveals a thirteen-year-old who was simultaneously wise beyond her years and yet terribly vulnerable. By telling her story in full for the first time, Samantha reclaims her identity, and indelibly proves that it is possible to move forward from victim to survivor, from confusion to certainty, from shame to strength.
AN INSTANT NEW YORK TIMES BESTSELLER “Pitch-perfect... Dean tells this story with such nuance and humanity, you’re desperate to step into its pages." —The New York Times “Heart-stopping psychological drama… A modern-day classic." —Jeffery Deaver, New York Times bestselling author “A gripping story about family dynamics and the nature of human psychology.” —Good Housekeeping She thought she had escaped her past. But there are some things you can’t outrun. Lex Gracie doesn't want to think about her family. She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped, the eldest sister who freed her older brother and four younger siblings. It's been easy enough to avoid her parents--her father never made it out of the House of Horrors he created, and her mother spent the rest of her life behind bars. But when her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer. Together with her sister, Evie, Lex intends to turn the home into a force for good. But first she must come to terms with her siblings--and with the childhood they shared. What begins as a propulsive tale of escape and survival becomes a gripping psychological family story about the shifting alliances and betrayals of sibling relationships--about the secrets our siblings keep, from themselves and each other. Who have each of these siblings become? How do their memories defy or galvanize Lex's own? As Lex pins each sibling down to agree to her family's final act, she discovers how potent the spell of their shared family mythology is, and who among them remains in its thrall and who has truly broken free. For readers of Room and Sharp Objects, an absorbing and psychologically immersive novel about a young girl who escapes captivity–but not the secrets that shadow the rest of her life.
A stunning and lyrical debut novel Vincent Appleton smiles at his daughters, raises a gun, and blows off his head. For the Appleton sisters, life had unravelled many times before. This time it explodes. Eight-year-old Hariet, known to all as Ari, is dispatched to Cape Breton and her Aunt Mary, who is purported to eat little girls. But Mary and her partner, Nia, offer an unexpected refuge to Ari and her steadfast companion, Jasper, an imaginary seahorse. Yet the respite does not last, and Ari is torn from her aunts and forced back to her twisted mother and fractured sisters. Her new stepfather, Len, and his family offer hope, but as Ari grows to adore them, sheÍs severed violently from them too, when her mother moves in with the brutal Dick Irwin. Through the sexual revolution and drug culture of the 1960s, Ari struggles with her fatherÍs legacy and her motherÍs addictions, testing limits with substances that numb and men who show her kindness. Ari spins through a chaotic decade of loss and love, the devilish and divine, with wit, tenacity, and the astonishing balance unique to seahorses. The Clay Girl is a beautiful tour de force about a child sculpted by kindness, cruelty, and the extraordinary power of imagination, and her families „ the one sheÍs born in to and the one she creates.
The International Sensation It begins in a Stockholm city park where the abused body of a young boy is discovered. Detective Superintendent Jeanette Kihlberg heads the investigation, battling an apathetic prosecutor and a bureaucratic police force unwilling to devote resources to solving the murder of an immigrant child. But with the discovery of the mutilated corpses of two more children, it becomes clear that a serial killer is at large. Superintendent Kihlberg turns to therapist Sofia Zetterlund for her expertise in the psychopathology of those who kill, and the lives of the two women become quickly intertwined—professionally and personally. As they draw closer to each other and to the truth about the killings, what surfaces is the undeniable fact that these murders are only the most obvious evidence of an insidious evil woven deep into Swedish society.
