Readers will bend over backward for the debut of the first yoga mystery series. Ever since her husband ditched her-for another man-A.J. hasn't exactly been on the road to inner peace. Then her yoga-guru aunt is found dead, and A.J.'s named the sole heir to her lucrative yoga studio-making her a multimillionaire, a prime suspect, and the killer's next target.
What if your dance partner, business partner, and fiancé was stepping out with another woman? That's exactly what happens to Stacy Graysin, who shares ownership of a ballroom dance studio with the man who broke her heart, Rafe Acosta. But when Stacy discovers Rafe's dead body in the studio one dark night, the police suspect her of killing him. To clear her name and save her studio, Stacey teams up with Rafe's estranged cousin from Argentina, Tav, to find the real killer. And if Stacy doesn't watch her step, the killer may make this dance her last.
The only yoga mystery series on the market. While in her mother's garden, A.J. stumbles-literally-on the body of her mother's current beau. Now A.J. is going to have to find her balance and solve the murder without getting tied up in knots.
"As England swelters during the hottest summer on record, Posie Parker, Private Detective, is summoned to Worton Hall Film Studios, where she steps into the heart of a sinister new mystery. Silvia Hanro, the famously beautiful movie star, has received death threats alongside her morning coffee, and Posie is tasked with protecting her. Aided by her good friends Lady Dolly Cardigeon and Chief Inspector Richard Lovelace, Posie soon realises that behind the cheap canvas sets and the dreamy glamour of Worton Hall Studios a dreadful secret lays buried, and traitors lurk everywhere."--Amazon.
Meet Aimée Leduc, the smart, stylish Parisian private investigator, in her bestselling first investigation Aimée Leduc has always sworn she would stick to tech investigation—no criminal cases for her. Especially since her father, the late police detective, was killed in the line of duty. But when an elderly Jewish man approaches Aimée with a top-secret decoding job on behalf of a woman in his synagogue, Aimée unwittingly takes on more than she is expecting. She drops off her findings at her client’s house in the Marais, Paris’s historic Jewish quarter, and finds the woman strangled, a swastika carved on her forehead. With the help of her partner, René, Aimée sets out to solve this horrendous murder, but finds herself in an increasingly dangerous web of ancient secrets and buried war crimes.
When one of A.J.'s celebrity yoga students gets permanently bent out of shape, and another is accused of the crime, A.J. has no choice but to position herself as a sleuth to find the real killer.
Vaudeville actress Leah Randall took on her most daring role ever when she impersonated missing heiress Jessie Carr in order to claim Jessie's inheritance in The Impersonator. Now that the dust has settled around that tumultuous time in her life, Leah has adopted Jessie's name as her own and moved to Hollywood, where she's taken a modest but steady job in the silent film industry. Jessie's thrilled when Bruno Heilmann, a movie studio bigwig, invites her to a party. She's even more delighted to run into a face from her past at that party. But the following day, Jessie learns that sometime in the wee hours of the morning both her old friend and Bruno Heilmann were brutally murdered. She's devastated, but with her skill as an actress, access to the wardrobes and resources of a film studio, and a face not yet famous enough to be recognized, Jessie is uniquely positioned to dig into the circumstances surrounding these deaths. But will doing so put her own life directly in the path of a murderer? With Silent Murders, MB/MWA First Crime Novel Competition winner Mary Miley has crafted another terrifically fun mystery, this time set in the dizzying, dazzling heart of jazz-age Hollywood.
Autumn leaves aren’t the only things falling in the historic Virginia village of Taylorsford—so are some cherished memories, and a few bodies October in Taylorsford, Virginia means it’s leaf peeping season, with bright colorful foliage and a delightful fresh crew of tourists attending the annual Heritage Festival which celebrates local history and arts and crafts. Library director Amy Webber, though, is slightly dreading having to spend two days running a yard sale fundraiser for her library. But during these preparations, when she and her assistant Sunny stumble across a dead body, Amy finds a real reason to be worried. The body belonged to a renowned artist who was murdered with her own pallet knife. A search of the artist’s studio uncovers a cache of forged paintings, and when the sheriff’s chief deputy Brad Tucker realizes Amy is skilled in art history research, she’s recruited to aid the investigation. It doesn’t seem to be an easy task, but when the state’s art expert uncovers a possible connection between Amy’s deceased uncle and the murder case, Amy must champion her Aunt Lydia to clear her late husband’s name. That’s when another killing shakes the quiet town, and danger sweeps in like an autumn wind. Now, with her swoon-inducing neighbor Richard Muir, Amy must scour their resources to once again close the books on murder in Shelved Under Murder, the charming second installment in Victoria Gilbert’s Blue Ridge Library mysteries, perfect for fans of Jenn McKinlay and Miranda James.
"A first-rate whodunnit set in the 1960s New York art world, a time and place Helen Harrison has recreated with a page-turning mix of history, gossip, and fun!"—Bob Colacello, author of Holy Terror: Andy Warhol Close Up One artist. One student. One deadly mystery. When Regionalist painter Thomas Hart Benton's corpse is discovered behind the easels of Manhattan's famed art school, whispers in the art community say he had it coming. As Benton's list of enemies lengthens to include the school's instructors, Vietnam War protesters, and members of Andy Warhol's entourage, one art student is ultimately painted as the murderer. The only problem: the suspect has vanished. Why would an art student murder Benton? And if he were innocent, why would he run? When TJ Fitzgerald, son of Detective Juanita Diaz and Captain Brian Fitzgerald of the NYPD, discovers his classmate is the prime suspect, he uses his own investigative skills to try and clear his name. But as TJ and his girlfriend work to unravel the clues to the art mystery, he begins to wonder if the police got it wrong and one secret may be the key to it all... Helen Harrison's An Artful Corpse is a clever mystery sure to please art enthusiasts and armchair detectives alike.
The Last Word argues that the Hollywood novel opened up space for cultural critique of the film industry at a time when the industry lacked the capacity to critique itself. While the young studio system worked tirelessly to burnish its public image in the wake of celebrity scandal, several industry insiders wrote fiction to fill in what newspapers and fan magazines left out. Throughout the 1920s and 1930s, these novels aimed to expose the invisible machinery of classical Hollywood cinema, including not only the evolving artifice of the screen but also the promotional discourse that complemented it. As likeminded filmmakers in the 1940s and 1950s gradually brought the dark side of the industry to the screen, however, the Hollywood novel found itself struggling to live up to its original promise of delivering the unfilmable. By the 1960s, desperate to remain relevant, the genre had devolved into little more than erotic fantasy of movie stars behind closed doors, perhaps the only thing the public couldn't already find elsewhere. Still, given their unique ability to speak beyond the institutional restraints of their time, these earlier works offer a window into the industry's dynamic creation and re-creation of itself in the public imagination.