The Structural Function of W.A. Mozart's First-movement Cadenzas to His Piano Concertos
Author: Kathleen Lambooy Meyers
Publisher:
Published: 1977
Total Pages: 252
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Kathleen Lambooy Meyers
Publisher:
Published: 1977
Total Pages: 252
ISBN-13:
DOWNLOAD EBOOKAuthor: Chiharu Sai
Publisher:
Published: 2003
Total Pages: 376
ISBN-13:
DOWNLOAD EBOOKAuthor: Mary Lauren Robbins
Publisher:
Published: 1992
Total Pages: 102
ISBN-13:
DOWNLOAD EBOOKAuthor: Chiharu Sai
Publisher: LAP Lambert Academic Publishing
Published: 2010-03
Total Pages: 204
ISBN-13: 9783838342771
DOWNLOAD EBOOKThis book demonstrates the proportional function of the cadenza in the first movements of Mozart s piano concertos and, specifically, the cadenza s role in helping to counter-balance the proportional gap between the exposition and the recapitulation created by the double-exposition feature of the Classical concerto form. It investigates Mozart s sense of symmetry within the sonata-allegro concerto form, which he powerfully expresses in the proportionally balanced construction of his music, and how symmetry functions as an underlying principle in the achievement of proportional balance between the exposition and recapitulation in the first movements of his piano concertos. Also, this book seeks to establish possible criteria as to how this sense of symmetry may inform the performer/composer of the concerto/cadenza in creating a cadenza of appropriate duration for the first movements of Mozart s piano concertos for which the original cadenzas are missing (KV466, 467, 482, 491, 503, and 537) and to verify the compositional and proportional integrity of the cadenza.
Author: Denis Forman
Publisher: New York : Praeger
Published: 1971
Total Pages: 312
ISBN-13:
DOWNLOAD EBOOKThis book is the first truly comprehensive analysis of the first movements ever attempted. The beginning of the book, devoted to the evolution of Mozart's concertos, provides a discussion of the search by North German composers (including members of the Bach family) for a concerto form that would give more prominence to solo instruments, a critical element in the development of the extended aria. Against this background, the author then discusses the evolution of Mozart's concertos in terms of the six early works based on Johann Christian Bach's London Galant form, the innovative principles and methods present in the seven "Melodic" concertos, and the absolute departure from both Galant and Melodic works evident in the last four concertos, which are truly symphonic, differing from all of Mozart's previous concertos "in scale, texture and structure, and employing a different method of treating thematic material". The second section of the book, a detailed, lucid, and stimulating exposition of all the first movements, discusses Mozart's compositional technique and his conception of the purpose of concerto composition.
Author: Philip Whitmore
Publisher: Oxford University Press, USA
Published: 1991
Total Pages: 256
ISBN-13:
DOWNLOAD EBOOKThis book is a history of the cadenza in the Classical keyboard concerto. Whitmore focuses attention on the changing relations between performer and composer and between performer and audience in the course of the Classical period. The greater part of the book consists of an attempt to situate the concertos and cadenzas produced during the period within the broad historical development outlined in the first few chapters, placing particular emphasis on the contributions of C.P.E. Bach, Mozart, and Beethoven.
Author: 關傑卿
Publisher:
Published: 2017-01-27
Total Pages:
ISBN-13: 9781374772946
DOWNLOAD EBOOKAuthor: Edward Klorman
Publisher: Cambridge University Press
Published: 2016-04-21
Total Pages: 359
ISBN-13: 1107093651
DOWNLOAD EBOOKThis study analyzes chamber music from Mozart's time within its highly social salon-performance context.
Author: Stephan D. Lindeman
Publisher: Pendragon Press
Published: 1999
Total Pages: 368
ISBN-13: 9781576470008
DOWNLOAD EBOOKLindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR