Filled with visceral and engaging prose, this graphic novella offers a nostalgic look at two young misfits who manage to find belonging and heartbreak in each other’s friendship. Anjeline walks with an open heart, but alone, through a world that consistently rejects her; Franck, another loner, never smiles. After the hand of fate literally shoves them together in the roiling mosh pit at a Midtown rock concert, they bond over the long commute back to Staten Island, and begin a friendship that makes the world a little better for them both. Together, this strange pair turns the sharp-edged, gloomy New York City into their playground...even as pain and heartbreak await around the corner.
An itinerant French mercenary stumbles into the Valley of the Kings; driven by thirst and crazed by the eastern sun, he crawls through a crevice in an ancient wall... The papyrus roll he found contained weird hieroglyphics, an owl, a bolted door, an eagle, an axe and, strangest of all, Xerefu and Akeru - the lions of Yesterday and Today. The scroll found its way to Paris. The year was 1798. The Terror was born. Behind the welter of blood that was revolution, older, darker, more sinister forces were at work. The Revolution was only a means to an end... only a symptom of a deadlier peril, a terror behind the Terror. Ancient Egyptian power was stronger than the guillotine...
The Strange follows an unnamed, undocumented immigrant who tries to forge a new life in a Western country where he doesn’t speak the language. Jérôme Ruillier’s story is deftly told through myriad viewpoints, as each narrator recounts a situation in which they crossed paths with the newly-arrived foreigner. Many of the people he meets are suspicious of his unfamiliar background, or of the unusual language they do not understand. By employing this third-person narrative structure, Ruillier masterfully portrays the complex plight of immigrants and the vulnerability of being undocumented. The Strange shows one person’s struggle to adapt while dealing with the often brutal and unforgiving attitudes of the employers, neighbors, and strangers who populate this new land. Ruillier employs a bold visual approach of colored pencil drawings complemented by a stark, limited palette of red, orange and green backgrounds. Its beautiful simplicity represents the almost child-like hope and promise that is often associated with new beginnings. But as Ruillier implicitly suggests, it’s a promise that can shatter at a moment’s notice when the threat of being deported is a daily and terrifying reality. The Strange has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as the Aya series by Marguerite Abouet and Clément Oubrerie, Hostage by Guy Delisle, and Beautiful Darkness by Fabien Vehlmann and Kerascoët. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal.
Comprehensive and beautifully written, this collection of African folktales is a stunning ethnographic achievement and riveting narrative of the mythical origins of the Zulu culture.
From one of our preeminent neuroscientists: a landmark reflection that spans the biological and social sciences, offering a new way of understanding the origins of life, feeling, and culture. The Strange Order of Things is a pathbreaking investigation into homeostasis, the condition of that regulates human physiology within the range that makes possible not only the survival but also the flourishing of life. Antonio Damasio makes clear that we descend biologically, psychologically, and even socially from a long lineage that begins with single living cells; that our minds and cultures are linked by an invisible thread to the ways and means of ancient unicellular life and other primitive life-forms; and that inherent in our very chemistry is a powerful force, a striving toward life maintenance that governs life in all its guises, including the development of genes that help regulate and transmit life. In The Strange Order of Things, Damasio gives us a new way of comprehending the world and our place in it.
Jed and Horse ride again in this sequel to sci-fi Western VULTURES' MOON. When a shuttle crash leaves a young boy orphaned, Jed strives to find who's responsible. During the investigation, the gunslinger and his miraculous steed encounter a host of unsavoury characters and dangerous situations, and the resurgence of an old enemy causes Jed to question his understanding of right and wrong. Fans of the first book will enjoy this fast-moving, action-packed adventure from author William Stafford.
Based on some of literature’s horror and science fiction classics, this “tour de force of reclaiming the narrative, executed with impressive wit and insight” (Publishers Weekly, starred review) debut is the story of a remarkable group of women who come together to solve the mystery of a series of gruesome murders—and the bigger mystery of their own origins. Mary Jekyll, alone and penniless following her parents’ death, is curious about the secrets of her father’s mysterious past. One clue in particular hints that Edward Hyde, her father’s former friend and a murderer, may be nearby, and there is a reward for information leading to his capture…a reward that would solve all of her immediate financial woes. But her hunt leads her to Hyde’s daughter, Diana, a feral child left to be raised by nuns. With the assistance of Sherlock Holmes and Dr. Watson, Mary continues her search for the elusive Hyde, and soon befriends more women, all of whom have been created through terrifying experimentation: Beatrice Rappaccini, Catherin Moreau, and Justine Frankenstein. When their investigations lead them to the discovery of a secret society of immoral and power-crazed scientists, the horrors of their past return. Now it is up to the monsters to finally triumph over the monstrous.
"A haunting, wildly imagined novel by the acclaimed author of History of a Pleasure Seeker ("the best new work of fiction ... in many moons; a classic"--The Washington Post); set in the first decades of twentieth-century colonial Cape Town and in a spirit-filled forest of secrets and magic powers. It is 1914. Germany has just declared war on France. Piet Barol, the handsome, irresistible figure of Mason's much-admired, sensuous History of a Pleasure Seeker, is once again at the center of this ambitious, lush new novel. Barol, a European adventurer living as a poseur in South Africa's Cape Colony, navigates the turbulence and opportunities of this strange land in his blind quest for comfort and riches as thousands of black families have been turned out of their homes by a white government bent on confiscating 90% of the country for the exclusive use of Europeans. Piet and his wife have successfully, grandly lived a life for the past five years as colonials impersonating French aristocrats (the dazzling Vicomte and Vicomtesse Pierre de Barol of the Château de Barol on the banks of the Loire River), though in truth, he is Dutch and far from aristocratic and she is American and hardly of the railroad fortune family she so often and casually invokes. Both are wily, and both have large dreams. After years of supremely decadent living, Fortune, which has always favored Piet, has grown tired of him and the Barols' luck is about to run out. They are short of cash and on the verge of ruin. As one last grand effort they have embarked on a furniture business full of possibility. They need wood for the enterprise, and through Piet's charm and guile have come upon the source for their inventory that will make all of them rich. The wood is in a forbidden forest filled with sacred, untouchable trees of fine mahogany which Piet is sure he will be able to extract in exchange for beads and glass trickets. His pursuit of the bewitched trees of the fabled forest of Gwadana takes him deep into the Xhosa [pron. KO-sa] homelands, where unfailing charm, wit and the friendship of two black men are his only allies as he attempts an act of supreme audacity: to steal a forest from its rightful owners--a Xhosa clan who know to be true that the spirits of their ancestors reside in their magical, ageless trees"--
A monumental, genre-defying novel that David Mitchell calls "Michel Faber’s second masterpiece," The Book of Strange New Things is a masterwork from a writer in full command of his many talents. It begins with Peter, a devoted man of faith, as he is called to the mission of a lifetime, one that takes him galaxies away from his wife, Bea. Peter becomes immersed in the mysteries of an astonishing new environment, overseen by an enigmatic corporation known only as USIC. His work introduces him to a seemingly friendly native population struggling with a dangerous illness and hungry for Peter’s teachings—his Bible is their “book of strange new things.” But Peter is rattled when Bea’s letters from home become increasingly desperate: typhoons and earthquakes are devastating whole countries, and governments are crumbling. Bea’s faith, once the guiding light of their lives, begins to falter. Suddenly, a separation measured by an otherworldly distance, and defined both by one newly discovered world and another in a state of collapse, is threatened by an ever-widening gulf that is much less quantifiable. While Peter is reconciling the needs of his congregation with the desires of his strange employer, Bea is struggling for survival. Their trials lay bare a profound meditation on faith, love tested beyond endurance, and our responsibility to those closest to us. Marked by the same bravura storytelling and precise language that made The Crimson Petal and the White such an international success, The Book of Strange New Things is extraordinary, mesmerizing, and replete with emotional complexity and genuine pathos.
