Thomas Olney, a "philosopher" visiting the town of Kingsport, Massachusetts with his family, is intrigued by a strange house on a cliff overlooking the ocean. It is unaccountably high and old and the locals have a generations-long dread of the place which no one is known to have visited. With great difficulty, Olney climbs the crag, approaches the house, and meets the mysterious man who lives there. The only door opens directly onto a sheer cliff, giving access only to mist and "the abyss". The transmittal of archaic lore and a life-altering encounter with the supernatural ensue, as Olney is not the only visitor that day. He returns to Kingsport the next day, but seems to have left his spirit behind in the strange, remote dwelling.
"The Strange High House in the Mist" is a short story by H. P. Lovecraft. Written on November 9, 1926, it was first published in the October 1931 issue of Weird Tales. An H. P. Lovecraft Encyclopedia suggests that the story may have been inspired by Lord Dunsany's Chronicles of Rodriguez, in which strange sights can be seen from a wizard's house on a crag.
In the tradition of Edward Eager and E.L. Konigsburg, a novel about the excitement—and the dangers—of wishing. Tess and her brother, Max, are sent for the summer to their aunt’s sleepy village in the English countryside, where excitement is as rare as a good wifi signal. So when Tess stumbles upon an old brass key that unlocks an ornately carved gate, attached to a strangely invisible wall, she jumps at the chance for adventure. And the world beyond the gate doesn’t disappoint. She finds rose gardens, a maze made of hedges, and a boy named William who is just as lonely as she is. But at William’s castle, strange things begin to happen. Carnival games are paid for in wishes, dreams seem to come alive, and then there's William's eerie warning: Beware of the hawthorn trees. A warning that chills Tess to the bone. In a magical, fantasy world that blurs the line between reality and imagination, readers are left to wonder exactly what they’d wish for if wishes could come true. Perfect for fans of Half Magic and The Secret Garden—and for anyone who's ever wondered if magic is real. For the further adventures of Tess and Max, be sure to check out Amy Ephron's Carnival Magic! Praise for The Castle in the Mist: “Bursting with imagination and warmth, Amy Ephron’s first novel for young people is a magical book in all ways.”—Holly Goldberg Sloan, New York Times bestselling author of Counting by 7s "This beautiful story’s quiet, peaceful tone nicely evokes both the serenity of country life and the haunting magic of the castle, and the emotional heft of Tess and Max’s separation from their parents, as well as their strong bond, keeps the tale firmly grounded in reality. Perfect for middle-graders who love classic fantasy."—Booklist "Rich description of the castle along with an elaborate map at the book's beginning and an illustration at the end enhance the fantasy world....A sequel is suggested; beguiled readers will hope it happens."—Kirkus Reviews "There are scenes...that are transcendent in their beautiful, ethereal descriptions [in this] uplifting novel about family and connection."—BCCB "A slightly darker, updated take on magical realism classics such as Edward Eager’s Half Magic and E. Nesbit’s The Enchanted Castle."—School Library Journal "A near-perfect 9....This book defies gravity because it’s hard to put down!"—Time for Kids, kid reporter "Ephron renders this magical world with such assertive beauty that readers of all ages, who are fortunate enough to believe in the power of magic, will enjoy immersing themselves in the roller-coaster fun of these stories, and come to trust, even if for a short time, that in this 'alternate universe' it is possible for us to come together and 'touch the sky.'"—Jewish Journal
Descend into the nerve-shattering realm of America’s master of horror, H. P. Lovecraft—to a dank place where gloomy maelstroms await the unwary, where the unnatural is surpassed only by the unspeakable, and where all pleasure is perverse. Take a chance . . . all you can lose is your sanity. Featuring an introduction by Harlan Ellison The Doom That Came to Sarnath—The magnificent city had wealth beyond measure, but no riches could save it from a ghastly day of reckoning. The Shunned House—He vowed to rid the odious structure of the brooding horror that clung to it, but evil would not go gently. The Dream Quest of Unknown Kadath—Desperate to understand his tormenting vision, one man begins a forbidden and nightmarish journey. The Tomb—The old Hyde family crypt held a gruesome attraction for a boy, until he communed with the dead and learned their secrets. The Shadow Out of Time—The quest to understand the devouring force that once possessed a scholar leads a man to the other side of the world, where all will be revealed in one hideous, unholy night. Plus eleven other macabre tales of pure terror!
H.P. Lovecraft, one of the twentieth century’s most important writers in the genre of horror fiction, famously referred to Edgar Allan Poe as both his “model” and his “God of Fiction.” While scholars and readers of Poe’s and Lovecraft’s work have long recognized the connection between these authors, this collection of essays is the first in-depth study to explore the complex literary relationship between Lovecraft and Poe from a variety of critical perspectives. Of the thirteen essays included in this book, some consider how Poe’s work influenced Lovecraft in important ways. Other essays explore how Lovecraft’s fictional, critical, and poetic reception of Poe irrevocably changed how Poe’s work has been understood by subsequent generations of readers and interpreters. Addressing a variety of topics ranging from the psychology of influence to racial and sexual politics, the essays in this book also consider how Lovecraft’s interpretations of Poe have informed later adaptations of both writers’ works in films by Roger Corman and fiction by Stephen King, Thomas Ligotti, and Caitlin R. Kiernan. This collection is an indispensable resource not only for those who are interested in Poe’s and Lovecraft’s work specifically, but also for readers who wish to learn more about the modern history and evolution of Gothic, horror, and weird fiction.
Howard Phillips Lovecraft (1890–1937) has been described variously as the successor to Edgar Allan Poe, a master of the Gothic horror tale, and one of the father of modern supernatural fantasy fiction. Published originally in pulp magazines, his works have grown in popularity since his death, so that more than thirty editions are currently in print. Yet only recently has Lovecraft received serious attention from literary critics. And until now no one has examined his work from a post-structuralist perspective. Donald Burleson fills that void, for the first time in an extended study bringing the resources of deconstruction to bear on the works of this modern gothicist. In an introductory overview, Burleson gives an unusually readable account of deconstruction theory and terminology, a field all too often discussed in densely opaque fashion. He goes on to deconstruct thirteen Lovecraft stories, delving into their fascinating etymological mazes, abundant ambiguities, and shifting levels of meanings. His lively and remarkably jargon-free readings explore Lovecraft's rich figurality to unprecedented depths. At the same time Burleson develops the view that in practicing self-subversion and structural displacement, literary texts perpetuate themselves. His final chapter explores the broad themes running though Lovecraft's fiction, arguing that these themes in themselves prefigure the deconstructive gesture. This insightful and provocative volume will go a long way toward displacing the label of popular writer and establishing Lovecraft as an important figure in American literature.
A New York Times Book Review Editors' Choice Selection "The most exciting and definitive collection of Lovecraft's work out there." –Danielle Trussoni, New York Times Book Review No lover of gothic literature will want to be without this literary keepsake, the final volume of Leslie Klinger’s tour-de-force chronicle of Lovecraft’s canon. In 2014, The New Annotated H. P. Lovecraft was published to widespread acclaim— vaunted as a “treasure trove” (Joyce Carol Oates) for Lovecraft aficionados and general readers, alike. Hailed by Harlan Ellison as an “Olympian landmark of modern gothic literature,” the volume included twenty-two of Lovecraft’s original stories. Now, in this final volume, best- selling author Leslie S. Klinger reanimates twenty-five additional stories, the balance of Lovecraft’s significant fiction, including “Rats in the Wall,” a post– World War I story about the terrors of the past, and the newly contextualized “The Horror at Red Hook,” which recently has been adapted by best- selling novelist Victor LaValle. In following Lovecraft’s own literary trajectory, readers can witness his evolution from Rhode Island critic to prescient literary genius whose titanic influence would only be appreciated decades after his death. Including hundreds of eye- opening annotations and dozens of rare images, Beyond Arkham finally provides the complete picture of Lovecraft’s unparalleled achievements in fiction.
После смерти деда главный герой получает в наследство результаты исследований таинственных событий в Бостоне, связанных с деятельностью некой секты. Страшное землетрясение пробуждает от векового сна Повелителя Древности и его приближенных. Те, кто послабее рассудком, сходят с ума. «Ктулху восстанет в назначенный час» – поют служители жестокого культа, принося человеческие жертвы своему богу… Истории, вошедшие в сборник, отражают фантастические и мрачные сны, которые всю жизнь тревожили их автора – Говарда Лавкрафта. Легендарный рассказ «Зов Ктулху» стал основой для настоящего литературного культа. Читайте зарубежную литературу в оригинале!
Howard Lovecraft was an American writer who achieved posthumous fame through his influential works of horror fiction. Despite the fact that he was virtually unknown before he died, today he is known as the most influential author in his genre. “The Dunwich Horror and Other Stories” is a collection of wonderful short stories such as “The Rats in the Walls,” “The Strange High House in the Mist” and others. These stories, full of mystery and fantastic creatures, have captured the minds of readers all over the world.
To commemorate the centennial of the birth of H. P. Lovecraft, the editors have assembled essays by leading Lovecraft scholars that embody a wide variety of critical approaches. Biographical essays treat Lovecraft's relation to his parents and his heritage; thematic essays discuss issues such as the function of the narrator in his fiction; and the comparative and genre studies examine Lovecraft's relation to modernism.
