This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Last Mistress of Jose Rizal is a collection of stories that focuses on multigenerational tales of intertwined Filipino families. Set in the huge yet relatively overlooked and misunderstood Filipino diaspora in the United States, this book follows characters who live in the shadow of the histories of the United States and its former colony in Asia, the Philippines. The impact of immigration and separation filters through the stories as a way of communing with or creating distance between individuals and family, country, or history. Roley’s work has been praised by everyone from New York Times literary critics to APIA author Helen Zia for his bare, poetic style and raw emotionalism. In the collection’s title story, a woman living with her daughter and her daughter’s American husband fears the loss of Filipino tradition, especially Catholicism, as she tries to secretly permeate her granddaughter’s existence with elements of her ancestry. In "New Relations," an American-born son introduces his mother to his Caucasian bride and her family, only to experience his first marital discord around issues of politesse, the perception of culture, and post-colonial legacies. Roley’s delicately nuanced collection often leaves the audience with the awkwardness that comes from things lost in translation or entangled in generational divides.
The life of a hero who made the history of his country during its most critical period, and paid the highest price for his courage. Filipinos inspired by Rizal, made the first nationalist revolution in Asia, and extablished it's first democratic republic
Filipino national hero Jose Rizal wrote The Social Cancer in Berlin in 1887. Upon his return to his country, he was summoned to the palace by the Governor General because of the subversive ideas his book had inspired in the nation. Rizal wrote of his consequent persecution by the church: "My book made a lot of noise; everywhere, I am asked about it. They wanted to anathematize me ['to excommunicate me'] because of it ... I am considered a German spy, an agent of Bismarck, they say I am a Protestant, a freemason, a sorcerer, a damned soul and evil. It is whispered that I want to draw plans, that I have a foreign passport and that I wander through the streets by night ..."
A study of Rizal, his works, and his influence in Southeast Asia; how his contemporaries saw him; the role Rizal played in inspiring Indonesian nationalists; how the Indonesians and Malaysians appropriated him in the movement for independence, and how he figures in the region's intellectual, political and literary discourse.
A futile insurrection had been followed by terrible reprisals and a hardening everywhere of the articulated tyranny, terrorism, and espionage with which the Government ruled. Such from the beginning had been its practice in the long and uninspiring record of the Spanish occupation of the Philippines: sore oppression leading to inevitable revolt and then savage vengeance that sowed the seed of more revolt. Now, as always in that delirious procedure, innocent natives were swept to punishment indiscriminately with the guilty; men that had taken part in the uprising and men that had never heard of it. With the rest of these victims of insensate rage, marched, on the morning of February 28, 1872, three beloved priests and servants of God, of whose complicity in the plot was never a shred of ponderable evidence. One of them, lifting up his voice in prayer for his assassins as he went along, was eighty-five years old. Not his years nor his gray hairs nor those good works that had brought him honor availed to save Father Mariano Gomez from the most ignominious of deaths. With Fathers Burgos and Zamora, he was garroted on Bagumbayan Field, fronting the sea at Manila; a place consecrated in the Filipino mind to memories terrible and yet grand. Native poets and orators that have seen there every blade of grass springing from the blood of heroes are hardly over-imaginative. On that spot to the same cause the same dull power sacrificed victim after victim, ending with the nation’s greatest and best. But now, in 1872, forgotten medieval brutalities seemed to be brought back to darken life in a region the sunniest and of right the most cheerful. Prisoners were tortured with instruments the world believed to exist only in museums; tortured with thumb-screws, great pincers, and machines of devilish ingenuity that produced and reiterated the agonies of drowning. The whip was busy in the hands of men hired for their expert knowledge of how it could be used to yield the largest fruition of pain; many a wretched Filipino that had in his heart no more of disloyalty than you or I was flogged naked in the presence of officers in whose ears his shrieks seemed to sound like music. Hysteria and fear in the minds of the dominant class were added to the racial hatred always festering there. Under the empire of this triad of the beast, men that had worn the gloss of the almost classic society of Madrid became in the Philippines no better than hooting devils. To the typical haughty Spaniard there the Filipino was an Indio, an inferior creature designed to render service to the white man’s needs and to receive the white man’s blows. Each successive generation of rulers had learned at least once, and always with astonishment and disgust, that the lowly Indio was capable of combinations and resistances that sometimes shook the walls of Malacañan itself and started painful visions of massacres and wild fleeings. From the beginning to the end of the story, it was a discovery that first exiled reason and then multiplied work to the executioner. Yet the knowledge gained in this way by one generation never seemed to enlighten the next: each revolt created in its turn the same astonishment, as if for the first time in human experience wronged men had turned against their wrongers. Each generation, therefore, had the same obtuse notion of violent repression as the only answer to the natives’ complaint, a concept that each left with additions of its own to its successor. Hence the complex savageries of 1872, which might be regarded as in a way accretionary; not a soul in the governing class seeming to suspect, despite all this rich experience, that the essence of the slayings was no better than one revenge making ready for another.