The Stories We Leave Behind is a legacy-based approach to dealing with our stuff and preserving our stories. Rather than asking which items we can live without, The Stories We Leave Behind asks: 1. How do I want to be remembered? 2. What stories tell that legacy? 3. What stuff highlights those stories? In the process you'll highlight items that tell a legacy story, identify valuable stuff that may be overlooked, minimize challenging decisions for loved ones, and reclaim space, time, and energy for you. What stories will you leave behind?
Winner of the Crime Writers’ Association ALCS Gold Dagger for Nonfiction— A tour through the human skeleton and the secrets our bones reveal, from the author of All That Remains In her memoir All That Remains, internationally renowned forensic anthropologist and human anatomist Dame Sue Black recounted her life lived eye to eye with the Grim Reaper. During the course of it, she offered a primer on the basics of identifying human remains, plenty of insights into the fascinating processes of death, and a sober, compassionate understanding of its inescapable presence in our existence, all leavened with her wicked sense of humor. In her new book, Sue Black builds on the first, taking us on a guided tour of the human skeleton and explaining how each person's life history is revealed in their bones, which she calls "the last sentinels of our mortal life to bear witness to the way we lived it." Her narrative follows the skeleton from the top of the skull to the small bones in the foot. Each step of the journey includes an explanation of the biology—how the bone is formed in a person's development, how it changes as we age, the secrets it may hold—and is illustrated with anecdotes from the author's career helping solve crimes and identifying human remains, whether recent or historical. Written in Bone is full of entertaining stories that read like scenes from a true-life CSI drama, infused with humor and no-nonsense practicality about the realities of corpses and death.
Told in alternating timelines, THE THINGS WE LEAVE UNFINISHED examines the risks we take for love, the scars too deep to heal, and the endings we can’t bring ourselves to see coming. Twenty-eight-year-old Georgia Stanton has to start over after she gave up almost everything in a brutal divorce—the New York house, the friends, and her pride. Now back home at her late great-grandmother’s estate in Colorado, she finds herself face-to-face with Noah Harrison, the bestselling author of a million books where the cover is always people nearly kissing. He’s just as arrogant in person as in interviews, and she’ll be damned if the good-looking writer of love stories thinks he’s the one to finish her grandmother’s final novel...even if the publisher swears he’s the perfect fit. Noah is at the pinnacle of his career. With book and movie deals galore, there isn’t much the “golden boy” of modern fiction hasn’t accomplished. But he can’t walk away from what might be the best book of the century—the one his idol, Scarlett Stanton, left unfinished. Coming up with a fitting ending for the legendary author is one thing, but dealing with her beautiful, stubborn, cynical great-granddaughter, Georgia, is quite another. But as they read Scarlett’s words in both the manuscript and her box of letters, they start to realize why Scarlett never finished the book—it’s based on her real-life romance with a World War II pilot, and the ending isn’t a happy one. Georgia knows all too well that love never works out, and while the chemistry and connection between her and Noah is undeniable, she’s as determined as ever to learn from her great-grandmother’s mistakes—even if it means destroying Noah’s career.
Now a Netflix film starring Julia Roberts, Mahershala Ali, Ethan Hawke, Myha'la, Farrah Mackenzie, Charlie Evans and Kevin Bacon. Written for the Screen and Directed by Sam Esmail. Executive Producers Barack and Michelle Obama, Tonia Davis, Daniel M. Stillman, Nick Krishnamurthy, Rumaan Alam A Read with Jenna Today Show Book Club Pick! Finalist for the 2020 National Book Award in Fiction One of Barack Obama's Summer Reads A Best Book of the Year From: The Washington Post * Time * NPR * Elle * Esquire * Kirkus * Library Journal * The Chicago Public Library * The New York Public Library * BookPage * The Globe and Mail * EW.com * The LA Times * USA Today * InStyle * The New Yorker * AARP * Publisher's Lunch * LitHub * Book Marks * Electric Literature * Brooklyn Based * The Boston Globe A magnetic novel about two families, strangers to each other, who are forced together on a long weekend gone terribly wrong. From the bestselling author of Rich and Pretty comes a suspenseful and provocative novel keenly attuned to the complexities of parenthood, race, and class. Leave the World Behind explores how our closest bonds are reshaped—and unexpected new ones are forged—in moments of crisis. Amanda and Clay head out to a remote corner of Long Island expecting a vacation: a quiet reprieve from life in New York City, quality time with their teenage son and daughter, and a taste of the good life in the luxurious home they’ve rented for the week. But a late-night knock on the door breaks the spell. Ruth and G. H. are an older couple—it’s their house, and they’ve arrived in a panic. They bring the news that a sudden blackout has swept the city. But in this rural area—with the TV and internet now down, and no cell phone service—it’s hard to know what to believe. Should Amanda and Clay trust this couple—and vice versa? What happened back in New York? Is the vacation home, isolated from civilization, a truly safe place for their families? And are they safe from one other?
William Lowell Randall explores the links between literature and life and speculates on the range of storytelling styles through which people compose their lives. In doing so, he draws on a variety of fields, including psychology, psychotherapy, theology, philosophy, feminist theory, and literary theory.
AN INSTANT NEW YORK TIMES BESTSELLER Imagine if all the worn-out, untrue, painful chapters of our lives started to quiet, and the beautiful, unique pieces of who we are were to rise. Imagine if the stories we tell brought us back to our true selves, back to one another. Imagine if they spoke of how we loved and lost and tried our best. How we saw it all, even the parts that hurt. Joanna Gaines' new book, The Stories We Tell, invites us on an authentic and deeply vulnerable journey into her story—and helps shine a light on the beauty of our own—guiding us to release the weights that hold us back so we may live and share our story in truth. We've all dropped anchor in places that suited us for a time: a city, a perspective, a lie we mistook as truth. This book is an invitation to a kind of life where you know how to hold what you believe—about yourself and the quiet worlds behind the people you pass—with gracious and open hands. To see your story as greater than any past or future thing, but for all the beauty and joy and hope it holds today. It’s an invitation to take stock of the chapters you’ve lived—the good and the bad, the beautiful and the ugly—glean what’s gold, and carry only that forward. Let it slow your feet and steady your life-in-motion so you can see where you stand today from a new point of view. No longer through weary or uncertain eyes, but a lens brimming with hope. ————— "The only way to break free was to rewrite my story. Because something would happen every time my pen stopped: It was like my soul was coming back to my body. Like the deepest parts of me that got knocked around and drowned out by all the crap I let the world convince me about who I was came back to the surface. And what was left was only what was real and true. I was, finally, standing in the fullness of my story. I felt hopeful. I felt full. Our story may crack us open, but it also pieces us back together. We all have a story to tell. This happens to be mine—every chapter a window into who I am, the journey I’m on, and the season I’m in right now. Because this is my story, maybe you won’t always relate, or maybe it will feel like you’re looking in a mirror. Whatever we have in common and whatever differences lie between us, I only hope my story can help shine a light on the beauty of yours. That my own soul work will stir something of your own. And that by the time you get to the end of my story, you’re also holding the beautiful beginnings of your own. A story only you can tell. And I hope that you will." -Joanna
An alliance forged. A tragedy unveiled. A city imperiled. Jacob and Alice have no choice but to turn their focus to Belldorn. The coastal city is paramount in the war with Fel. Without Belldorn, and the aid of Canopy’s dragonriders, all will be lost. Soon, the battle takes to the skies once more. Knowing they need all the support they can find, Mary, captain of the Skysworn, engages the same Pirate guild she turned her back on years before. The drums of war have sounded. Rumors of a resistance in Ballern draw Jacob, Alice, and Furi across the Crystal Sea. Yet as their hunt for allies continues, one truth refuses to be ignored. All paths lead to Belldorn ... and some won’t make it out alive.
Let wellness innovator “Yeah Dave” (featured in The New York Times and O, The Oprah Magazine) share the experience of our elders, a mix of history, wisdom, and joie de vivre, which is our most precious resource. Elder Americans in their eighties, nineties, and even hundreds, have survived the Holocaust, endured the Great Depression, fought in World War II, lived through the Civil Rights Movement, and endured countless booms and busts. And yet, unlike other parts of the world where elders are respected and revered, so many American elders tend to be lonely and feel irrelevant, without a voice or presence in American culture. The elders need our attention and love—and we need their stories and wisdom. The table of contents includes: FEEL YOUNG FOREVER HOW TO HEAL YOUR RELATIONSHIPS BE HAPPY (RIGHT THIS SECOND) CHERISH YOUR MARRIAGE (BEFORE IT’S TOO LATE) THE CURE FOR LONELINESS “SCREW,” LAUGH, CELEBRATE (EVEN AT FUNERALS) HOW TO FIND MORE TIME FEEL INSTANTLY SUCCESSFUL AND MORE! Dave Romanelli is on a journey to meet and listen to the stories of Americans who have seen (and lived) it all! One person he met is a 103-year-old who began driving a horse and buggy, then a Model A Ford, and now a yellow Smart Car, who says, “The first hundred years were the hardest. Everything after that is a breeze.” Another new friend is a ninety-year-old who lost four grandparents, both parents, and three siblings in Auschwitz, and is a reminder to all of us to wake up and be grateful. This is a small book that will have a powerful impact!
Addresses how digital forms of personal writing can be most effectively used by teachers, students, and other community members. At a time when Twitter, Facebook, blogs, Instagram, and other social media dominate our interactions with one another and with our world, the teaching of writing also necessarily involves the employment of multimodal approaches, visual literacies, and online learning. Given this new digital landscape, how do we most effectively teach and create various forms of personal writing within our rhetoric and composition classes, our creative writing classes, and our community groups? Contributors to Getting Personal offer their thoughts about some of the positives and negatives of teaching and using personal writing within digital contexts. They also reveal intriguing teaching activities that they have designed to engage their students and other writers. In addition, they share some of the innovative responses they have received to these assignments. Getting Personal is about finding ways to teach and use personal writing in the digital age that can truly empower writing teachers, writing students, as well as other community members. Getting Personal offers an engaging, comprehensive view of how and why instructors, in both creative and academic writing, can integrate contemporary writing and communication practices into their classrooms, assignments, and curricula. Jill Talbot, editor of Metawritings: Toward a Theory of Nonfiction I am right now rethinking some of my assumptions about what it means to do and to teach personal writingespecially in digital environments. Im also taken with the fact that while the chapters are clearly academic, they are also personal, and while several of them explicitly call the false binary between the personal and the academic into question, my sense is that they themselves do so implicitly as well. Barry M. Maid, coauthor of The McGraw-Hill Guide: Writing for College, Writing for Life, Fourth Edition
