With trouble brewing in Burma, it’s time to call in the agent of last resort, in this thriller by “the John D. MacDonald of espionage fiction” (Larry McMurtry, The New York Times). In Washington, they call him the Nullifier—the man to hire when every diplomatic option has failed. Joe Gall is now on his way to Burma, where the government is at its wits’ end trying to expel a nationalist Chinese general and his army. And if he needs backup, he has the ability to call in firepower from the famed Gurhka regiment, in this action-adventure thriller from the Edgar Award–nominated author. “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler
Operative Joe Gall heads to Hong Kong to identify a bizarre new weapon and the mysterious forces behind it in this thriller from the Edgar Award nominee. What could’ve caused the sudden, multiple miscarriages among the ordinary, healthy women working at an innocuous Asian company? To solve the mystery, Joe Gall must head to Hong Kong—where he will tangle with a Taiwanese businessman and Soviet agents to uncover a complicated conspiracy . . . “[Philip Atlee is] the John D. MacDonald of espionage fiction.” —Larry McMurtry, The New York Times “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler
Actors' screen images have too often stolen the focus of attention from their behind-the-scenes working conditions. In "Negotiating Hollywood", Danae Clark begins to fill this gap in film history by providing a rich historical account of actors' labour struggles in 1930s Hollywood. For many years, one of the dominant approaches to film studies has been the "star studies" approach, like auteurism or biography wherein one actor or director becomes the object of study. Clark argues for a cultural studies approach, as she investigates both the individual and collective political conflicts that actors encountered within the Hollywood production system in the 1930s. She reveals the contradictory position of actors caught in the forces between production and consumption, representation and self-representation, their role as images and their occupation as labourers. Taking the formation of the Screen Actors Guild in 1933 as its investigative centrepiece, "Negotiating Hollywood" examines the ways in which actors' contracts, studio labour policies and public relations efforts, films, fan magazines, and other documents were all involved in actors' struggles to assert their labour power and define their own images. Clark supplies information not only on stars, but on screen extras, whose role in the Hollywood film industry has remained hitherto undocumented. "Negotiating Hollywood" should be of appeal to individuals interested in actor labour, film history and cultural studies.
Over the decades Francis M. Nevins has written dozens of articles and essays on the major influences of crime literature and here he collects them in 450+ pages. Coupled with some current essays on people he's known this makes for a book that any mystery fan will cherish and use as a reference book.
An undercover operative heads to the island paradise of Tahiti to prevent a nuclear nightmare in this novel by “the John D. MacDonald of espionage fiction” (Larry McMurtry, The New York Times). Freelance agent Joe Gall is supposedly monitoring French atomic testing near the Pacific island of Tahiti. But that’s just a cover. His real assignment: disrupt the budding relationship between De Gaulle and the Red Chinese. The plan is to kidnap one of the leading French scientists, sabotage the test—and prevent annihilation . . . “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler
Vol. 1 includes "The installation of Frank Le Rond McVey ... as president of the University of North Dakota. Programs and proceedings" called Inauguration number, dated Sept. 1910.
