The Spirit of American Sculpture
Author: Adeline Valentine (Pond) Adams
Publisher:
Published: 1929
Total Pages: 196
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Adeline Valentine (Pond) Adams
Publisher:
Published: 1929
Total Pages: 196
ISBN-13:
DOWNLOAD EBOOKAuthor: Adeline Adams
Publisher:
Published: 1923
Total Pages: 304
ISBN-13:
DOWNLOAD EBOOKAuthor: Adeline Adams
Publisher:
Published: 2013-10
Total Pages: 270
ISBN-13: 9781494066666
DOWNLOAD EBOOKThis is a new release of the original 1929 edition.
Author: Adeline Adams
Publisher:
Published: 2005
Total Pages: 196
ISBN-13:
DOWNLOAD EBOOKAuthor: Adeline Adams
Publisher:
Published: 1923
Total Pages: 304
ISBN-13:
DOWNLOAD EBOOKAuthor: Robert Farris Thompson
Publisher: Vintage
Published: 2010-05-26
Total Pages: 337
ISBN-13: 0307874338
DOWNLOAD EBOOKThis landmark book shows how five African civilizations—Yoruba, Kongo, Ejagham, Mande and Cross River—have informed and are reflected in the aesthetic, social and metaphysical traditions (music, sculpture, textiles, architecture, religion, idiogrammatic writing) of black people in the United States, Cuba, Haiti, Trinidad, Mexico, Brazil and other places in the New World.
Author: Adeline Valentine ADAMS
Publisher:
Published: 1923
Total Pages: 250
ISBN-13:
DOWNLOAD EBOOKAuthor: Mrs. Pond Adams
Publisher:
Published: 1929
Total Pages: 196
ISBN-13:
DOWNLOAD EBOOKAuthor: Frank Jewett Mather
Publisher:
Published: 1927
Total Pages: 374
ISBN-13:
DOWNLOAD EBOOKAuthor: Michael L. Krenn
Publisher: Univ of North Carolina Press
Published: 2006-03-08
Total Pages: 313
ISBN-13: 0807876410
DOWNLOAD EBOOKDuring the Cold War, culture became another weapon in America's battle against communism. Part of that effort in cultural diplomacy included a program to arrange the exhibition of hundreds of American paintings overseas. Michael L. Krenn studies the successes, failures, contradictions, and controversies that arose when the U.S. government and the American art world sought to work together to make an international art program a reality between the 1940s and the 1970s. The Department of State, then the United States Information Agency, and eventually the Smithsonian Institution directed this effort, relying heavily on the assistance of major American art organizations, museums, curators, and artists. What the government hoped to accomplish and what the art community had in mind, however, were often at odds. Intense domestic controversies resulted, particularly when the effort involved modern or abstract expressionist art. Ultimately, the exhibition of American art overseas was one of the most controversial Cold War initiatives undertaken by the United States. Krenn's investigation deepens our understanding of the cultural dimensions of America's postwar diplomacy and explores how unexpected elements of the Cold War led to a redefinition of what is, and is not, "American."