The Spirit of Africville is a multi-faceted account of a proud African Nova Scotian community, and of the systematic neglect, ignorance and arrogance that led to its demolition.
Finalist for the Governor General’s Literary Award, Young People’s Literature – Illustrated Books When a young girl visits the site of Africville, in Halifax, Nova Scotia, the stories she’s heard from her family come to mind. She imagines what the community was once like — the brightly painted houses nestled into the hillside, the field where boys played football, the pond where all the kids went rafting, the bountiful fishing, the huge bonfires. Coming out of her reverie, she visits the present-day park and the sundial where her great- grandmother’s name is carved in stone, and celebrates a summer day at the annual Africville Reunion/Festival. Africville was a vibrant Black community for more than 150 years. But even though its residents paid municipal taxes, they lived without running water, sewers, paved roads and police, fire-truck and ambulance services. Over time, the city located a slaughterhouse, a hospital for infectious disease, and even the city garbage dump nearby. In the 1960s, city officials decided to demolish the community, moving people out in city dump trucks and relocating them in public housing. Today, Africville has been replaced by a park, where former residents and their families gather each summer to remember their community.
The community of Africville was founded in the late 1800s when African Nova Scotians built homes on the Bedford Basin on the northern edge of Halifax. Africville grew to include a church, a school, and small businesses. At its peak, about 400 people lived there. The community was lively and vibrant, with a strong sense of culture and tradition. But the community had its problems. Racist attitudes prevented people from getting well-paying jobs in the city and the City of Halifax refused residents basic services such as running water, sewage disposal, and garbage collection. In the 1960s, in the name of urban renewal, the City of Halifax decided to demolish Africville, relocate its residents and use the land for industrial development. Residents strongly opposed this move, but their homes were bulldozed, and many had to move into public housing projects in other parts of the city. After years of pressure from former members of the community and their descendants, the City of Halifax finally apologized for the destruction of Africville and offered some compensation. A replica of the church was built on the site. But former residents and their descendents were refused compensation beyond what little was paid in the 1960s. Through historical photographs, documents, and first-person narratives, this book tells the story of Africville. It documents how the city destroyed Africville and much later apologized for it — and how the spirit of the community lives on.
In mid-1960s Halifax, 12-year-old Selina is growing up in a tightly knit community of African-Canadians whose days are numbered when ugly rumours surface about the fate of Africville.
In the mid 1960s the city of Halifax decided to relocate the inhabitants of Africville--a black community that had been transformed by civil neglect, mismanagement, and poor planning into one of the worst city slums in Canadian history. Africville is a sociological account of the relocation that reveals how lack of resources and inadequate planning led to devastating consequences for Africville relocatees. Africville is a work of painstaking scholarship that reveals in detail the social injustice that marked both the life and the death of the community. It became a classic work in Canadian sociology after its original publication in 1974. The third edition contains new material that enriches the original analysis, updates the account, and highlights the continuing importance of Africville to black consciousness in Nova Scotia.
2020 Hurston/Wright Legacy Award Nominee-Debut Fiction A ferociously talented writer makes his stunning debut with this richly woven tapestry, set in a small Nova Scotia town settled by former slaves, that depicts several generations of one family bound together and torn apart by blood, faith, time, and fate. Vogue : Best Books to Read This Winter Structured as a triptych, Africaville chronicles the lives of three generations of the Sebolt family—Kath Ella, her son Omar/Etienne, and her grandson Warner—whose lives unfold against the tumultuous events of the twentieth century from the Great Depression of the 1930s, through the social protests of the 1960s to the economic upheavals in the 1980s. A century earlier, Kath Ella’s ancestors established a new home in Nova Scotia. Like her ancestors, Kath Ella’s life is shaped by hardship—she struggles to conceive and to provide for her family during the long, bitter Canadian winters. She must also contend with the locals’ lingering suspicions about the dark-skinned “outsiders” who live in their midst. Kath Ella’s fierce love for her son, Omar, cannot help her overcome the racial prejudices that linger in this remote, tight-knit place. As he grows up, the rebellious Omar refutes the past and decides to break from the family, threatening to upend all that Kath Ella and her people have tried to build. Over the decades, each successive generation drifts further from Africaville, yet they take a piece of this indelible place with them as they make their way to Montreal, Vermont, and beyond, to the deep South of America. As it explores notions of identity, passing, cross-racial relationships, the importance of place, and the meaning of home, Africaville tells the larger story of the black experience in parts of Canada and the United States. Vibrant and lyrical, filled with colorful details, and told in a powerful, haunting voice, this extraordinary novel—as atmospheric and steeped in history as The Known World, Barracoon, The Underground Railroad, and The Twelve Tribes of Hattie—is a landmark work from a sure-to-be major literary talent.
In the 1960s, the city of Halifax razed the black community of Africville under a program of urban renewal and 'slum clearance.' The city defended its actions by citing the deplorable living conditions in Africville, ignoring its own role in the creation of these conditions through years of neglect and the refusal of essential services. In the 1980s, the city created a park on Africville's former site, which has been a place of protest and commemoration for black citizens since its opening. As yet, however, the city has not issued a formal apology to Africville residents and has paid no further compensation. Razing Africville examines this history as the prolonged eviction of a community from its own space. By examining a variety of sources - urban planning texts, city council documents, news media, and academic accounts - Jennifer J. Nelson illustrates how Africville went from a slum to a problem to be solved and, more recently, to a public space in which past violence is rendered invisible. Reading historical texts as a critical map of decision-making, she argues that the ongoing measures taken to regulate black bodies and spaces amount to a 'geography of racism.' Through a geographic lens, therefore, she manages to analyse ways in which race requires space and how the control of space is a necessary component of delineating and controlling people. A much needed re-examination of an important historical example, Razing Africville applies contemporary spatial theory to the situation in Africville and offers critical observations about the function of racism.
Ray and Ward grew up best friends—one black, one white—in Halifax’s Africville district. Now they face each other again, this time in a courtroom as lawyer and judge in an explosive trial revolving around the three-decades-old expropriation and demolition of Africville. The trial will force both men to confront the demons of their pasts and reveal secrets they’ve kept hidden, even from themselves. Canada’s answer to Scott Turow pens a blockbuster courtroom thriller of power, politics, sex and race.
Historic reconstructions have been a consistent part of the historic preservation and heritage conservation movements in the United States and Canada. Indeed, reconstruction has been the primary tool at the most influential historic sites, for example: the Governor's Palace and the Capitol at Colonial Williamsburg, USA, and in Canada, the Fortress of Louisbourg. Dozens of other reconstructions have appeared during the past century in North America, undertaken by individuals, communities, states, and provinces, and by national agencies responsible for cultural heritage. Despite this prevalence, historic reconstructions have received little scholarly attention and the question of what motivated the proponents of these projects remains largely unexamined. This book explores that question through detailed studies of ten historic reconstructions located throughout Canada and the United States, ranging from 1908 to 2011. Drawing upon diverse archival sources and site investigations, the proponents of each site are given voice to address their need to remake these landmarks, be it to sustain, to challenge, or even subvert a historical narrative, or – with reference to contemporary heritage studies – to reclaim these spaces. Reconstructing Historic Landmarks provides a fascinating insight into these shifting concepts of history in North America and will be of considerable interest both to students and scholars of historic preservation and indeed to heritage professionals involved in reconstructions themselves.