The Spectacular Gay Atheist is about answering the weird, the secretive, bizarre, pressing, and often stupid questions asked of both atheists and members of the LGBTQ community. This book is reactionary, comical, serious, and above all truthful to obtuse questions I've personally been asked. It covers many sections from sexuality and gender, to why I'm atheist and why you should be too.
The New York Times–bestselling author’s Whitbread Prize–winning debut—“Winterson has mastered both comedy and tragedy in this rich little novel” (The Washington Post Book World). When it first appeared, Jeanette Winterson’s extraordinary debut novel received unanimous international praise, including the prestigious Whitbread Prize for best first fiction. Winterson went on to fulfill that promise, producing some of the most dazzling fiction and nonfiction of the past decade, including her celebrated memoir Why Be Happy When You Can Be Normal?. Now required reading in contemporary literature, Oranges Are Not the Only Fruit is a funny, poignant exploration of a young girl’s adolescence. Jeanette is a bright and rebellious orphan who is adopted into an evangelical household in the dour, industrial North of England and finds herself embroidering grim religious mottoes and shaking her little tambourine for Jesus. But as this budding missionary comes of age, and comes to terms with her unorthodox sexuality, the peculiar balance of her God-fearing household dissolves. Jeanette’s insistence on listening to truths of her own heart and mind—and on reporting them with wit and passion—makes for an unforgettable chronicle of an eccentric, moving passage into adulthood. “If Flannery O’Connor and Rita Mae Brown had collaborated on the coming-out story of a young British girl in the 1960s, maybe they would have approached the quirky and subtle hilarity of Jeanette Winterson’s autobiographical first novel. . . . Winterson’s voice, with its idiosyncratic wit and sensitivity, is one you’ve never heard before.” —Ms. Magazine
Tom Rastrelli is a survivor of clergy-perpetrated sexual abuse who then became a priest in the early days of the Catholic Church’s ongoing scandals. Confessions of a Gay Priest divulges the clandestine inner workings of the seminary, providing an intimate and unapologetic look into the psychosexual and spiritual dynamics of celibacy and lays bare the “formation” system that perpetuates the cycle of abuse and cover-up that continues today. Under the guidance of a charismatic college campus minister, Rastrelli sought to reconcile his homosexuality and childhood sexual abuse. When he felt called to the priesthood, Rastrelli began the process of “priestly discernment.” Priests welcomed him into a confusing clerical culture where public displays of piety, celibacy, and homophobia masked a closeted underworld in which elder priests preyed upon young recruits. From there he ventured deeper into the seminary system seeking healing, hoping to help others, and striving not to live a double life. Trained to treat sexuality like an addiction, he and his brother seminarians lived in a world of cliques, competition, self-loathing, alcohol, hidden crushes, and closeted sex. Ultimately, the “formation” intended to make Rastrelli a compliant priest helped to liberate him.
From The Gospel According to Matthew to Jesus ChristSuperstar, from The Passion of Joan of Arc to TheLast Temptation of Christ and Jesus of Montreal, TheReligious Film captures the glory, gore, and centrality of thisimportant genre. A short, accessible introduction to religious film, exploringthe genre as spectacle, as musical, and as controversy Examines the historical, cultural and critical background forreligious films from the silent era through to the presentday Introduces the complexities and characteristics of this iconicgenre of film, including common sounds and images, and the valuesthat most traditional films of this kind uphold
"Armed with passionate outrage, absurdist humor, and calm intelligence, popular blogger Greta Christina makes a powerful case for outspoken atheist activism, and explains the empathy and justice that drive it." --P [4] of cover.
The #1 New York Times Bestseller! Return to the world of His Dark Materials—now an HBO original series starring Dafne Keen, Ruth Wilson, Andrew Scott, and Lin-Manuel Miranda—in the second volume of Philip Pullman’s new bestselling masterwork The Book of Dust. The windows between the many worlds have been sealed and the momentous adventures of Lyra Silvertongue’s youth are long behind her—or so she thought. Lyra is now a twenty-year-old undergraduate at St. Sophia’s College and intrigue is swirling around her once more. Her daemon Pantalaimon is witness to a brutal murder, and the dying man entrusts them with secrets that carry echoes from their past. The more Lyra is drawn into these mysteries, the less she is sure of. Even the events of her own past come into question when she learns of Malcolm Polstead’s role in bringing her to Jordan College. Now Lyra and Malcolm will travel far beyond the confines of Oxford, across Europe and into the Levant, searching for a city haunted by daemons, and a desert said to hold the truth of Dust. The dangers they face will challenge everything they thought they knew about the world, and about themselves. Praise for The Book of Dust “It’s a stunning achievement, this universe Pullman has created and continues to build on.” —The New York Times “Pullman’s writing is simple, unpretentious, beautiful, true. The conclusion to The Book of Dust can’t come soon enough.”—The Washington Post
An anthropological and philosophical deconstruction of religion, religious language, and the danger of relying on belief or faith instead of knowledge. Athyeism is shown to lead to discredism a rejection of belief as well as a rejection of gods.
A Publishers Weekly Best Book of 2014 From one of England’s most distinguished intellectual historians comes “an exhilarating ride…that will stand the test of time as a masterful account of” (The Boston Globe) one of the West’s most important intellectual movements: Atheism. In 1882, Friedrich Nietzche declared that “God is dead” and ever since tens of thousands of brilliant, courageous, thoughtful individuals have devoted their creative energies to devising ways to live without God with self-reliance, invention, hope, wit, and enthusiasm. Now, for the first time, their story is revealed. A captivating story of contest, failure, and success, The Age of Atheists sweeps up William James and the pragmatists; Sigmund Freud and psychoanalysis; Pablo Picasso, James Joyce, and Albert Camus; the poets of World War One and the novelists of World War Two; scientists, from Albert Einstein to Stephen Hawking; and the rise of the new Atheists—Dawkins, Harris, and Hitchens. This is a story of courage, of the thousands of individuals who, sometimes at great risk, devoted tremendous creative energies to devising ways to fill a godless world with self-reliance, invention, hope, wit, and enthusiasm. Watson explains how atheism has evolved and reveals that the greatest works of art and literature, of science and philosophy of the last century can be traced to the rise of secularism. From Nietzsche to Daniel Dennett, Watson’s stirring intellectual history manages to take the revolutionary ideas and big questions of these great minds and movements and explain them, making the connections and concepts simple without being simplistic. The Age of Atheists is “highly readable and immensely wide-ranging…For anybody who has wondered about the meaning of life…an enthralling and mind-expanding experience” (The Washington Post).
"From the author of City Poet, the biography of Frank O'Hara, now comes an account of thriving forms of spirituality in what is being called a "post-denominational" age." "As the nineties were drawing to a close, Brad Gooch set out on a journey to explore traditional and nontraditional forms of spirituality that took him across America and to India. Gooch's quest - partly personal and partly investigative - took him to Chicago to read the mysterious Urantia Book; to Goa and La Jolla to experience the talks and treatments of Deepak Chopra; to Ganeshpuri and South Fallsburg, New York, to listen to the charismatic leader Gurumayi Chidvilasananda; to Bardstown, Kentucky, to observe the quiet solitude of the Trappists and to Dubuque, Iowa, to see the Trappistines; to Dallas to worship with the members of the gay congregation of the Cathedral of Hope; and to New York to talk with Muslims and Sufis. As Gooch proceeded on this unique spiritual odyssey - from fringe to mainstream - he witnessed diverse movements and religions and their strong appeal to a broad spectrum of followers." "Brad Gooch has written a revealing, richly detailed document of our time. In Godtalk, character, dialogue, and setting come together in an irresistible, fast-paced narrative that is both engaging and informative about the unexpected nature of spirituality in America today."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
“Methamphetamine was a huge part of this case . . . It was a horrible murder driven by drugs.” — Prosecutor Cal Rerucha, who convicted Matthew Shepard's killers On the night of October 6, 1998, twenty-one-year-old Matthew Shepard left a bar with two alleged “strangers,” Aaron McKinney and Russell Henderson. Eighteen hours later, Matthew was found tied to a log fence on the outskirts of town, unconscious and barely alive. Overnight, a politically expedient myth took the place of important facts. By the time Matthew died a few days later, his name was synonymous with anti-gay hate. The Book of Matt, first published in 2013, demonstrated that the truth was in fact far more complicated – and daunting. Stephen Jimenez’s account revealed primary documents that had been under seal, and gave voice to many with firsthand knowledge of the case who had not been heard from, including members of law enforcement. In his Introduction to this updated edition, journalist Andrew Sullivan writes: “No one wanted Steve Jimenez to report this story, let alone go back and back to Laramie, Wyoming, asking awkward questions, puzzling over strange discrepancies, re-interviewing sources, seeking a deeper, more complex truth about the ghastly killing than America, it turned out, was prepared to hear. It was worse than that, actually. Not only did no one want to hear more about it, but many were incensed that the case was being re-examined at all.” As a gay man Jimenez felt an added moral imperative to tell the story of Matthew’s murder honestly, and his reporting has been thoroughly corroborated. “I urge you to read [The Book of Matt] carefully and skeptically,” Sullivan writes, “and to see better how life rarely fits into the neat boxes we want it to inhabit. That Matthew Shepard was a meth dealer and meth user says nothing that bad about him, and in no way mitigates the hideous brutality of the crime that killed him; instead it shows how vulnerable so many are to the drug’s escapist lure and its astonishing capacity to heighten sexual pleasure so that it’s the only thing you want to live for. Shepard was a victim twice over: of meth and of a fellow meth user.”
