Robert Florry is blackmailed by British intelligence into hunting down an old friend of his, a former soldier in the Spanish Civil War and an alleged Soviet agent.
In chess the Spanish opening, 1.e4 e5 2.Nf3 Nc6 3.Bb5, is so respected that many Black players immediately start to defend. Sabino Brunello shows that Black can fight right from the start. 1.e4 e5 2.Nf3 Nc6 3.Bb5 a6 4.Ba4 Nf6 5.00 Be7 6.Re1 b5 7.Bb3 00 8.c3 d5 The Marshall Attack is sound and aggressive, so it is no surprise that it is favoured by the world's best. The theory is so complex that an expert guide is required, and Brunello is well suited to the task. 1.e4 e5 2.Nf3 Nc6 3.Bb5 f5 The Schliemann, with its reversed King's Gambit flair, has always been popular with club players, but grandmasters knew it was unsound. Then Teimour Radjabov started playing it successfully against the elite and sparked a revival. 1.e4 e5 2.Nf3 Nc6 3.Bb5 a6 4.Ba4 Nf6 5.00 Be7 6.Re1 b5 7.Bb3 d6 8.c3 00 9.h3 Na5 10.Bc2 d5 The Gajewski variation is brand new. The position after White's tenth move had been reached a thousand times with 10...c5 universally played, before the Polish grandmaster Gajewski revealed that Black has a fascinating gambit at his disposal.
Former US Open Champion Timothy Taylor presents weapons for Black against the hugely popular Spanish Opening, basing his repertoire on the Modern Steinitz Defence. This opening can lead to razor-sharp lines, such as the Siesta Variation, where one slip by either player could prove to be fatal. But a major attraction of the Modern Steinitz is its flexibility, as Black can also choose to play in a more positional manner. Taylor studies in depth the critical main lines, and also what to do if White avoids these. Read this book and be ready to slay the Spanish!
Jennifer Ellis thought she had left behind the memories of the international incident where a chartered Iberian Air 727 was hijacked with she and other American high school students, including her brother. But eight years later, while working at the West Wing Gallery of the National Gallery of Art, Jennifer Ellis sees a figure involved with the incident. What was he doing in Washington, D.C.' Was he simply on vacation? If so, why did he run when he realized she'd seen him? Bent on revenge for the slaying of his family, and financed by a wealthy patron in Barcelona, Spain with his own grudge to bear, Ernesto de Rivera uses a unique and deadly high tech method of assassination. When de Rivera discovers that Henry Ellis was the one responsible for unleashing the terrorist who massacred his family he turns his attention to the Ellis family. Once again, the Ellis family is in danger. However, this time, the tables are turned. Instead of Henry Ellis trying to protect and save the lives of his children, it is his daughter, Jennifer Ellis, along with a female F.B.I. agent and a woman detective from Barcelona. Together they confront not only Ernesto de Rivera, but other heretofore unknown threats against their lives.
Chess Grandmaster Mihail Marin provides a repertoire for players with the black pieces based on the respected Spanish Opening, or the Ruy Lopez as it is sometimes called. Marin provides all the answers for Black after the opening moves 1.e4 e5 2.Nf3 Nc6 3.Bb5 a6 4.Ba4. This depth of chess expertise has rarely been published for a mass audience before, as grandmasters usually prefer to keep their secrets to themselves. The complexity of the material could have been daunting, but Marin is also a master of explaining profound ideas to a wide audience.
The Spanish opening, one of the oldest known chess openings, is still highly popular at every level of the game. It leads to highly complex play, whichever variation arises. In this volume of the Mastering series, the authors explain, with the aid of many diagrams, the essential features of the main variations of the Spanish opening. This series organizes the subject matter according to strategic themes and, by concentrating on the essentials, the books ensure that the reader genuinely understands the underlying principles instead of merely memorizing variations.
Chess might seem a complex and mysterious game, but the ultimate goal is simple: checkmate. Checkmate can occur in all stages of the game, from snap mates in the opening, through middlegame attacks to simplified endgames. Learning how to use our pieces together to corner the enemy king is a fundamental skill that all chess-players must constantly practise, sharpen and develop. This book lays out, in systematic and thorough fashion, a wide range of mating patterns and techniques, in particular showing how each piece-pair can combine to deliver mate. A working knowledge of these ideas enables players to move on to mating combinations, where pieces lay down their lives so that the remaining forces can deliver mate. Gude explains an amazing variety of tactical devices, and illustrates them in unforgettable style with some of the most brilliant mating attacks from practice, new and old. There are chapters on how to attack kings in the centre, as well as standard (and other!) attacks against the castled position. This is a true textbook of checkmate; readers will never be short of mating ideas, and will instinctively know when there is a possibility to launch an attack, or when they must parry the opponent's threats. Fundamental Checkmates also features more than 300 exercises with full solutions. Antonio Gude is an extremely experienced chess writer and teacher from Spain. Several of his books on tactics and for beginners are long-standing best-sellers in Spanish language. Gude has also translated a great many books, including some of the classics of chess literature.
Two Solid, Strategically Complex Ways to Meet the Spanish! The Breyer and Zaitsev Variations of the Ruy Lopez are two of the most dynamic lines played today. Examining them from both White and Black’s point of view, Greek grandmaster Vassilios Kotronias discusses their strengths, weaknesses and presents suggested improvements where necessary. The Breyer Variation of the Ruy Lopez is the brainchild of Hungarian hypermodern Gyula Breyer. He suggested the paradoxical knight retreat 9...Nb8 early in the 20th century. Although its soundness has been confirmed in many grandmaster games for over a century, there is surprisingly little which has been written about it. This book has just changed all that. The Zaitsev Variation was one of Anatoly Karpov’s workhorses in his title matches against Garry Kasparov. Formulated by the brilliant theoretician Igor Zaitsev, it can be found in the repertoires of some of the leading grandmasters of our era. As the author notes in his introduction, this is an objective presentation of two excellent opening variations for Black, from which players sitting on either side of the board may profit. The play is strategically complex, tactically rich and will improve you as both a player and connoisseur of the game. Kotronias’ clear writing style, coupled with in depth analysis, makes for a splendid opening manual on two of the most topical – and solid – variations of the Ruy Lopez. Vasilios Kotronias has managed to not only teach us (myself included) some important theory and practice of the Breyer and Zaitsev Systems, but also broaden our horizons to our approach to chess in general. His explanations are quite clear and the lines he provides are logical and concrete. This new book is aimed for all ages and chess levels. Welcome to the fascinating world of Breyer and Zaitsev! – Alexei Shirov, from his Foreword
One of the important issues players face - both relatively inexperienced ones at the beginning of their career as well as seasoned ones as they realize their chess craves change - is choosing an opening repertoire. As a player and a coach, I have seen many approaches to this question, both remarkable and mistaken. Some players believe that the opening is something to ignore, that everything is decided in the middlegame. Others think that studying opening traps is what wins games.Some tend to follow their favorite world-class player''s recommendations, while others like to sidestep well-known opening theory early on, preferring unpopular side-lines.To me, opening choice is about all those decisions. I think that many openings are good; there are some dubious ones, but they can also yield formidable results overall or in specific situations if chosen and handled carefully. I firmly believe that your opening repertoire should mostly be based on your playing style and other personal traits, such as memory and work ethic. It is important to evaluate yourself as well as your strengths and weaknesses properly in order to be able to build the right repertoire that would not only suit you well, but also improve your overall chess.The little detail, though, is in the word "mostly". Namely, I firmly believe that there are a few classical, rock-solid openings with an impeccable reputation, such as 1.e4 e5 as a response to 1.e4 or the Queen''s Gambit and Nimzo as an answer to 1.d4 that players of all styles and standards should try, no matter what their style is. This will enable players to learn, appreciate and practice some of the key chess values, such as the importance of space, lack of weaknesses, bad pieces, and comfortable development and so on - you name it. I, myself, started out as a keen Sicilian player. Just like all youngsters, I cheerfully enjoyed complications, tactical massacres and everything else that the Sicilian is all about. However, as I was developing as a player, my style was changing also. Eventually, I realized I was much more successful with positional play, so it was time to change the outfit - and 1.e4 e5 suited me well. I have used this move as a response to 1.e4 nearly exclusively in recent years, both versus weaker and stronger opposition, with fantastic results. If only other openings would grant me such results as well! I have not only studied these variations myself but have also shown them to numerous private students. To be frank, we have almost always concentrated on White''s most dangerous possibilities, such as the Ruy Lopez, Italian and Scotch. Occasionally, we have also analysed the side-lines - either as a part of preparation for specific opponents or to make sure my students become more universal players and gain more all-round knowledge. Eventually, I realized that the knowledge I gained from 1.e4 e5 can and should be shared with more players, and this is how my book came to life. Of course, the readers will differ, so there is a no "one-size-fits-all" solution. But, I have carefully and diligently tried to achieve the same goal I used when working with my students: to keep my recommendations both theoretically sound as well as practical and accessible. I expect not only titled players but club players and the less experienced readers to equally benefit from this book. So, sometimes you will find razor-sharp novelties, but in many cases, we will rely on positional understanding, typical structures and standard ideas. I believe the opening is not all about memorization, so I have taken a different approach from many authors by keeping the balance between recommending objectively good variations as well as making sure an adequate amount of work will suffice to get you started. You won''t need to spend years studying the material, fearing there is still much more to learn. 1.e4 e5! is not just an opening. It is repertoire that represents our game as a whole. It is something players of all styles will enjoy due to the countless possibilities 1...e5 provides. Hopefully, learning 1...e5 will also make you a better player. And, finally, I hope the book you are now holding in your hands will not only give you joy but illustrate a passion for chess with the variations presented in this work.