The Thea Sisters are visiting friends in Spain when a mysterious theft turns their trip into an investigation! They end up hot on the trail of a secret treasure. The mouselets are in for an incredible adventure full of flamenco dance!
Join Thea Stilton and the Thea Sisters on this adventure packed with mystery and friendship! The Thea Sisters are visiting friends at a lively festival in Spain. But the theft of a precious fan turns their trip into an investigation! They end up hot on the trail of a secret treasure . . . but they're not the only ones searching for it. Can the mouselets solve the mystery in time? It's a mission full of flamenco dance!
Join Thea Stilton and the Thea Sisters on this adventure packed with mystery and friendship! The Thea Sisters are in Kenya on a photo safari! The mouselets love exploring the magnificent landscape and learning about the animals on the reserve they're visiting. A lion cub has just been born -- but while they're there, he's kidnapped! It's up to the Thea Sisters to rescue him in an adventure across the savanna.
The Thea Sisters are visiting friends in Spain when a mysterious theft turns their trip into an investigation! They end up hot on the trail of a secret treasure. The mouselets are in for an incredible adventure full of flamenco dance!.
The Power of Song explores the music and dance of Franciscan and Jesuit mission communities throughout the entire northern frontier of New Spain. Its purpose is to examine the roles music played: in teaching, evangelization, celebration, and the formation of group identities. There is no other work which looks comprehensively at the music of this region and time period, or which utilizes music as a way to study the cultural interactions between Indians and missionaries.
Join Thea Stilton and the Thea Sisters on an adventure through Mouseford Academy! There's going to be a musical at Mouseford, and the Students can't stop squeaking about it! Everyone wants a role, but the auditions won't be easy. Plus, sneaky Ruby Flashyfur has some tricks up her sleeve.
This volume presents new data and interpretations from research at Florida’s Spanish missions, outposts established in the sixteenth and seventeenth centuries to strengthen the colonizing empire and convert Indigenous groups to Christianity. In these chapters, archaeologists, historians, and ethnomusicologists draw on the past thirty years of work at sites from St. Augustine to the panhandle. Contributors explore the lived experiences of the Indigenous people, Franciscan friars, and Spanish laypeople who lived in La Florida’s mission communities. In the process, they address missionization, ethnogenesis, settlement, foodways, conflict, and warfare. One study reconstructs the sonic history of Mission San Luis with soundscape compositions. The volume also sheds light on the destruction of the Apalachee-Spanish missions by the English. The recent investigations highlighted here significantly change earlier understandings by emphasizing the kind and degree of social, economic, and ideological relationships that existed between Apalachee and Timucuan communities and the Spanish. Unearthing the Missions of Spanish Florida updates and rewrites the history of the Spanish mission effort in the region. Contributors: Rachel M. Bani | Mark J Sciuhetti Jr | Rochelle A. Marrinan | Nicholas Yarbrough | Jerald T. Milanich | Jerry W Lee | Rebecca Douberly-Gorman | Alissa Slade Lotane | John E. Worth | Jonathan Sheppard | Laura Zabanal | Keith Ashley | Tanya M. Peres | Sarah Eyerly A volume in the Florida Museum of Natural History: Ripley P. Bullen Series
Stepping Left simultaneously unveils the radical roots of modern dance and recalls the excitement and energy of New York City in the 1930s. Ellen Graff explores the relationship between the modern dance movement and leftist political activism in this period, describing the moment in American dance history when the revolutionary fervor of "dancing modern" was joined with the revolutionary vision promised by the Soviet Union. This account reveals the major contribution of Communist and left-wing politics to modern dance during its formative years in New York City. From Communist Party pageants to union hall performances to benefits for the Spanish Civil War, Graff documents the passionate involvement of American dancers in the political and social controversies that raged throughout the Depression era. Dancers formed collectives and experimented with collaborative methods of composition at the same time that they were marching in May Day parades, demonstrating for workers' rights, and protesting the rise of fascism in Europe. Graff records the explosion of choreographic activity that accompanied this lively period--when modern dance was trying to establish legitimacy and its own audience. Stepping Left restores a missing legacy to the history of American dance, a vibrant moment that was supressed in the McCarthy era and almost lost to memory. Revisiting debates among writers and dancers about the place of political content and ethnicity in new dance forms, Stepping Left is a landmark work of dance history.
How did flamenco—a song and dance form associated with both a despised ethnic minority in Spain and a region frequently derided by Spaniards—become so inexorably tied to the country’s culture? Sandie Holguín focuses on the history of the form and how reactions to the performances transformed from disgust to reverance over the course of two centuries. Holguín brings forth an important interplay between regional nationalists and image makers actively involved in building a tourist industry. Soon they realized flamenco performances could be turned into a folkloric attraction that could stimulate the economy. Tourists and Spaniards alike began to cultivate flamenco as a representation of the country's national identity. This study reveals not only how Spain designed and promoted its own symbol but also how this cultural form took on a life of its own.