This book analyzes ancient tombs in Eastern Libya, from the Archaic phase to Late Roman times. Despite plundering, these ornate structures reveal funerary competition, spatial organization, and lost rituals. The book reconstructs the social history of ancient Cyreneans through their ostentatious funerary culture.
This volume is dedicated to the Archaeological Mission in Cyrenaica, starting with the reports and researches of the seasons from 2006 to 2008. The emphasis of the publication is to present archaeological data to form part of an archive of finds, sites and monuments: a resource and reference point for archaeologists from Libya and elsewhere.
This work examines travellers' accounts of their journeys to Cyrenaica, focusing in the main on an analysis of these accounts within the context of their significance to topographic surveys of the region.
The ancient Greek world consisted of approximately 1,000 autonomous polities scattered across the Mediterranean basin, and each one developed its own, unique set of socio-political institutions and social practices. The Oxford History of the Archaic Greek World offers twenty-one detailed studies of key sites from across the Greek world between c. 750 and c. 480 BCE--a crucial period when much of what is now seen as distinctive about Greek culture emerged. All the studies in this seven-volume series use the same structure and methodology so that readers can easily compare a wide range of Greek communities. The series thus offers a new and unique resource for the study of ancient Greece that will transform how we study and think about a crucial era in ancient Greek history. Volume IV contains detailed and up-to-date studies of Cyrene, Delphi, Macedonia, Massalia, and Metapontion.
A groundbreaking study of the interaction of poetry, performance, and the built environment in ancient Greece. Winner of the PROSE Award for Best Book in Classics by the Association of American Publishers In this volume, Richard Neer and Leslie Kurke develop a new, integrated approach to classical Greece: a "lyric archaeology" that combines literary and art-historical analysis with archaeological and epigraphic materials. At the heart of the book is the great poet Pindar of Thebes, best known for his magnificent odes in honor of victors at the Olympic Games and other competitions. Unlike the quintessentially personal genre of modern lyric, these poems were destined for public performance by choruses of dancing men. Neer and Kurke go further to show that they were also site-specific: as the dancers moved through the space of a city or a sanctuary, their song would refer to local monuments and landmarks. Part of Pindar's brief, they argue, was to weave words and bodies into elaborate tapestries of myth and geography and, in so doing, to re-imagine the very fabric of the city-state. Pindar's poems, in short, were tools for making sense of space. Recent scholarship has tended to isolate poetry, art, and archaeology. But Neer and Kurke show that these distinctions are artificial. Poems, statues, bronzes, tombs, boundary stones, roadways, beacons, and buildings worked together as a "suite" of technologies for organizing landscapes, cityscapes, and territories. Studying these technologies in tandem reveals the procedures and criteria by which the Greeks understood relations of nearness and distance, "here" and "there"—and how these ways of inhabiting space were essentially political. Rooted in close readings of individual poems, buildings, and works of art, Pindar, Song, and Space ranges from Athens to Libya, Sicily to Rhodes, to provide a revelatory new understanding of the world the Greeks built—and a new model for studying the ancient world.
According to Herodotus, Cyrene was colonized by settlers from the island of Thera, later joined by other colonists from Crete, Samos, Laconia, and Rhodes. Traditionally the foundation date has been set at 631 B.C. The sanctuary began to develop within a generation of the establishment of the colony and continued in use until its destruction by an earthquake in A.D. 262. In this volume, the excavator presents the background of the site, the history of its excavation, and an overall view of the current project. University Museum Monograph, 52