Roslyn Jolly is Lecturer in English at the University of New South Wales, Australia. She is the author of Henry James: History, Narrative, Fiction (OUP, 1993).
The South Seas Fiction of Robert Louis Stevenson investigates how Stevenson's fusion of imagination, travel experiences, history, and the oral traditions of Polynesian folklore and white sea yarns created novels and stories that were simultaneously realistic and symbolic. In its analysis of the author's portrayal of the conflict and compromise between islanders and white interlopers, this study reveals how Stevenson's Pacific works anticipated the use of exotic setting by Conrad, Maugham, and other writers.
Not only the British writer himself, already famous for novels and poems, but his family with him took to the sea between 1888 and 1890 to search Polynesia, Micronesia, and Melanesia for Robert's health and adventure. Writer and film maker Holmes (emeritus anthropology, Wichita State U. Kansas) has
Tales from the South Seas comprises The Beach at Falesá, The Bottle Imp, The Wrecker, The Ebb Tide, The Isle of Voices, and Letters, and is introduced by Jenni Calder.
Pamela follows in the intrepid footsteps of Fanny Stevenson, maverick wife of the even more maverick Robert Louis. They have much in common - a fascination with the South Seas, and a thirst for adventure, a fearlessness and great humour in the face of adversity and unpredictable husbands. This is her adventure - and the story of her and Fanny. Though Pamela's voyage is in a modern 112 foot clipper, she faces many of the dangers that Fanny faced - from pirates to storms to seasickness.
In her distinguished and hauntingly rendered book, Ann C. Colley provides a fresh insight into Stevenson's multi-voiced South Seas fiction, as well as into the particulars and complications of living within a newly established site of Empire. Bringing to light information from the archives of the London Missionary Society and from other sources, such as the Royal Geographical Society (London), the Writers' Museum (Edinburgh), the Beinecke Library (Yale University), and the Huntington Library (San Marino, California), Colley examines the intricate nature of Robert Louis Stevenson's relation to imperialism. In particular, she investigates Stevenson's complex relationship to the missionary culture that surrounded him during the last six years of his life (1888-1894), revealing hitherto unscouted routes by which to understand Stevenson's experiences while he was cruising among the South Sea islands, and later while he was a resident colonial in Samoa. Beginning with a history of the missionaries in the Pacific that reveals Stevenson's criticism of, yet ultimate support for, their work, and demonstrates how these attitudes helped shape his South Sea fiction, Robert Louis Stevenson and the Colonial Imagination constitutes a major work of reconstruction from archival sources. Subsequent chapters focus on Stevenson's struggles with personal and cultural identity in the South Seas, and his interest in photography, panoramas, and magic lantern shows, revealing Stevenson's sensitivity to the ways light plays upon darkness to create meaning. In addition, Stevenson's serious commitment to political issues and his thoughts about power and nationhood are explored. Finally, Stevenson's recollections of his childhood are engaged not only to suggest an unacknowledged source (the juvenile missionary magazines) for A Child's Garden of Verses, but also to illuminate the generous reach of his imagination that exceeds the formulae of the missionary culture and the boundaries of the colonial construct.
Complete and unabridged paperback edition. "The Beach of Falesá" is a short story by Scottish author Robert Louis Stevenson. It was written after Stevenson moved to the South Seas island of Samoa just a few years before he died there. Description from Wikipedia, the free encyclopedia.