WINNER OF THE 2022 FRENCH HERITAGE SOCIETY BOOK AWARD The profound emotion felt around the world upon seeing images of Notre-Dame in flames opens up a series of questions: Why was everyone so deeply moved? Why does Notre-Dame so clearly crystallise what our civilisation is about? What makes ‘Our Lady of Paris’ the soul of a nation and a symbol of human achievement? What is it that speaks so directly to us today? In answer, Agnès Poirier turns to the defining moments in Notre-Dame’s history. Beginning with the laying of the corner stone in 1163, she recounts the conversion of Henri IV to Catholicism, the coronation of Napoleon, Victor Hugo’s nineteenth-century campaign to preserve the cathedral, Baron Haussmann’s clearing of the streets in front of it, the Liberation in 1944, the 1950s film of The Hunchback of Notre-Dame, starring Gina Lollobrigida and Anthony Quinn, and the state funeral of Charles de Gaulle, before returning to the present. The conflict over Notre-Dame’s reconstruction promises to be fierce. Nothing short of a cultural war is already brewing between the wise and the daring, the sincere and the opportunist, historians and militants, the devout and secularists. It is here that Poirier reveals the deep malaise – gilet jaunes and all – at the heart of the France.
Frederick Brown, cultural historian, author of acclaimed biographies of Émile Zola (“Magnificent”—The New Yorker) and Flaubert (“Splendid . . . Intellectually nuanced, exquisitely written”—The New Republic) now gives us an ambitious, far-reaching book—a perfect joining of subject and writer: a portrait of fin-de-siècle France. He writes about the forces that led up to the twilight years of the nineteenth century when France, defeated by Prussia in the Franco-Prussian War of 1870–71, was forced to cede the border states of Alsace and Lorraine, and of the resulting civil war, waged without restraint, that toppled Napoléon III, crushed the Paris Commune, and provoked a dangerous nationalism that gripped the Republic. The author describes how postwar France, a nation splintered in the face of humiliation by the foreigner—Prussia—dissolved into two cultural factions: moderates, proponents of a secular state (“Clericalism, there is the enemy!”), and reactionaries, who saw their ideal nation—militant, Catholic, royalist—embodied by Joan of Arc, with their message, that France had suffered its defeat in 1871 for having betrayed its true faith. A bitter debate took hold of the heart and soul of the country, framed by the vision of “science” and “technological advancement” versus “supernatural intervention.” Brown shows us how Paris’s most iconic monuments that rose up during those years bear witness to the passionate decades-long quarrel. At one end of Paris was Gustave Eiffel’s tower, built in iron and more than a thousand feet tall, the beacon of a forward-looking nation; at Paris’ other end, at the highest point in the city, the basilica of the Sacré-Coeur, atonement for the country’s sins and moral laxity whose punishment was France’s defeat in the war . . . Brown makes clear that the Dreyfus Affair—the cannonade of the 1890s—can only be understood in light of these converging forces. “The Affair” shaped the character of public debate and informed private life. At stake was the fate of a Republic born during the Franco-Prussian War and reared against bitter opposition. The losses that abounded during this time—the financial loss suffered by thousands in the crash of the Union Génerale, a bank founded in 1875 to promote Catholic interests with Catholic capital outside the Rothschilds’ sphere of influence, along with the failure of the Panama Canal Company—spurred the partisan press, which blamed both disasters on Jewry. The author writes how the roiling conflicts that began thirty years before Dreyfus did not end with his exoneration in 1900. Instead they became the festering point that led to France’s surrender to Hitler’s armies in 1940, when the Third Republic fell and the Vichy government replaced it, with Marshal Pétain heralded as the latest incarnation of Joan of Arc, France’s savior . . .
Emotional abuse exists all around us--in families and work. Stalking the Soul is a call to recognize and understand emotional abuse and, most importantly, overcome it. Sophisticated and accessible, it is vital reading for victims and health professionals.
On October 19, 1876 a group of leading French citizens, both men and women included, joined together to form an unusual group, The Society of Mutual Autopsy, with the aim of proving that souls do not exist. The idea was that, after death, they would dissect one another and (hopefully) show a direct relationship between brain shapes and sizes and the character, abilities and intelligence of individuals. This strange scientific pact, and indeed what we have come to think of as anthropology, which the group's members helped to develop, had its genesis in aggressive, evangelical atheism. With this group as its focus, The End of the Soul is a study of science and atheism in France in late nineteenth and early twentieth centuries. It shows that anthropology grew in the context of an impassioned struggle between the forces of tradition, especially the Catholic faith, and those of a more freethinking modernism, and moreover that it became for many a secular religion. Among the adherents of this new faith discussed here are the novelist Emile Zola, the great statesman Leon Gambetta, the American birth control advocate Margaret Sanger, and Arthur Conan Doyle, whose Sherlock Holmes embodied the triumph of ratiocination over credulity. Boldly argued, full of colorful characters and often bizarre battles over science and faith, this book represents a major contribution to the history of science and European intellectual history.
From acclaimed biographer and cultural historian, author of For the Soul of France (“Masterful history” —Henry Kissinger), Zola (“Magnificent” —The New Yorker), and Flaubert (“Impeccable” —James Wood, cover, The New York Times Book Review)—a brilliant reconsideration of the events and the political, social, and religious movements that led to France’s embrace of Fascism and anti-Semitism. Frederick Brown explores the tumultuous forces unleashed in the country by the Dreyfus Affair and its aftermath and examines how the clashing ideologies—the swarm of ’isms—and their blood-soaked political scandals and artistic movements following the horrors of World War I resulted in the country’s era of militant authoritarianism, rioting, violent racism, and nationalistic fervor. We see how these forces overtook the country’s sense of reason, sealing the fate of an entire nation, and led to the fall of France and the rise of the Vichy government. The Embrace of Unreason picks up where Brown’s previous book, For the Soul of France, left off to tell the story of France in the decades leading up to World War II. We see through the lives of three writers (Maurice Barrès, Charles Maurras, and Pierre Drieu La Rochelle) how the French intelligentsia turned away from the humanistic traditions and rationalistic ideals born out of the Enlightenment in favor of submission to authority that stressed patriotism, militarism, and xenophobia; how French extremists, traumatized by the horrors of the battlefront and exalted by the glories of wartime martyrdom, tried to redeem France’s collective identity, as Hitler’s shadow lengthened over Europe. The author writes of the Stavisky Affair, named for the notorious swindler whose grandiose Ponzi scheme tarred numerous political figures and fueled the bloody riots of February 1934, with right-wing paramilitary leagues, already suffering from the worldwide effects of the 1929 stock market crash, decrying Stavisky the Jew as the direct descendant of Alfred Dreyfus and an exemplar of the decaying social order . . . We see the Congress of Writers for the Defense of Culture that, in June 1935, assembled Europe’s most illustrious literati under the sponsorship of the Soviet Union, whose internal feuds anticipated those recounted by George Orwell in his Spanish Civil War memoir Homage to Catalonia . . . Here too, pictured as the perfect representation of Europe’s cultural doomsday, is the Paris World’s Fair of 1937, featuring two enormous pavilions, the first built by Nazi Germany, the second by Soviet Russia, each facing the other like duelists on the avenue leading to the Eiffel Tower, symbol of the French Republic. And near them both, a pavilion devoted to “the art of the festival,” in which speakers and displays insisted that Nazi torchlight parades at Nuremberg should serve as a model for France. Written with historical insight and grasp and made immediate through the use of newspaper articles, journals, and literary works from the nineteenth and twentieth centuries, The Embrace of Unreason brings to life Europe’s darkest modern years.
"Having quit her fast-paced life as a fashion editor in London for a new life in France, Karen appears to have it all: a cute dog, a charismatic Portuguese boyfriend and a quirky collection of French and expat friends. But then she makes a discovery that changes everything. In the year that follows, she decides to cure heartbreak by seeking happiness in small things. But nothing could have prepared her for the tragedy to come... Tout Soul will make you laugh and make you cry in equal measure."--Pub.lisher description.
French Huguenots made enormous contributions to the life and culture of colonial New York during the seventeenth and eighteenth centuries. Huguenot craftsmen were the city's most successful artisans, turning out unrivaled works of furniture which were distinguished by unique designs and arcane details. More than just decorative flourishes, however, the visual language employed by Huguenot artisans reflected a distinct belief system shaped during the religious wars of sixteenth-century France. In Fortress of the Soul, historian Neil Kamil traces the Huguenots' journey to New York from the Aunis-Saintonge region of southwestern France. There, in the sixteenth century, artisans had created a subterranean culture of clandestine workshops and meeting places inspired by the teachings of Bernard Palissy, a potter, alchemist, and philosopher who rejected the communal, militaristic ideology of the Huguenot majority which was centered in the walled city of La Rochelle. Palissy and his followers instead embraced a more fluid, portable, and discrete religious identity that encouraged members to practice their beliefs in secret while living safely—even prospering—as artisans in hostile communities. And when these artisans first fled France for England and Holland, then left Europe for America, they carried with them both their skills and their doctrine of artisanal security. Drawing on significant archival research and fresh interpretations of Huguenot material culture, Kamil offers an exhaustive and sophisticated study of the complex worldview of the Huguenot community. From the function of sacred violence and alchemy in the visual language of Huguenot artisans, to the impact among Protestants everywhere of the destruction of La Rochelle in 1628, to the ways in which New York's Huguenots interacted with each other and with other communities of religious dissenters and refugees, Fortress of the Soul brilliantly places American colonial history and material life firmly within the larger context of the early modern Atlantic world.
During the night of 25 July 1941, assassins planted a time bomb in the bed of the former French Interior Minister, Marx Dormoy. The explosion on the following morning launched a two-year investigation that traced Dormoy’s murder to the highest echelons of the Vichy regime. Dormoy, who had led a 1937 investigation into the “Cagoule,” a violent right-wing terrorist organization, was the victim of a captivating revenge plot. Based on the meticulous examination of thousands of documents, Assassination in Vichy tells the story of Dormoy’s murder and the investigation that followed. At the heart of this book lies a true crime that was sensational in its day. A microhistory that tells a larger and more significant story about the development of far-right political movements, domestic terrorism, and the importance of courage, Assassination in Vichy explores the impact of France’s deep political divisions, wartime choices, and post-war memory.
A spellbinding story of a young American abroad and a star-crossed relationship: “This is a novel to get lost in.” —The Miami Herald Lita del Cielo is the daughter of two Colombian immigrants who arrived in America with nothing and made a fortune with their Latin food empire. Now Lita has been granted one year to pursue her studies in Paris before returning to work in the family business. She moves into a crumbling Left Bank mansion known as “The House of Stars,” where the spirited but bedridden Countess Séraphine rents out rooms to young women visiting Paris to work, to study, and, unofficially, to find love. Cautious and guarded, Lita keeps a cool distance from the other girls, who seem at once boldly adult and impulsively naïve, who both intimidate and fascinate her. Then Lita meets Cato, and the contours of her world shift. Charming, enigmatic, and weak with illness, Cato is the son of a notorious right-wing politician. As Cato and Lita retreat to their own world, they soon find it difficult to keep the outside world from closing in on theirs. Ultimately Lita must decide whether to stay in France with Cato or return home to fulfill her family’s dreams for her future. From the author of Vida, a finalist for the PEN/Hemingway Award, It’s Not Love, It’s Just Paris is a love story, a portrait of a Paris caught between the old world and the new, and an exploration of one woman’s journey to lay claim to her own life. “Wise and accomplished . . . Beautifully written.” —The New York Times Book Review
Ours is an age where solitude tends to be discussed in the context of the 'problem of loneliness'. However in previous ages the capacity to seek fulfillment outside society has been admired and seen as a measure of discernment and inner security. In this lucid and highly readable book, Peter France shows how hermits, from the Taoists and Ancient Greeks to the present day, have something vitally important to say to a society that fears solitude.
