The Sorrows of Young Werther brings to life an idyllic German village where a youth on vacation meets and falls for lovely Charlotte. The tragedy unfolds in the letters Werther writes to his friend about Charlotte’s charms, even after he realizes his love will remain unrequited. “Reflections on Werther” and “Goethe in Sesenheim,” collections of excerpts from the author’s own memoirs, reveal the genius who, as Nietzsche said, “disciplined himself into wholeness.” Next is “The New Melusina,”the delightful story of a pixie princess who assumes the form of a woman as she searches for a human mate. Finally, “The Fairy Tale” is a sophisticated but strange story in which the laws of nature and physics do not apply—mingled among its human characters is a cast of two sentient will-o’-the-wisps, a giant and his shadow, a talking green serpent, and four metal statues. With an Introduction by Marcelle Clements and a New Afterword
How happy I am that I am gone! My dear friend, what a thing is the heart of man! To leave you, from whom I have been inseparable, whom I love so dearly, and yet to feel happy! I know you will forgive me. Have not other attachments been specially appointed by fate to torment a head like mine? Poor Leonora! and yet I was not to blame. Was it my fault, that, whilst the peculiar charms of her sister afforded me an agreeable entertainment, a passion for me was engendered in her feeble heart? And yet am I wholly blameless? Did I not encourage her emotions? Did I not feel charmed at those truly genuine expressions of nature, which, though but little mirthful in reality, so often amused us? Did I not?but oh! what is man, that he dares so to accuse himself? My dear friend I promise you I will improve; I will no longer, as has ever been my habit, continue to ruminate on every petty vexation which fortune may dispense; I will enjoy the present, and the past shall be for me the past. No doubt you are right, my best of friends, there would be far less suffering amongst mankind, if men?and God knows why they are so fashioned?did not employ their imaginations so assiduously in recalling the memory of past sorrow, instead of bearing their present lot with equanimity. Be kind enough to inform my mother that I shall attend to her business to the best of my ability, and shall give her the earliest information about it. I have seen my aunt, and find that she is very far from being the disagreeable person our friends allege her to be. She is a lively, cheerful woman, with the best of hearts. I explained to her my mother's wrongs with regard to that part of her portion which has been withheld from her. She told me the motives and reasons of her own conduct, and the terms on which she is willing to give up the whole, and to do more than we have asked. In short, I cannot write further upon this subject at present; only assure my mother that all will go on well. And I have again observed, my dear friend, in this trifling affair, that misunderstandings and neglect occasion more mischief in the world than even malice and wickedness. At all events, the two latter are of less frequent occurrence. In other respects I am very well off here. Solitude in this terrestrial paradise is a genial balm to my mind, and the young spring cheers with its bounteous promises my oftentimes misgiving heart. Every tree, every bush, is full of flowers; and one might wish himself transformed into a butterfly, to float about in this ocean of perfume, and find his whole existence in it. The town itself is disagreeable; but then, all around, you find an inexpressible beauty of nature. This induced the late Count M to lay out a garden on one of the sloping hills which here intersect each other with the most charming variety, and form the most lovely valleys. The garden is simple; and it is easy to perceive, even upon your first entrance, that the plan was not designed by a scientific gardener, but by a man who wished to give himself up here to the enjoyment of his own sensitive heart. Many a tear have I already shed to the memory of its departed master in a summer-house which is now reduced to ruins, but was his favourite resort, and now is mine. I shall soon be master of the place. The gardener has become attached to me within the last few days, and he will lose nothing thereby.
The Sorrows of Young Werther is a epistolary novel by Johann Wolfgang von Goethe. First published in 1774, it reappeared as a revised edition in 1787. It was one of the most important novels in the Sturm und Drang period in German literature, and influenced the later Romantic movement.
The Sorrows of Young Werther is the story of a sensitive, artistic young man who demonstrates the fatal effects of a predilection for absolutes--whether those of love, art, society, or thought. Werther falls in love with Charlotte (Lotte), the uncomplicated fiancée of a friend. Werther leaves but later returns, feeling depressed and hopeless no matter where he lives. Torn by unrequited passion and his perception of the emptiness of life, he commits suicide. It was the first novel of the Sturm und Drang movement. Translated by R.D. Boylan. Edited by Nathen Haskell Dole. Illustrated by Boris Kosulnikov.
The Sorrows of Young Werther is a 1774 epistolary novel by Johann Wolfgang von Goethe, which appeared as a revised edition in 1787. It was one of the main novels in the Sturm und Drang period in German literature, and influenced the later Romantic movement.
The Sorrows of Young Werther (Die Leiden des jungen Werthers) is an epistolary and loosely autobiographical novel by Johann Wolfgang von Goethe, first published in 1774; a revised edition of the novel was published in 1787. Werther was an important novel of the Sturm und Drang period in German literature, and it also influenced the later Romantic literary movement.
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When The Sorrows of Young Werther was published in 1774, it inspired a mass cult of feelings (and reputedly a few suicides) and made its author one of the first literary celebrities. Johann Wolfgang von Goethe's story of a tormented young man whose fixation on an inaccessible woman culminates in tragedy may be read as a celebration of unfettered emotion or as a mercilessly accurate portrait of a man whose dedication to pure feeling turns him into a monster. In this translation, which is recognized as the definitive English-language version, W. H. Auden collaborated with Elizabeth mayer and Louise Bogan to capture all of Werther's soaring romanticism and moral ambiguity. It appears here with Novella, Goethe's idyll of a pastoral kingdom where the reverence for life transcends barriers of class.
