This inquiry into the collective psychology of the ancient Romans speaks not about military conquest, sober law, and practical politics, but about extremes of despair, desire, and envy. Carlin Barton makes us uncomfortably familiar with a society struggling at or beyond the limits of human endurance. To probe the tensions of the Roman world in the period from the first century b.c.e. through the first two centuries c.e., Barton picks two images: the gladiator and the "monster."
This book is an attempt to coax Roman history closer to the bone, to the breath and matter of the living being. Drawing from a remarkable array of ancient and modern sources, Carlin Barton offers the most complex understanding to date of the emotional and spiritual life of the ancient Romans. Her provocative and original inquiry focuses on the sentiments of honor that shaped the Romans' sense of themselves and their society. Speaking directly to the concerns and curiosities of the contemporary reader, Barton brings Roman society to life, elucidating the complex relation between the inner life of its citizens and its social fabric. Though thoroughly grounded in the ancient writings—especially the work of Seneca, Cicero, and Livy—this book also draws from contemporary theories of the self and social theory to deepen our understanding of ancient Rome. Barton explores the relation between inner desires and social behavior through an evocative analysis of the operation, in Roman society, of contests and ordeals, acts of supplication and confession, and the sense of shame. As she fleshes out Roman physical and psychological life, she particularly sheds new light on the consequential transition from republic to empire as a watershed of Roman social relations. Barton's ability to build productively on both old and new scholarship on Roman history, society, and culture and her imaginative use of a wide range of work in such fields as anthropology, sociology, psychology, modern history, and popular culture will make this book appealing for readers interested in many subjects. This beautifully written work not only generates insight into Roman history, but also uses that insight to bring us to a new understanding of ourselves, our modern codes of honor, and why it is that we think and act the way we do.
What survives from the Roman Empire is largely the words and lives of the rich and powerful: emperors, philosophers, senators. Yet the privilege and decadence often associated with the Roman elite was underpinned by the toils and tribulations of the common citizens. Here, the eminent historian Robert Knapp brings those invisible inhabitants of Rome and its vast empire to light. He seeks out the ordinary folk—laboring men, housewives, prostitutes, freedmen, slaves, soldiers, and gladiators—who formed the backbone of the ancient Roman world, and the outlaws and pirates who lay beyond it. He finds their traces in the nooks and crannies of the histories, treatises, plays, and poetry created by the elite. Everyday people come alive through original sources as varied as graffiti, incantations, magical texts, proverbs, fables, astrological writings, and even the New Testament. Knapp offers a glimpse into a world far removed from our own, but one that resonates through history. Invisible Romans allows us to see how Romans sought on a daily basis to survive and thrive under the afflictions of disease, war, and violence, and to control their fates before powers that variously oppressed and ignored them.
Longlisted for the Center for Fiction First Novel Prize A Massachusetts Book Award “Must Read” Set amongst the scandal, wealth, and upstairs-downstairs politics of a Roman family, this “addictively readable first novel” (Kirkus Reviews) features the man who inspired the world’s oldest cookbook and the ambition that led to his destruction. In the twenty-sixth year of Augustus Caesar’s reign, Marcus Gavius Apicius has a singular ambition: to serve as culinary adviser to Caesar. To cement his legacy as Rome’s leading epicure, the wealthy Apicius acquires a young chef, Thrasius, for the exorbitant price of twenty thousand denarii. Apicius believes that the talented Thrasius is the key to his culinary success, and with the slave’s help he soon becomes known for his lavish parties and sumptuous meals. For his part, Thrasius finds a family among Apicius’s household, which includes his daughter, Apicata; his wife, Aelia; and her handmaiden Passia, with whom Thrasius falls passionately in love. But as Apicius draws closer to his ultimate goal, his dangerous single-mindedness threatens his young family and places his entire household at the mercy of the most powerful forces in Rome. “A gastronomical delight” (Associated Press), Feast of Sorrow is a vibrant novel, replete with love and betrayal, politics and intrigue, and sumptuous feasts that bring ancient Rome to life.
What went wrong in imperial Rome, and how we can avoid it: “If you want to understand where America stands in the world today, read this.” —Thomas E. Ricks The rise and fall of ancient Rome has been on American minds since the beginning of our republic. Depending on who’s doing the talking, the history of Rome serves as either a triumphal call to action—or a dire warning of imminent collapse. In this “provocative and lively” book, Cullen Murphy points out that today we focus less on the Roman Republic than on the empire that took its place, and reveals a wide array of similarities between the two societies (The New York Times). Looking at the blinkered, insular culture of our capitals; the debilitating effect of bribery in public life; the paradoxical issue of borders; and the weakening of the body politic through various forms of privatization, Murphy persuasively argues that we most resemble Rome in the burgeoning corruption of our government and in our arrogant ignorance of the world outside—two things that must be changed if we are to avoid Rome’s fate. “Are We Rome? is just about a perfect book. . . . I wish every politician would spend an evening with this book.” —James Fallows
Robert Knapp brings invisible inhabitants of Rome and its vast empire to life. He seeks out the ordinary men, housewives, prostitutes, freedmen, slaves, soldiers, and gladiators, who formed the fabric of everyday life in the ancient Roman world, and the outlaws and pirates who lay beyond it. He finds their own words preserved in literature, letters, inscriptions and graffiti and their traces in the nooks and crannies of the histories, treatises, plays and poetry created by members of the elite. He tracks down and pieces together these and other tell-tale bits of evidence cast off by the visible mass of Roman history and culture, and in doing so recreates a world lost from view for two millennia. We see how everyday Romans sought to survive and thrive under the afflictions of disease, war, and violence, and to control their fates before powers that variously oppressed and ignored them. Chapters on each of the main groups reveal how their worlds were linked in need, dependence, exploitation, hope and fear. Slaves and ex-soldiers merge into the world of the outlaw; slaves become freedmen; the sons of freedmen enlist as soldiers; and the concerns of women transcend every boundary. We see them all at last in the tumult of a great empire that shaped their worlds as it reshaped the wider world around them.
What do we fail to see when we force other, earlier cultures into the Procrustean bed of concepts that organize our contemporary world? In Imagine No Religion, Carlin A. Barton and Daniel Boyarin map the myriad meanings of the Latin and Greek words religio and thrēskeia, frequently and reductively mistranslated as “religion,” in order to explore the manifold nuances of their uses within ancient Roman and Greek societies. In doing so, they reveal how we can conceptualize anew and speak of these cultures without invoking the anachronistic concept of religion. From Plautus to Tertullian, Herodotus to Josephus, Imagine No Religion illuminates cultural complexities otherwise obscured by our modern-day categories.
Provocative reading for anyone interested in Roman culture in the late Republic and early Empire.― Religious Studies Review Was religious practice in ancient Rome cultic and hostile to individual expression? Or was there, rather, considerable latitude for individual initiative and creativity? Jörg Rüpke, one of the world’s leading authorities on Roman religion, demonstrates in his new book that it was a lived religion with individual appropriations evident at the heart of such rituals as praying, dedicating, making vows, and reading. On Roman Religion definitively dismantles previous approaches that depicted religious practice as uniform and static. Juxtaposing very different, strategic, and even subversive forms of individuality with traditions, their normative claims, and their institutional protections, Rüpke highlights the dynamic character of Rome’s religious institutions and traditions. In Rüpke’s view, lived ancient religion is as much about variations or even outright deviance as it is about attempts and failures to establish or change rules and roles and to communicate them via priesthoods, practices related to images or classified as magic, and literary practices. Rüpke analyzes observations of religious experience by contemporary authors including Propertius, Ovid, and the author of the "Shepherd of Hermas." These authors, in very different ways, reflect on individual appropriation of religion among their contemporaries, and they offer these reflections to their readership or audiences. Rüpke also concentrates on the ways in which literary texts and inscriptions informed the practice of rituals.
"Life, Death, and Entertainment in the Roman Empire gives those who have a general interest in Roman antiquity a starting point informed by the latest developments in scholarship for understanding the extraordinary range of Roman society. Family structure, gender identity, food supply, religion, and entertainment are all crucial to an understanding of the Roman world. As views of Roman history have broadened in recent decades to encompass a wider range of topics, the need has grown for a single volume that can offer a starting point for all these diverse subjects, for readers of all backgrounds."--Page 4 of cover.
