Prologues and Epilogues of Restoration Theater

Prologues and Epilogues of Restoration Theater

Author: Diana Solomon

Publisher: Rowman & Littlefield

Published: 2013

Total Pages: 273

ISBN-13: 1611494222

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This book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship.


The Broadview Anthology of Restoration and Early Eighteenth Century Drama: Concise Edition

The Broadview Anthology of Restoration and Early Eighteenth Century Drama: Concise Edition

Author: J. Douglas Canfield

Publisher: Broadview Press

Published: 2003-04-17

Total Pages: 1055

ISBN-13: 1460401875

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The Broadview Anthology of Restoration and Early Eighteenth-Century Drama, Concise Edition, with twenty-one plays, is half the length of the full anthology without compromising its breadth. Concentrating on plays from the heyday of 1660-1737, it focuses on Restoration drama proper and Revolution drama, with a selection from the early Georgian period and the later Georgian period's "laughing comedy." Seven of the nine sub-genres (personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy) of the full anthology are represented, with the preponderance of exposure given to the jewel of this theatre, its comedy. Each play is fully annotated and prefaced with an historical introduction. Also included are a general introduction, a statement of procedures, and a glossary.


Prologues and Epilogues of Restoration Theater

Prologues and Epilogues of Restoration Theater

Author: Diana Solomon

Publisher: University of Delaware

Published: 2013-04-11

Total Pages: 274

ISBN-13: 1611494230

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This book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship.


The Broadview Anthology of Restoration and Early Eighteenth-Century Drama

The Broadview Anthology of Restoration and Early Eighteenth-Century Drama

Author: J. Douglas Canfield

Publisher: Broadview Press

Published: 2001-05-31

Total Pages: 2001

ISBN-13: 1551112701

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This is the first new full-scale anthology of Restoration and eighteenth-century drama in over sixty years. Concentrating on plays from the heyday of 1660-1737, it focuses especially on Restoration drama proper (1660-1688) and Revolution drama (1689-1714), with a smaller selection of plays from the early Georgian period (1715-1737) and a glimpse at the later Georgian period’s “laughing comedy” (1770s and 80s). It includes nine sub-genres (heroic romance, political tragedy, personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy), with the preponderance of exposure given to the jewel of this theatre, its comedy. The core canonical plays from the era—from Dryden’s All for Love and Behn’s The Rover to Congreve’s The Way of the World and Sheridan’s School for Scandal—are all here, but so are a remarkably wide range of non-canonical works. There are many more plays by women than in any previous general anthology of drama of the period. Also included are a number of works from the neglected 1660s, whose comedies feature delightful, subversive, levelling folk elements. In all there are forty-one plays; each is fully annotated and prefaced with an historical introduction. Also included are a general introduction, head-notes for each genre, and a glossary.


Prologues, Epilogues, Curtain-raisers, and Afterpieces

Prologues, Epilogues, Curtain-raisers, and Afterpieces

Author: Daniel James Ennis

Publisher: University of Delaware Press

Published: 2007

Total Pages: 272

ISBN-13: 9780874139679

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Prologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage presents a fresh analysis of the complete theater evening that was available to playhouse audiences from the Restoration to the early nineteenth century. The contributing scholars focus not on the mainpiece, the advertised play itself, but on what surrounded the mainpiece for the total theater experience of the day. Various critical essays address artistic disciplines such as dance and theatrical portraits, while others concentrate on peripheral performance texts, including prologues, epilogues, pantomimes, and afterpieces, that merged to define the overall theatrical event.


Restoration Drama

Restoration Drama

Author: Thomas James Taylor

Publisher: Magill Bibliographies

Published: 1989

Total Pages: 176

ISBN-13:

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Includes playwrights whose dramatic output begins between 1660 and 1700 and responds to the changed social and political atmosphere of London.


Rehearsing the Revolution

Rehearsing the Revolution

Author: Odai Johnson

Publisher: University of Delaware Press

Published: 2000

Total Pages: 202

ISBN-13: 9780874137248

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It charts the limits of representation within the royal theater where Whig playwrights were challenging Stuart mythography, before moving out onto the streets where the contracts of representation were less circumscribed by royal interests. It was on the streets of London that the Whig party staged massive civic performances - the Pope-Burning pageants - that allowed the circulation of the Exclusion platform."--BOOK JACKET.


Thomas Killigrew and the Seventeenth-Century English Stage

Thomas Killigrew and the Seventeenth-Century English Stage

Author: Philip Major

Publisher: Routledge

Published: 2016-02-24

Total Pages: 236

ISBN-13: 1317010396

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Despite his significant influence as a courtier, diplomat, playwright and theatre manager, Thomas Killigrew (1612-1683) remains a comparatively elusive and neglected figure. The original essays in this interdisciplinary volume shine new light on a singular, contradictory Englishman 400 years after his birth. They increase our knowledge and deepen our understanding not only of Killigrew himself, but of seventeenth-century dramaturgy, and its complex relationship to court culture and to evolving aesthetic tastes. The first book on Killigrew since 1930, this study re-examines the significant phases of his life and career: the little-known playwriting years of the 1630s; his long exile during the 1640s and 1650s, and its personal, political and literary repercussions; and the period following the Restoration, when, with Sir William Davenant, he enjoyed a monopoly of the London stage. These fresh accounts of Killigrew build on the recent resurgence of interest in royalists and the royalist exile, and underscore literary scholars' continued fascination with the Restoration stage. In the process, they question dominant assumptions about neatly demarcated seventeenth-century chronological, geographic and cultural boundaries. What emerges is a figure who confounds as often as he justifies traditional labels of dilettante, cavalier wit and swindler.