Documents the creative process of concept design by 3 students from the Art Center College of Design under the guidance of their instructor, Scott Robinson. The concept design includes a host of intriguing places and people, inspired by the Brothers Grimm's tale "The skillfull huntsman". Discussion of ideas and techniques used to create this stunning collection of artwork between Robertson and his students reveal insights on the behind-the-scenes action of concept design.
A tale from the Brothers Grimm provides inspiration for three giftedstudents from the world-renowned Art Center College of Design in Pasadena,California. Khang Le, Mike Yamada, and Felix Yoon were guided by theirinstructor, Scott Robertson, to create original design solutions for theenvironments, characters, props, and vehicles found within The SkillfulHuntsman. The trio's sketches and full-color renderings thoroughly documentthe creative process of concept design, revealing a host of intriguing places- from sci-fi cities to castles - and people - from giants toroyalty. A must for artists, aspiring entertainment designers, comicaficionados, and anyone interested in the creative process, The SkillfulHuntsman offers insight into the mysterious world of theimagination.
Laurence Talairach-Vielmas explores Victorian representations of femininity in narratives that depart from mainstream realism, from fairy tales by George MacDonald, Lewis Carroll, Christina Rossetti, Juliana Horatia Ewing, and Jean Ingelow, to sensation novels by Wilkie Collins, Mary Elizabeth Braddon, Rhoda Broughton, and Charles Dickens. Feminine representation, Talairach-Vielmas argues, is actually presented in a hyper-realistic way in such anti-realistic genres as children's literature and sensation fiction. In fact, it is precisely the clash between fantasy and reality that enables the narratives to interrogate the real and re-create a new type of realism that exposes the normative constraints imposed to contain the female body. In her exploration of the female body and its representations, Talairach-Vielmas examines how Victorian fantasies and sensation novels deconstruct and reconstruct femininity; she focuses in particular on the links between the female characters and consumerism, and shows how these serve to illuminate the tensions underlying the representation of the Victorian ideal.
David and Marc Muench examine the forces of nature in this breathtaking book. Every page reveals the awesome power of our planet and the primal forces that endlessly shape it.
This book offers a unique glimpse of Alaska and its creatures, rendered on paper by a man who loved and respected them. William D. Berry was nationally known as a wildlife artist, but to many Alaskans, he was also a kind of state treasure and certainly a natural resource. Berry's clear vision, conveyed with his disciplined skills, captured Alaska's creatures and their habitats in works that are both scientifically accurate and artistically compelling. From his childhood in the southwestern desert to the closing days of his life in the taiga forest of Alaska, Berry was absorbed by the diversity of living creatures with which he shared the world. Years of observation gave him a singular capability to perceive animals; years of study gave him an equally singular ability to convey them to observers through an array of artists' media. Fox cubs or caribou, his animals are what you might see--if you had his patience or powers of observation. Each fully rendered creature has its own character, presented with respect for its individuality as well as accuracy for its individuality as well as accuracy for its species characteristics. It is a privilege for the University of Alaska to bring this sampler of Bill Berry's private efforts from the 1950s before a wider audience. The book is grouped into four sections: Denali Park, color sketches, Point Hope, and around and about Alaska. Within each, the animals are in taxonomic order, the way Berry arranged and filed them. Berry's friend, zoologist William O Pruitt, once observed that this artist's field sketches were the equivalent of the scientist's field notes. Perhaps it is that honesty that makes his work a challenge to other artists who wish to capture the essence of animals and captivate viewers. It is surely one of the reasons that his sketches continue to please all who cherish wilderness.
Departing from established structuralist or psychological approaches to the fantastic, Jos Monlecn offers an ideological reading of this literary product of mass culture. In an exploration of the origins and development of the fantastic, Monlecn traces the relation of reason to unreason in light of three distinct events that influenced capitalist thinking: the French Revolution, the uprisings of 1848, and the Bolshevik Revolution. The fantastic, Monlecn argues, reflected social tensions and produced a cultural space in which to appropriate fears brought on by the revolutions--to tame the "specter" mentioned by Marx and Engels in The Communist Manifesto. At the same time the fantastic helped carve in Europe a defense of order through the introduction of unreason as a viable discourse. Monlecn pays particular attention to the development of the fantastic in Spain, whose unique economic and cultural conditions form a distinct background against which to test his paradigm for the development of the genre in the rest of Europe. This study touches upon a wide range of works, including those by Bcquer, BazNBn, Galdcs, Alarccn, Maupassant, Shelley, Poe, and James, as well as etchings by Goya. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Contains over 470 works, from finished pieces to support sketches and roughs, with each piece accompanied by text detailing the design ideas and illustration techniques used. This book takes readers on a journey into the minds of talented and successful concept design professionals.
As a designer for the wealthy, Vivian Yeats doesn't have a lot of time for a relationship. Not the kind of relationships she's had in the past, anyway. She's always settled for compatibility or common interests or misplaced enthusiasm when it comes to partners. Despite being her favorite subject in books and on screen, romance constantly eludes her. For Natalie Harper, romance has never been on her radar. She prefers working hard at her construction job and doing good work to guide her through her days. When she meets Vivian, she's knocked off that focused path. They become successful colleagues and good friends. Could romance become the thing they do best together?
