Colette Faizal isn't superstitious, so she doesn't worry when a fortune-teller advises Colette's mother to "watch for the unexpected." But when her father announces he is going back to Iran, her mother is hurt in a car accident and Colette is sent to live with the grandparents she's never even met, everything the mysterious woman predicted seems to be coming true. As Colette struggles to bring her family back together, she tries to hold on to the last thing the fortune-teller told her: "You will know how to handle what lies ahead."
Shortlisted for the Whitbread Award, "August" is the life of a family through 15 summer trips to Wales. This unforgettable first novel revels in nostalgia for post-war England.
"The Rift would be a very good beach book, if you could put it down long enough to get into the water." —— The San Diego Union Tribune FRACTURE LINES PERMEATE THE CENTRAL UNITED STATES. Some comprise the New Madrid fault, the most dangerous earthquake zone in the world. Other fracture lines are social—— economic, religious, racial, and ethnic. What happens when they all crack at once? Caught in the disaster as cities burn and bridges tumble, young Jason Adams finds himself adrift on the Mississippi with African-American engineer Nick Ruford. A modern-day Huck and Jim, they spin helplessly down the river and into the widening faults in American society, encountering violence and hope, compassion and despair, and the primal wilderness that threatens to engulf not only them, but all they love... " A breakout book that you'll swear the author lived" —— SF Age "I don't like disaster novels. I would not have even glanced at The Rift if it weren't backed by Walter Jon Williams' reputation for excellence. And I definitely would not have kept reading if Williams hadn't demonstrated on every page that he deserves his reputation. The result? I was so engrossed in—— and engaged by ——The Rift that I forgot that I don't like disaster novels. This book is an impressive achievement.” —— Stephen R. Donaldson, New York Times bestselling author of The Chronicles of Thomas Covenant "The Rift is bloody wonderful! Williams brings an historic disaster back for an encore and metaphorically flattens it again. This is the stuff for which sleep is lost--and awards are made." —— Dean Ing "The Rift shakes up the world like it's never been shaken before." —— Fred Saberhagen "[For fans of the disaster novel] Williams delivers the requisite thrills and setpieces—— but he also, to paraphrase Conrad, offers a bit of that truth for which they forgot to ask." —— Locus
Slocum blazes through Devil’s Mouth to nail his saddle partner’s killer! Slocum last heard of Matt Scoggins when he’d been onto a rich gold strike—but then he vanished without a trace. Now, Slocum gets some unwelcome news about his old partner from a lovely Russian duchess of many talents—and many lies. Slocum has been shot at and almost left for dead in a pit. But when he looks for answers, he’s told to mind his business—like he’s just some drifter who happened along. But ignoring him and his six-shooter can be a fatal decision. Something very big is at stake here, and until Slocum gets the truth—there won’t be any peace for anyone.
István Szabó is one of the few Hungarian filmmakers to have earned a major international reputation over the past half century. This thoughtful and original book is the first examination of Szabó's contribution to contemporary thought, engaging the troubled history of Europe in the 20th and 21st centuries. István Szabó's importance as a filmmaker lies not only in his attention to film's formal elements but in his deep and ongoing engagement with some of the most urgent ethical and existential questions of our time. With detailed analyses of István Szabó's major films, from his 1960s works to his Academy Award for Best Foreign Film winner, Mephisto, and on through Szabó's last film in 2020, Final Report, Susan Rubin Suleiman focuses on four important questions pertaining to existential choice: to leave home or to stay in a communist country? To collaborate or not with an authoritarian regime? To affirm or to deny one's Jewishness in the face of antisemitism? To seek or to give up on community in the face of individual or national conflicts? Above all, Suleiman addresses the single most important philosophical question that haunts Szabó's work, as it does that of many other Central European intellectuals and filmmakers of our time. That is, how do individuals attempt, through the life choices they make or that are foisted on them, to create a viable self in extreme historical situations over which they have no control?
From the colonial era to the present, Marcie Cohen Ferris examines the expressive power of food throughout southern Jewish history. She demonstrates with delight and detail how southern Jews reinvented culinary traditions as they adapted to the customs, landscape, and racial codes of the American South. Richly illustrated, this culinary tour of the historic Jewish South is an evocative mixture of history and foodways, including more than thirty recipes to try at home.
