Two stories from the early pulp days of Western legend Louis L'Amour that he turned in to novels, but are published here in their original pulp versions.
The stirring final installment in a series that combines the thrills of the Old West with supernatural chills In the cold desert night, gunslinger Ray Featherskill rides alone. On the horizon, he sees two men sitting at a roaring campfire. He approaches carefully, but his caution is unnecessary. The men are dead, their throats cut from ear to ear. It is the work of Blackschuster, the sinister magician who kidnapped Dr. Spectros’s beloved bride and imprisoned her in a glass coffin. Ray rides not just for Spectros, but to avenge every innocent person Blackschuster has killed. On the shadowy edge of the dead men’s camp, Ray finds a survivor—a spirited young woman who is happy to join the chase for the magician who murdered her father. Soon they are joined by Spectros, and an epic blood feud approaches its electrifying conclusion.
George Manville Fenn's 'The Silver Canyon: A Tale of the Western Plains' is a gripping Western novel that captures the essence of the American frontier. Fenn's vivid descriptions of the untamed wilderness and the hardships faced by pioneers bring the story to life. The narrative is filled with action-packed scenes of gunfights, horseback chases, and encounters with Native American tribes, immersing the reader in the rugged landscape of the Western Plains. Fenn's writing style is characterized by its fast-paced plot and authentic portrayal of the era, making 'The Silver Canyon' a compelling read for fans of Western fiction. George Manville Fenn, a prolific Victorian author, drew inspiration for 'The Silver Canyon' from his own experiences traveling through the American West. His keen eye for detail and deep understanding of frontier life shine through in the novel, adding authenticity to the story. Fenn's background as an educator also informs the moral themes woven into the narrative, making 'The Silver Canyon' not just an entertaining adventure, but also a thought-provoking exploration of courage, friendship, and survival. I highly recommend 'The Silver Canyon: A Tale of the Western Plains' to readers looking for a thrilling Western adventure that delves into the hardships and triumphs of life on the frontier. Fenn's masterful storytelling and rich historical detail make this novel a must-read for anyone fascinated by the American West.
In the great barranca known today as Copper Canyon, the small mining town of Batopilas once experienced a silver bonanza among the largest ever known. American investors, believing that Mexico offered an unexploited cornucopia, began purchasing mines in the Sierra Madre, seeking to expand their hold on natural resources outside U.S. borders. From 1861 until the Revolution of 1910, the men of the Batopilas Mining Company ruled the region using their wealth, armed might, and extensive connections. The technology, industrialism, and politics their interests brought to this remote community tied the Tarahumara, Yaqui, Mayo, and other peoples of the barrancas directly to the economies of the United States and China. Local society was revolutionized, and a dramatic tapestry of human interactions was created. Based on many volumes of mining company records, The Silver of the Sierra Madre exposes the mentality and methods of mine owners John Robinson and Alexander ÒBossÓ Shepherd, vividly detailing their exploitation of the people and the natural resources of Chihuahua. Hart aptly demonstrates the human and financial losses resulting from President Porfirio D’azÕs development programs, which relied on foreign investors, foreign managers, and foreign technology. This unprecedented work also provides a highly interesting ethnographic and social description of one of the least-known areas of Mexico. It is a tale of power and desperation, respect and arrogance, adventure and tragedy, and, ultimately, triumph and survival.
Jules and Leon Silver sit at a dusty Formica table in a cold kitchen, drinking warm sugar water. Downstairs in the basement, their mother is unconscious, having swallowed hundreds of Librium while the brothers were at Boy Scout camp, her latest suicide attempt. The food cupboards are empty. The phone doesn't give a dial tone. As the sun goes down, the kitchen grows cold. The boys sit in silence, waiting for their mother to die. She doesn't, but the guilt and anger they feel haunt the brothers for decades. The Brothers Silver follows Jules and Leon as they try to find their unanchored way through the cultural upheavals of the second half of the 20th century. The younger Leon lives on the drug-addled edges of society. The older brother, Jules, falls into a destructive relationship that parallels his past insecurities and chaos. What lies in store for the Silver brothers? Recovery or turmoil? The 12 chapters of The Brothers Silver unfold in ten voices, each of which has its own language and style, making the novel a tour de force of technique in the American tradition of accessible literary innovation established by Heller, Pynchon, and Wallace.
Hidden in the Santa Ana Mountains below Santiago Peak is a canyon called Silverado. The Spaniards called it Canon de la Madera because of the abundance of timber. The first non-native homesteaders arrived in 1876 to tend bees and grow fruit trees. With the discovery in 1877 of quartz deposits embedded with silver, the canyon became a hotbed of activity, with possibilities of newfound fortune for the hundreds of men who arrived there. Renamed Silverado City, the heart of the canyon turned into a bustling mining town. After the silver bust, peace and quiet returned and Silverado was promoted as a health resort, a place to take the waters that flowed from the natural sulfur springs. Attracted by the beauty of the canyon, city dwellers began visiting. Abandoned cabins were turned into small bungalows and used as vacation homes and eventually year-round residences. Through boom and bust, fire and flood, the canyon remains a unique and enchanting part of Orange County.
Major James Brionne brought Dave Allard to trial for murder. Just before the hanging, Dave swore his brothers would take vengenance. Four year later the Allard boys retumed to settle the score. Only Brionne’s son escaped. They murdered his wife, destroyed his home, and left Brionne nothing but the charred ruins of his past to haunt him. Seeking peace and a new life, Brionne and the boy headed west. But the Allards hadn’t finished with him. He knew they’d call him for a showdown—and this time he’d be ready.
A broken truck, a broken career, and a breakup heard around the world land superstar John Tennessee McCord in Hellcat Canyon. Legend has it that hearts come in two colors there: gold or black. And that you can find whatever you’re looking for, whether it’s love . . . or trouble. JT may have found both in waitress Britt Langley. His looks might cause whiplash and weak knees, but Britt sees past JT’s rough edge and sexy drawl to a person a lot like her: in need of the kind of comfort best given hot and quick, with clothes off and the lights out. Her wit is sharp but her eyes and heart—not to mention the rest of her—are soft, and JT is falling hard. But Britt has a secret as dark as the hills, and JT’s past is poised to invade their present. It’s up to the people of Hellcat Canyon to help make sure their future includes a happily ever after. “Julie Anne Long’s writing glows with emotional intensity and strong, passionate characterization.” JAYNE ANN KRENTZ