The Battle of the Plains of Abraham is one of the pivotal events in North American and global history. This clash between British General James Wolfe and French General Louis-Joseph de Montcalm on September 13, 1759, led to the British victory in the Seven Years’ War in North America, which in turn led to the creation of Canada and the United States as we know them today. Rooted in original research, featuring quotations and images that have never appeared before, Northern Armageddon immerses the reader in the campaign, battle and siege through the eyes of dozens of participants, such as British sailor William Hunter, four Quebec residents enduring the bombing of their city and a teenage Huron warrior. Shifting from perspective to perspective, we move from the bombardment of Quebec to the field of combat, where Montcalm and Wolfe gave their orders but thousands of individual soldiers determined the outcome of the battle. In the final chapters, D. Peter MacLeod traces the battle’s impact on Canada, the United States, both countries’ Aboriginals and the world, from 1759 into the twenty-first century.
The fall of Quebec in 1759 to British forces under James Wolfe led to the ultimate defeat of the French empire in North America. The dramatic battle on the Plains of Abraham not only set the course for the future of Canada; it opened the door to the independence of the American colonies some 20 years later. Stacey's account is regarded as the best ever written. This new edition contains all the text and the pictures of the previous editon, in a smart and generous new format.
The Battle of the Plains of Abraham in 1759 and the subsequent capitulation of Quebec set the stage for an equally significant French-British engagement in the struggle for northeastern North America, the Battle of Sainte-Foy. In the spring of 1760, after having suffered a brutal winter, Quebec garrison commander James Murray's troops were vulnerable and reduced to an army of skeletal invalids due to malnutrition and scurvy. Trapped in hostile territory and lacking confidence in the fortifications of Quebec, Murray planned to confront French attackers outside the walls. Instead of waiting at Montreal for the British to attack, Montcalm's successor, François-Gaston de Lévis, returned to the plains for a rematch accompanied by every combatant available--French regulars, Canadian militia and First Peoples warriors. The ensuing Battle of Sainte-Foy was less a battle for territory than a struggle for survival between two equally desperate adversaries. If the British lost the battle, they would lose Quebec. If the French lost the battle, they would very likely lose Canada--both the French and the British had their backs to the wall. MacLeod presents this historical event in riveting detail, from the preparation and day-by-day actions during the engagement to the compelling siege of Quebec by land and ship. Backs to the Wall is an accessible and engaging account of an important episode in Canadian history.
This early work by James Oliver Curwood was originally published in 1928 and we are now republishing it with a brand new introductory biography. In "The Plains of Abraham," Daniel "James" Bulain, son of a French habitant and of an English schoolmaster's daughter, sees his world turned upside-down as his family and the people of the neighbouring seigneurie are massacred by a war party of Mohawks. James Oliver 'Jim' Curwood was an American action-adventure writer and conservationist. He was born on 12th June, 1878, in Owosso, Michigan, USA. In 1900, Curwood sold his first story while working for the Detroit News-Tribune, and after this, his career in writing was made. By 1909 he had saved enough money to travel to the Canadian northwest, a trip that provided the inspiration for his wilderness adventure stories. The success of his novels afforded him the opportunity to return to the Yukon and Alaska for several months each year - allowing Curwood to write more than thirty such books. Curwood's adventure writing followed in the tradition of Jack London. Like London, Curwood set many of his works in the wilds of the Great Northwest and often used animals as lead characters (Kazan, Baree; Son of Kazan, The Grizzly King and Nomads of the North). Many of Curwood's adventure novels also feature romance as primary or secondary plot consideration. This approach gave his work broad commercial appeal and helped drive his appearance on several best-seller lists in the early 1920s. His most successful work was his 1920 novel, The River's End. The book sold more than 100,000 copies and was the fourth best-selling title of the year in the United States, according to Publisher's Weekly. He contributed to various literary and popular magazines throughout his career, and his bibliography includes more than 200 such articles, short stories and serializations. Curwood was an avid hunter in his youth; however, as he grew older, he became an advocate of environmentalism and was appointed to the 'Michigan Conservation Commission' in 1926. The change in his attitude toward wildlife can be best expressed by a quote he gave in The Grizzly King: that 'The greatest thrill is not to kill but to let live.' Despite this change in attitude, Curwood did not have an ultimately fruitful relationship with nature. In 1927, while on a fishing trip in Florida, Curwood was bitten on the thigh by what was believed to have been a spider and he had an immediate allergic reaction. Health problems related to the bite escalated over the next few months as an infection set in. He died soon after in his nearby home on Williams Street, on 13th August 1927. He was aged just forty-nine, and was interred in Oak Hill Cemetery (Owosso), in a family plot. Curwood's legacy lives on however, and his home of Curwood Castle is now a museum.
Highlighting the Quebec City promontory, where the history of North America was defined--and which has always provoked dreams and sustained hopes--this work recounts the succession of constantly renewed ideals to which the Plains of Abraham have borne witness. A truthful portrait of time and place, the book illuminates locales such as the turn of the great St. Lawrence River, where the rugged, majestic cliffs protect access one of the most beautiful views in the world.
In this engrossing narrative of the great military conflagration of the mid-eighteenth century, Fred Anderson transports us into the maelstrom of international rivalries. With the Seven Years' War, Great Britain decisively eliminated French power north of the Caribbean — and in the process destroyed an American diplomatic system in which Native Americans had long played a central, balancing role — permanently changing the political and cultural landscape of North America. Anderson skillfully reveals the clash of inherited perceptions the war created when it gave thousands of American colonists their first experience of real Englishmen and introduced them to the British cultural and class system. We see colonists who assumed that they were partners in the empire encountering British officers who regarded them as subordinates and who treated them accordingly. This laid the groundwork in shared experience for a common view of the world, of the empire, and of the men who had once been their masters. Thus, Anderson shows, the war taught George Washington and other provincials profound emotional lessons, as well as giving them practical instruction in how to be soldiers. Depicting the subsequent British efforts to reform the empire and American resistance — the riots of the Stamp Act crisis and the nearly simultaneous pan-Indian insurrection called Pontiac's Rebellion — as postwar developments rather than as an anticipation of the national independence that no one knew lay ahead (or even desired), Anderson re-creates the perspectives through which contemporaries saw events unfold while they tried to preserve imperial relationships. Interweaving stories of kings and imperial officers with those of Indians, traders, and the diverse colonial peoples, Anderson brings alive a chapter of our history that was shaped as much by individual choices and actions as by social, economic, and political forces.
The first Dear Canada featuring a First Nations diarist, The Death of My Country is set at a pivotal point in Canada's history -- the war between Britain and France for control of New France. Geneviève Aubuchon is born into an Abenaki tribe but is orphaned when another tribe destroys her village. She and her brother are taken to a convent in Québec.While Geneviève gradually adapts to her new life with the sisters, her older brother runs away to rejoin the Abenaki. Geneviève fears for his life when he joins the First Nations allies who are helping defend Québec against the British siege of the city and the attack on the Plains of Abraham. Author Maxine Trottier frequently participates in historical re-enactments. Her hobby has provided her with an opportunity to research and experience this key time in Canada's history.
