There has never been a show business book quite like The Show Won't Go On, the first comprehensive study of a bizarre phenomenon: performers who died onstage. The Show Won't Go On covers almost every genre of entertainment, and is full of unearthed anecdotes, exclusive interviews, colorful characters, and ironic twists. With dozens of heart-stopping stories, it's the perfect book to dip into on any page.
New York Times Bestseller! “This moving read will have you reaching for the tissues and smiling with delight….Stunningly alive on the page, Esther shows that sometimes the true meaning of life—helping and loving others—can be found even when bravely facing death.” –People Magazine, 4 stars In full color and illustrated with art and photographs, this is a collection of the journals, fiction, letters, and sketches of the late Esther Grace Earl, who passed away in 2010 at the age of 16. Essays by family and friends help to tell Esther’s story along with an introduction by award-winning author John Green who dedicated his #1 bestselling novel The Fault in Our Stars to her. Learn more about Esther at tswgobook.tumblr.com.
A powerful, behind-the-scenes look at some of America's all-time favorite television programs during their darkest hours, this study examines how various hit series have absorbed the death of a lead actor during production. Although each television program eventually resumed production, the lead actor's death in each case had a profound impact on the surviving cast and crew and the future of the show itself. Individual chapters explore the events surrounding the deaths of Freddie Prinze (Chico and the Man), John Ritter (8 Simple Rules for Dating My Teenage Daughter), Redd Foxx (The Royal Family), Nicholas Colasanto (Cheers), Phil Hartman (NewsRadio), and many others. Their stories are told through first-hand accounts by those who knew them best, including many of the most talented actors, producers, writers, and directors in television over the past forty years.
[BookStrand Contemporary Romance] Allyson Parker, the stereotypical shy librarian, finds an outlet for her wilder side by performing in community theater. There she can become someone else, someone infinitely more interesting and confident. Partnered in her first romantic lead with newcomer Matt Dauer, she begins to hope that life can imitate art. But can she overcome her bashfulness and self-doubts, cultivated by years of frequent relocations, in order to keep his interest? Matt moved to Washington, D.C. from Chicago to escape a cheating, diva ex-girlfriend, but he's now also far from his parents and two brothers. His greatest desire is to create a new family as close-knit as the one he left behind. He must return to that past, though, when his ex is involved in a serious car accident and he is called on to help. Will his benevolent act mean the end of his blossoming relationship with Allyson? ** A BookStrand Mainstream Romance
Being an outsider is tough.Being an outsider in your own home and not knowing why is soul-crushing. It is isolating, painful, and confusing. Loneliness and longing are your reality. You're consumed with guilt, self-deprecating inner dialogue, and worst of all, the fear of doing even the smallest thing wrong. You spend a lot of time alone...even when you're not. You watch a lot of TV.Obviously, this is all your fault. Obviously, the reason you are living this way is because of something you did to warrant it. If they beat you, you deserved it. If they punish you, you asked for it. You never want to go home, but you don't have a choice because you've never had a choice. This is it. This is what you have. This is all you know.And yet, you still smile when you sometimes catch a glimpse of the sweeter things and treasure the smallest kindness. Inside, you know life isn't supposed to be like this, but it is. Your life is like a bubble of poison gas that could burst at any moment...you know that. You live that. But how are you supposed to make sense of any of this? How do you make it stop?You can't. You are powerless. You haven't even reached kindergarten yet.From a severely abusive childhood in the inner city of Baltimore, a string of unsatisfying relationships and several broken marriages, to a six-figure income from the multi-million dollar business I built out of my home, this is my story in my own words.I was stolen as a baby when my mother died. I was lied to by my kidnapper and used as a Cinderella punching bag by his never-ending parade of "step-mothers" and girlfriends, and much worse when he didn't have one.This memoir covers the good, the bad, and the ugly.As this story unfolds, my hope is that you, the reader, will discover a little girl who survived that abusive childhood, healed, and empowered herself through discipline and hard work. I hope you see a girl who became a woman who learned from her mistakes and a whole human being who loves her newfound family with all her heart.I am no longer an outsider. I can go home now.
Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers’ songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. Mullen considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of working-class audiences who loved this music. To do this, he dispels some of the nostalgic, rose-tinted myths about music hall. At a time when recording companies and record sales were marginal, the book shows the centrality of the live show and of the sale of sheet music to the economy of the entertainment industry. Mullen assesses the popularity and significance of the different genres of musical entertainment which were common in the war years and the previous decades, including music hall, revue, pantomime, musical comedy, blackface minstrelsy, army entertainment and amateur entertainment in prisoner of war camps. He also considers non-commercial songs, such as hymns, folk songs and soldiers’ songs and weaves them into a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.
Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers’ songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. He considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of their working-class audiences. He assesses the different genres of musical entertainment which were common in the war years and presents a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.
An electrifying look inside the wild world of extreme distance running. Once the reserve of only the most hardcore enthusiasts, ultra running is now a thriving global industry, with hundreds of thousands of competitors each year. But is the rise of this most brutal and challenging sport—with races that extend into hundreds of miles, often in extreme environments—an antidote to modern life, or a symptom of a modern illness? In The Rise of the Ultra Runners, award-winning author Adharanand Finn travels to the heart of the sport to investigate the reasons behind its rise and discover what it takes to join the ranks of these ultra athletes. Through encounters with the extreme and colorful characters of the ultramarathon world, and his own experiences of running ultras everywhere from the deserts of Oman to the Rocky Mountains, Finn offers a fascinating account of people testing the boundaries of human endeavor.
Lulu's show has just received its closing notice. Lulu and the rest of the company are devastated. Lulu takes readers back in time to just after she made her onstage debut and of Lulu and Jayne rising in popularity and esteem. However, there is one critic who is determined to break Lulu's career. With additional casting drama happening with Jayne, Amanda, and new girl Olivia, the news about the show closing comes as a real blow to everyone. When Benji, Lulu's brother, comes up with an idea on how to boost ticket sales, the company members hit the streets, desperate to save the show from closing. But will Lulu and Stella be able to stop the nasty critic from completely ruining Lulu's dreams and those of the rest of the cast?
