The Ship that Died of Shame and Other Stories
Author: Nicholas Monsarrat
Publisher: Pan
Published: 1959
Total Pages: 203
ISBN-13: 9780330104999
DOWNLOAD EBOOKRead and Download eBook Full
Author: Nicholas Monsarrat
Publisher: Pan
Published: 1959
Total Pages: 203
ISBN-13: 9780330104999
DOWNLOAD EBOOKAuthor: Nicholas Monsarrat
Publisher: House of Stratus
Published: 2014-04-22
Total Pages: 251
ISBN-13: 0755143515
DOWNLOAD EBOOKCrime, Mystery, Adventure, Thrills – all to be found in this short story collection commencing with ‘The Ship that Died of Shame’, where a former Navy gunboat is used for smuggling by ex-servicemen down on their luck in post-war society. A further nine stories complete a volume which contains many twists and turns and hard hitting drama.
Author: Tony Williams
Publisher: State University of New York Press
Published: 2000-08-10
Total Pages: 230
ISBN-13: 0791492281
DOWNLOAD EBOOKThis book examines representations of desire in British cinema during a period of turbulent change. In addition to investigating male-female desire in status quo "realist" films and in various "anti-realist" movements represented by Gainsborough Melodrama and the work of Michael Powell and Emeric Pressburger, the book also explores the various factors that affected utopian aspirations for a better postwar world and how these desires eventually became restrained by the dominant forces of conservative ideology. Structures of Desire provides new perspectives on previously recognized film movements such as Ealing Comedy and Gainsborough Melodrama while also offering analyses of interesting but neglected films such as Love on the Dole (1941), Perfect Strangers (1945), They Made Me a Fugitive (1947), The Bad Lord Byron (1949), and Madeleine (1950).
Author: Gill Plain
Publisher: Cambridge University Press
Published: 2023-06-30
Total Pages: 289
ISBN-13: 1009081616
DOWNLOAD EBOOKProsthetic Agency: Literature, Culture and Masculinity after World War II examines the social and psychic upheaval of demobilisation. It maps the rapid transition from wartime regimentation to individual responsibility, from intense homosociality to heteronormative expectations, from normativity to disability and from uniformed masculinity to domestic citizenship. This book considers some of the many ways in which popular culture of the time sought to mediate these difficult transitions, exploring films, popular fiction, memoir and biography. In particular, the book explores how technology was imagined as a new space of masculine becoming and how disability was written, represented and assimilated. Through a focus on popular narrative, this book explores the modes of masculinity promoted as ideally suited to national reconstruction and tries to make sense of a culture of rehabilitation that could not name or know itself as such.
Author:
Publisher:
Published: 1965
Total Pages: 504
ISBN-13:
DOWNLOAD EBOOKAuthor: Tony Barta
Publisher: Bloomsbury Publishing USA
Published: 1998-08-20
Total Pages: 294
ISBN-13: 031302362X
DOWNLOAD EBOOKFilm and television have been accepted as having a pervasive influence on how people understand the world. An important aspect of this is the relationship of history and film. The different views of the past created by film, television, and video are only now attracting closer attention from historians, cultural critics, and filmmakers. This volume seeks to advance the critical exploration scholars have recently begun. Barta begins by addressing the various ways the past is screened for our understanding and relates the art of film to other media. The essays that follow deal primarily with the changing perspectives of political and social developments—and changing concepts of ideology, gender, or culture—in films and television programs made for historically shaped reasons. Chapters by filmmakers explore issues of context and intent in their own projects. Scholars and general readers interested in film and cultural studies will find this an important volume.
Author: S. P. MacKenzie
Publisher: Bloomsbury Publishing
Published: 2001-02-01
Total Pages: 273
ISBN-13: 0826446442
DOWNLOAD EBOOKThe cinema was the most popular form of entertainment during the Second World War. Film was a critically important medium for influencing opinion. Films, such as In Which We Serve and One of Our Aircraft is Missing, shaped the British people's perceptions of the conflict. British War Films, 1939-1945 is an account of the feature films produced during the war, rather than government documentaries and official propaganda, making the book an important index of British morale and values at a time of desperate national crisis.
Author: S. P. Mackenzie
Publisher: A&C Black
Published: 2001-01-01
Total Pages: 273
ISBN-13: 1852852585
DOWNLOAD EBOOKThe cinema was the most popular form of entertainment during the Second World War. Film was a critically important medium for influencing opinion. Films, such as In Which We Serve and One of Our Aircraft is Missing, shaped the British people's perceptions of the conflict. British War Films, 1939-45 is an account of the feature films produced during the war, rather than government documentaries and official propaganda, making the book an important index of British morale and values at a time of desperate national crisis.
Author: Ian Johnson
Publisher: Boydell Press
Published: 2005
Total Pages: 380
ISBN-13: 9781843831594
DOWNLOAD EBOOKIan Johnson's evaluation of Alwyn's film music places his achievement in the context of wider movements within the film industry. William Alwyn was a leading composer of British film music in the 1940s and '50s, a time when the British film industry was at its peak. His scores ranged from documentaries to almost 80 full-length feature films, including classics such as Fires were Started, Desert Victory, Odd Man Out, The Fallen Idol, and The History of Mr Polly; he was adept at any musical genre, from classical to cartoon slapstick, and in the process worked with legendary directors, including Carol Reed, David Lean, Humphrey Jennings, and Anthony Asquith. Alone with Vaughan Williams he was granted the distinction of a separate title credit; columnists mentioned him alongside Bliss, Bax and Walton. However, as the reputation of the British film industry declined in the 1950s, so musical snobbery against those who were its leading lights became unpleasantly raw. In recent years, however, with sensitive performances of hisfilm and concert music available on CD, this most appealing of composers has enjoyed something of a renaissance. In this long overdue reassessment, Alwyn's films are analysed and put into the context of his biography,the film industry, and of society at large: the author shows in particular this remarkably versatile composer developed a hitherto unrecognised grammar of film music which enhanced every film on which he worked. He also examines his work for war propaganda, radio, and the concert hall. The volume is enhanced by the most complete filmography, discography, and bibliography of the composer's works yet published, as well as listings of his concert and radio music.