Japan's Name Culture
Japan's Name Culture

Author: Herbert E. Plutschow

Publisher: Psychology Press

Published: 1995

Total Pages: 324

ISBN-13: 9781873410424

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This is the first comprehensive study in English of Japanese names - their history and evolution, and ontological implications. Its main purpose is to understand the development of the nomenclature in its religious (animistic) and socio-political contexts. We learn, for example, how belief in the animistic-symbolic property of names developed into extensive taboos and, in connection with these taboos, into the custom of revealing names in case of marriage or territorial surrender. Whereas private (religious) use of surnames was tolerated, commoners without public functions were prohibited from public use of surnames. In the Meiji period (1868-1912), on the other hand, the government enforced the universal registry of surnames to conform with its policy of universal conscription, education, taxation and the postal service. The book will be of particular interest to students of Japan and Japanese nomenclature. It will also appeal to the general reader drawn to learning more about Japan by looking at its history, religion and culture through the names of its people.

The Japanese Theatre
The Japanese Theatre

Author: Ortolani

Publisher: BRILL

Published: 2022-07-04

Total Pages: 372

ISBN-13: 9004484140

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An up-to-date cultural history of the Japanese theatre in all its forms including primitive rituals, court and popular dance-drama, puppet shows and westernized plays, is narrated here for the first time in English by a western authority in the field. The book underlines Zeami and Zenchiku's secret tradition of the nō, explaining Zen-inspired spiritual teachings for the actor's training on the way to enlightened performance. It also gives relevance to the transformation of an anti-establishment entertainment by prostitutes into spectacular kabuki stagecraft, and to the modernization process which created shingeki modern drama, and moved it into the context of world theatre. The final chapter summarizes the history of western discovery of the Japanese stage. The illustrations, the indexes, the glossary and the extensive bibliography — including all major literature in western languages until 1989 — also contribute to make this volume a must for all students of the Japanese theatre, and for anyone interested in a better understanding of Japanese culture as mirrored in its theatrical component.

Matsuri: The Festivals of Japan
Matsuri: The Festivals of Japan

Author: Herbert Plutschow

Publisher: Routledge

Published: 2013-11-05

Total Pages: 304

ISBN-13: 1134247052

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Contribution to Western understanding of the nature and manifestations of Shinto through the vast galaxy of historic festivals (matsuri) that are here categorized and analysed.

Shinto
Shinto

Author: Helen Hardacre

Publisher: Oxford University Press

Published: 2017

Total Pages: 721

ISBN-13: 0190621710

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Helen Hardacre offers for the first time in any language a sweeping, comprehensive history of Shinto, the tradition that is practiced by some 80% of the Japanese people and underlies the institution of the Emperor.

Performing Ethnomusicology
Performing Ethnomusicology

Author: Ted Solis

Publisher: Univ of California Press

Published: 2004-08-13

Total Pages: 332

ISBN-13: 0520937171

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Performing Ethnomusicology is the first book to deal exclusively with creating, teaching, and contextualizing academic world music performing ensembles. Considering the formidable theoretical, ethical, and practical issues that confront ethnomusicologists who direct such ensembles, the sixteen essays in this volume discuss problems of public performance and the pragmatics of pedagogy and learning processes. Their perspectives, drawing upon expertise in Caribbean steelband, Indian, Balinese, Javanese, Philippine, Mexican, Central and West African, Japanese, Chinese, Middle Eastern, and Jewish klezmer ensembles, provide a uniquely informed and many-faceted view of this complicated and rapidly changing landscape. The authors examine the creative and pedagogical negotiations involved in intergenerational and intercultural transmission and explore topics such as reflexivity, representation, hegemony, and aesthetically determined interaction. Performing Ethnomusicology affords sophisticated insights into the structuring of ethnomusicologists' careers and methodologies. This book offers an unprecedented rich history and contemporary examination of academic world music performance in the West, especially in the United States. "Performing Ethnomusicology is an important book not only within the field of ethnomusicology itself, but for scholars in all disciplines engaged in aspects of performance—historical musicology, anthropology, folklore, and cultural studies. The individual articles offer a provocative and disparate array of threads and themes, which Solís skillfully weaves together in his introductory essay. A book of great importance and long overdue."—R. Anderson Sutton, author of Calling Back the Spirit Contributors: Gage Averill, Kelly Gross, David Harnish, Mantle Hood, David W. Hughes, Michelle Kisliuk, David Locke, Scott Marcus, Hankus Netsky, Ali Jihad Racy, Anne K. Rasmussen, Ted Solís, Hardja Susilo, Sumarsam, Ricardo D. Trimillos, Roger Vetter, J. Lawrence Witzleben