The Shakespearean Wild

The Shakespearean Wild

Author: Jeanne Addison Roberts

Publisher: U of Nebraska Press

Published: 1994-01-01

Total Pages: 228

ISBN-13: 9780803289505

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Socrates is said to have thanked the gods that he was born neither barbarian nor female nor animal. His words conjure up the image of a human being, a Greek male, at the center of the universe, surrounded by "wild" and threatening forces. To the Western imagination the civilized standard has always been masculine, and taken for granted as so until recently. Shakespeare's works, for all their genius and astonishing empathy, are inevitably products of a culture that regards women, animals, and foreigners as peripheral and threatening to its chief interests. "We have been so hypnotized by the most powerful male voice in ourl anguage, interpreted for us by a long line of male critics and teachers, that we have seen nothing exceptionable in his patriarchal premises," writes Jeanne Addison Roberts. If the culture-induced hypnosis is wearing off, it is partly because of studies like The Shakespearean Wild. Plunging into a psychological jungle, Roberts examines the distinctions in various Shakespeare plays between wild nature and subduing civilization and shows how gender stereotypes are affixed to those distinctions. Taking her cue from Socrates, Roberts transports the reader to three kinds of "Wilds" that impinge on Shakespeare's literary world: the mysterious "female Wild, often associated with the malign and benign forces of [nature]; the animal Wild, which offers both reassurance of special human status and the threat of the loss of that status; and the barbarian Wild populated by marginal figures such as the Moor and the Jew as well as various hybrids." The Shakespearean Wild brims with mystery and menace, the exotic and erotic; with male and female archetypes, projections of suppressed fears and fantasies. The reader will see how the male vision of culture—exemplified in Shakespeare's work—has reduced, distorted, and oversimplified the potentiality of women.


A Kind of Wild Justice

A Kind of Wild Justice

Author: Linda Anderson

Publisher: University of Delaware Press

Published: 1987

Total Pages: 204

ISBN-13: 9780874133196

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This study demonstrates not only that the devices of revenge are structurally useful in comedy, but also that there is a consistent conception of revenge as an ethical social instrument in the comedies of Shakespeare.


The Wild Waves Whist

The Wild Waves Whist

Author: Erin Nelsen Parekh

Publisher: Drivel & Drool

Published: 2019-03

Total Pages: 0

ISBN-13: 9780998439730

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Two friends and their irrepressible dog explore an island full of adventure--to the words of Ariel's famous songs from Shakespeare's The Tempest.


Shakespeare's Nature

Shakespeare's Nature

Author: Charlotte Scott

Publisher: Oxford University Press, USA

Published: 2014

Total Pages: 268

ISBN-13: 0199685088

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Shakespeare's Nature offers a radically new interpretation of Shakespeare's depiction of nature, revealing the extent to which Shakespeare drew on the language of his wider environment for the exploration of his social worlds.


Wild Bios: William Sheepspeare

Wild Bios: William Sheepspeare

Author: Courtney Acampora

Publisher: Silver Dolphin Books

Published: 2019-04-09

Total Pages: 0

ISBN-13: 9781684126194

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William Sheepspeare’s plays were shear genius! Meet one of history’s greatest figures in this adorable board book with an animal twist! Dive into the life of the eloquent Baa-rd of Avon and the plays that shaped our language today. William Sheepspeare’s human themes have resonated with every generation. With hilarious puns and colorful illustrations, this book brings his legacy to life for babies and parents alike! 2019 National Parenting Product Award Winner


How to Teach Your Children Shakespeare

How to Teach Your Children Shakespeare

Author: Ken Ludwig

Publisher: Crown

Published: 2013

Total Pages: 369

ISBN-13: 0307951499

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Outlines an engaging way to instill an understanding and appreciation of Shakespeare's classic works in children, outlining a family-friendly method that incorporates the history of Shakespearean theater and society.


The Shakespearean Forest

The Shakespearean Forest

Author: Anne Barton

Publisher: Cambridge University Press

Published: 2017-08-17

Total Pages: 310

ISBN-13: 1108394078

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The Shakespearean Forest, Anne Barton's final book, uncovers the pervasive presence of woodland in early modern drama, revealing its persistent imaginative power. The collection is representative of the startling breadth of Barton's scholarship: ranging across plays by Shakespeare (including Titus Andronicus, As You Like It, Macbeth, The Two Gentlemen of Verona and Timon of Athens) and his contemporaries (including Jonson, Dekker, Lyly, Massinger and Greene), it also considers court pageants, treatises on forestry and chronicle history. Barton's incisive literary analysis characteristically pays careful attention to the practicalities of performance, and is supplemented by numerous illustrations and a bibliographical essay exploring recent scholarship in the field. Prepared for publication by Hester Lees-Jeffries, featuring a Foreword by Adrian Poole and an Afterword by Peter Holland, the book explores the forest as a source of cultural and psychological fascination, embracing and illuminating its mysteriousness.


Shakespeare / Nature

Shakespeare / Nature

Author: Charlotte Scott

Publisher: Bloomsbury Publishing

Published: 2024-01-11

Total Pages: 313

ISBN-13: 1350259845

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Shakespeare / Nature sets new agendas for the study of nature in Shakespeare's work. Offering a rich exploration of the intersections between the human and non-human worlds, the chapters focus on the contested and persuasive language of nature, both as organic matter and cultural conditioning. Rooted in close textual analysis and historical acuity, this collection addresses Shakespeare's works through the many ways in which 'nature' performs, as a cultural category, a moral marker and a set of essential conditions through which the human may pass, as well as affect. Addressing the complex conditions of the play worlds, the chapters explore the assorted forms through which Shakespeare's nature makes sense of its narratives and supports, upholds or contests its story-telling. Over the course of the collection, the contributors examine plays including Macbeth, Julius Caesar, The Tempest, The Taming of the Shrew, Othello, Love's Labour's Lost, Hamlet, Timon of Athens and many more. They discuss them through the various lenses of philosophy, historicism, psychoanalysis, gender studies, cosmography, geography, sexuality, linguistics, environmentalism, feminism and robotics, to provide new and nuanced readings of the intersectional terms of both meaning and matter. Approaching 'nature' in all its multiplicity, this collection sets out to examine the divergent and complex ways in which the human and non-human worlds intersect and the development of a language of symbiosis that attempts to both control and create the terms of human authority. It offers an entirely new approach to the subject of nature, bringing together disparate methods that have previously been pursued independently to offer a shared investment in the intersections between the human and non-human worlds and how these discourses shape and condition the emotional, organic, cultural and psychological landscapes of Shakespeare's play worlds.


Shakespeare and the Nature of Women

Shakespeare and the Nature of Women

Author: Juliet Dusinberre

Publisher: Springer

Published: 1996-06-12

Total Pages: 375

ISBN-13: 1349245313

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Shakespeare and the Nature of Women was the first full-length feminist analysis of the plays of Shakespeare and his contemporaries, ushering in a new era in research and criticism. Its arguments for the feminism both of the drama and the early modern period caused instant controversy, which still engrosses scholars. Dusinberre argues that Puritan teaching on sexuality and spiritual equality raises questions about women which feed into the drama, where the role of women in relation to authority structures is constantly renegotiated. Using a critical language which predates Foucault and other major theorists, Shakespeare and the Nature of Women argues that Renaissance drama highlights ways in which the feminine and the masculine are socially constructed. The presence of the boy actor on stage created an awareness of gender as performance, now crucial to contemporary feminist thought. Shakespeare and the Nature of Women claimed for women a right to speak about the literary text from their own place in history and culture. The author's Preface to the second edition traces contemporary developments in feminist scholarship, which still wrestles with the book's main thesis: Renaissance feminism, feminist Shakespeare.