The Seventeenth Century French Paintings
The Seventeenth Century French Paintings

Author: National Gallery (Great Britain)

Publisher: Virago Press

Published: 2001

Total Pages: 482

ISBN-13:

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"Since 1957, when Martin Davies published The French School, an unprecedented amount of research has been undertaken on French seventeenth-century artists. Taking account of this, Humphrey Wine has written afresh on the seventeenth-century paintings in Davies's catalogue; he has also written detailed entries on all subsequent acquisitions in this field. These include, as well as paintings by Claude and Poussin, major pictures such as La Hyre's Allegory of Grammar, the Le Nain brothers' Adoration of the Shepherds and Le Sueur's Alexander and his Doctor.".

French Painting in the Seventeenth Century
French Painting in the Seventeenth Century

Author: Alain Mérot

Publisher: Yale University Press

Published: 1995-01-01

Total Pages: 336

ISBN-13: 0300065507

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Recent studies and exhibitions, combined with the discovery of work by hitherto little-known artists have enabled Merot to take a fresh look at the period and to suggest a new configuration. The great names of the period - Poussin, Vouet, Le Sueur, de La Tour, Mignard - are located in relation to other developments. Merot includes discussion of the impact of contemporary literature and political, philosophical and social influences. The foundation of the Royal Academy of Painting in 1648, and the influence of Mazarin on artistic developments are considered with other issues of status, patronage and connoisseurship. The book provides a panorama of the period; the text is profusely illustrated in colour, and accompanied by a comprehensive bibliography.

The Brothers Le Nain
The Brothers Le Nain

Author: Esther Susan Bell

Publisher: Yale University Press

Published: 2016-01-01

Total Pages: 473

ISBN-13: 0300218885

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A beautiful volume that brings to light the forgotten Le Nain brothers, a trio of 17th-century French master painters who specialized in portraiture, religious subjects, and scenes of everyday peasant life In France in the 17th century, the brothers Antoine (c. 1598-1648), Louis (c. 1600/1605-1648), and Mathieu (1607-1677) Le Nain painted images of everyday life for which they became posthumously famous. They are celebrated for their depictions of middle-class leisure activities, and particularly for their representations of peasant families, who gaze out at the viewer. The uncompromising naturalism of these compositions, along with their oddly suspended action, imparts a sense of dignity to their subjects. Featuring more than sixty paintings highlighting the artists' full range of production, including altarpieces, private devotional paintings, portraits, and the poignant images of peasants for which the brothers are best known, this generously illustrated volume presents new research concerning the authorship, dating, and meaning of the works by well-known scholars in the field. Also groundbreaking are the results of a technical study of the paintings, which constitutes a major contribution to the scholarship on the Le Nain brothers.

National Gallery of Art: Seventeenth-Century French Painting
National Gallery of Art: Seventeenth-Century French Painting

Author:

Publisher:

Published:

Total Pages:

ISBN-13:

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Provides information on the National Gallery of Art collection of French paintings from about 1626 to 1653. Notes that leading French painters of the period traveled to Rome, Italy, where they were influenced by contemporary Italian artists as well as High Renaissance masters and classical antiquity. Features images of paintings from the collection and offers biographical sketches of the artists. Links to the home page of the National Gallery, which is located in Washington, D.C.

The Academy and the Limits of Painting in Seventeenth-century France
The Academy and the Limits of Painting in Seventeenth-century France

Author: Paul Duro

Publisher:

Published: 1997

Total Pages: 300

ISBN-13: 9780521495011

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The Academy and the Limits of Painting in Seventeenth-Century France is the first study in over a century devoted to the creation of one of the most important European institutions of art, the French Académie Royale. Founded in the mid-1660s, the Academy institutionalised the discourse around painting and thus had an immediate impact on the making of art in France, becoming a decisive influence on painting until the close of the nineteenth century. In the process of forging an identity for itself, the Academy redefined almost every aspect of art - the nature of art training, the sources of patronage, the social standing of the artist, and the place of the arts in national life.