DigiCat Publishing presents to you this special edition of "The Servant of Two Masters (Il Servitore di Due Padroni)" by Carlo Goldoni. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
In 1453 Turkey, Mehmed the Conqueror has just defeated the Byzantine Empire and a new era called the Ottoman Empire is ushered in. Sending an envoy to open trade routes to Spain and Portugal Mehmed sends his most trusted bodyguard Asim to look after the members of the envoy. The mission is turned on its head when one of the Islamic members is murdered in her bed chamber by unknown hands. Asim is given permission by way of a secret letter from Pope Nicholas to investigate the crime but no allowance of arresting authority of any Christian that may be involved but his instructions from Mehmed were simple; bring the cowards to justice. How can a man serve Christianity and Islam without offending either?
Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancee's dad. But Roscoe is really his sister Rachel posing as her own dead brother, who's been killed by her boyfriend Stanley Stubbers. Holed up at The Cricketers' Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple. Based on Carlo Goldoni's classic Italian comedy The Servant of Two Masters, in this new English version by prize winning playwright Richard Bean, sex, food and money are high on the agenda.
THE STORY: A cross between traditional Italian commedia and postmodern vaudeville, this new version of Goldoni's classic pits the madcap servant Truffaldino against masters, mistresses, lovers, lawyers and twenty-seven plates of meatballs. Imagine
The renowned French playwright Molière's most masterful and most frequently performed play, skillfully translated into English by Richard Wilbur. This edition includes the original French. The rich bourgeois Orgon has become a bigot and prude. The title character, a wily opportunist and swindler, affects sancity and gains complete ascendancy over Ogron, who not only attemps to turn over his fortune but offers his daughter in marriage to his "spiritual" guide. Translated and with an Introduction by Richard Wilbur.
Offers advice, practical insights, and business wisdom for businesspeople, explaining how to integrate the principles of faith and smart business practices to achieve outstanding professional success.
Although life in Tudor was ordered in a strict hierarchy, service was common for all classes, and servants were not necessarily the lowest stratum in society. This book looks at the servant life in the Tudor period. It examines relations between servants and their masters, peering into the bedrooms, kitchens and parlours of the ordinary folk.
From Daniel Defoe’s Family Instructor to William Godwin’s political novel Caleb Williams, literature written for and about servants tells a hitherto untold story about the development of sexual and gender ideologies in the early modern period. This original study explores the complicated relationships between domestic servants and their masters through close readings of such literary and nonliterary eighteenth-century texts. The early modern family was not biologically defined. It included domestic servants who often had strong emotional and intimate ties to their masters and mistresses. Kristina Straub argues that many modern assumptions about sexuality and gender identity have their roots in these affective relationships of the eighteenth-century family. By analyzing a range of popular and literary works—from plays and novels to newspapers and conduct manuals—Straub uncovers the economic, social, and erotic dynamics that influenced the development of these modern identities and ideologies. Highlighting themes important in eighteenth-century studies—gender and sexuality; class, labor, and markets; family relationships; and violence—Straub explores how the common aspects of human experience often intersected within the domestic sphere of master and servant. In examining the interpersonal relationships between the different classes, she offers new ways in which to understand sexuality and gender in the eighteenth century.
Giorgio Strehler Directs Carlo Goldoni uses Giorgio Strehler’s Goldoni productions (and Arlecchino servitore di due padroni in particular) as a means to defining his directorial aesthetic. The book provides a framework for examining the director’s career that is expansive rather than restrictive, using Goldoni and Arlecchino servitore di due padroni as a through-line for Strehler’s fifty-year career at the Piccolo Teatro di Milano. This research defines Strehler’s multifaceted style and brings to light interrelationships among his various works, creating a base from which a variety of subsequent critical inquiries can be made. It also establishes Strehler’s identity within the larger scope of the Italian theatre as a whole. Finally, it creates the critical challenge of finding more expansive notions of directorial style and concept that unite diverse ideologies without delimiting our understanding of the director. Crucial to understanding Strehler’s work with Arlecchino servitore di due padroni is his consistent reinterpretation of the play, which received no less than five distinct productions during Strehler’s lengthy career. His repeated reworking of existing productions provides a baseline for examining what elements were maintained and what elements changed or evolved. The four key influences that defined Strehler’s aesthetic in his work with Arlecchino were commedia dell’Arte, Bertolt Brecht, “refractive theatricality” and Jacques Copeau. Through these productions, Strehler created a dialogue with his audience and helped change the reputation of Carlo Goldoni both in his own country and abroad.
Faten’s happy life in her village comes to an abrupt end when her father arranges for her to work as a servant for a wealthy Beirut family with two spoiled daughters. What does a bright, ambitious seventeen-year-old do when she is suddenly deprived of her friends, family, education and freedom? Could the mysterious, wealthy young man who lives in the next apartment building help? When Faten finally manages to make contact with Marwan, a musician and engineering student, he helps her figure out a way to pursue her studies in secret. Even against the uncertain backdrop of the civil war, their romance develops, as the two conspire to exchange notes and meet at an idyllic seaside cafe. But in Lebanese society the differences in religion, class and wealth are stacked against them, and their parents have very different ideas about what their futures should be. When Marwan’s mother chooses a girl who will make him a suitable wife, Faten must pick up the pieces of her life and move forward. She does so, despite the odds, pursuing a job, an education and her independence. And, in the end, it seems there may be room in her life yet for romance, and hope for a future where young people can determine their own destinies. An engaging and lucidly written coming-of-age novel. Faten struggles to fulfill her potential in the midst of her society’s rigid expectations. She’s a nuanced, complex protagonist that any teenager can relate to — stubborn, impulsive and full of longing, but with the determination and smarts to keep her real dreams in sight.
