Ambu is Princess Lakshmi's servant, but the two are more like sisters. After Ambu secretly teaches Lakshmi how to swim, the princess hopes to win a swimming contest against a boy. Will anything get in her way of being the water princess?
When she opened her eyes again, she had actually transmigrated onto the body of an ancient mute. Little Mute was 18 years old, and he was in his prime. He didn't want the self-proclaimed husband of Prince Zhao to be in such a difficult situation. How can she, a new woman of the 21st century, be beaten by your feudal superstition? Yu Qingjue: "Prince Zhao, you and I are both human. Can't we coexist peacefully?" Watching her break through the feudal mentality step by step, reaching the peak of the world, killing scum men and hammering dregs women, she would never be lenient! [If you are unable to speak for the rest of your life, This King will speak all the love in the world to you.] "Madam, the General wants you to spoil him" is over.
Tom Dulcet's girlfriend has become enamored with Reuben Wild, an eccentric local playwright whose controversial works take aim at the rampant corruption in the city they're performed in. A shadowy political figure known as the Accountant has also become aware of Reuben and has made it his goal to strongarm anyone who supports Wild's subversive plays. Through Tom's eyes, we watch as Reuben's stories embolden and energize his neighbors to rise up against their oppressors. We also partake in Tom's secret obsession, peeping on a beautiful young woman who lives with her parents in the wealthiest neighborhood in the city. The Peeper and the Playwright is a story that will be appreciated by anyone who's ever objected to authority and wanted to fight back against those keeping them down.
Dear Reader, I'm so proud to introduce Gaelen Foley, a captivating new writer who will sweep you away with this unforgettable story of forbidden love and wondrous destiny. Darius Santiago is the King's most trusted man, a master spy and assassin. He is handsome, charming, ruthless, and he has one weakness--the stunning Princess Serafina. She is all he has ever wanted and everything he cannot have. Serafina has worshipped Darius from afar her whole life, knowing that deep in the reaches of her soul, where she is not royalty but a flesh and blood woman, she belongs to this dangerous, untouchable man. Unable to suppress their desire any longer, they are swept into a daring dance of passion destined to consume them both until a deadly enemy threatens to destroy their new love. PRINCESS is historical romance at its best--full of adventure, intrigue, and pageantry--from an amazingly talented new author whose storytelling career is just beginning. . . . Enjoy! Shauna Summers Senior Editor The Ballantine Publishing Group
Can a princess of the Dark side with the Light? The forces of the God of Light and the Goddess of Darkness have waged a ruthless war across the land of Toyoashihara for generations. But for 15-year-old Saya, the war is far away and unimportant--until the day she discovers that she is the reincarnation of the Water Maiden and a princess of the Children of the Dark. Raised to love the Light and detest the Dark, Saya must come to terms with her heritage even as she tumbles into the very heart of the conflict that is destroying her country. The armies of the Light and Dark both seek to claim her, for she is the only mortal who can awaken the legendary Dragon Sword, the fearsome weapon destined to bring an end to the war. Can Saya make the dreadful choice between the Light and Dark, or is she doomed--like all the Water Maidens who came before her…?
The deep forest and broad savannah, the campsites, kraals, and villages—from this immense area south of the Sahara Desert the distinguished American folklorist Roger D. Abrahams has selected ninety-five tales that suggest both the diversity and the interconnectedness of the people who live there. The storytellers weave imaginative myths of creation and tales of epic deeds, chilling ghost stories, and ribald tales of mischief and magic in the animal and human realms. Abrahams renders these stories in a narrative voice that reverberates with the rhythms of tribal song and dance and the emotional language of universal concerns. With black-and-white drawings throughout Part of the Pantheon Fairy Tale and Folklore Library
There was once a lad, and what his real name was nobody remembered, unless it was the mother who bore him; but what every one called him was Ashipattle. They called him that because he sat among the ashes to warm his toes. He had six older brothers, and they did not think much of him. All the tasks they scorned to do themselves they put upon Ashipattle. He gathered the sticks for the fire, he swept the floor, he cleaned the byre, he ran the errands, and all he got for his pains were kicks and cuffs and mocking words. Still he was a merry fellow, and as far as words went he gave his brothers as good as they sent. Ashipattle had one sister, and she was very good and kind to him. In return for her kindness he told her long stories of trolls and giants and heroes and brave deeds, and as long as he would tell she would sit and listen. But his brothers could not stand his stories, and used to throw clods at him to make him be quiet. They were angry because Ashipattle was always the hero of his own stories, and in his tales there was nothing he dared not do. Now while Ashipattle was still a lad, but a tall, stout one, a great misfortune fell upon the kingdom, for a Stoorworm rose up out of the sea; and of all Stoorworms it was the greatest and the worst. For this reason it was called the Meester Stoorworm. Its length stretched half around the world, its one eye was as red as fire, and its breath was so poisonous that whatever it breathed upon was withered. There was great fear and lamentation throughout the land because of the worm, for every day it drew nearer to the shore, and every day the danger from it grew greater. When it was first discovered it was so far away that its back was no more than a low, long, black line upon the horizon, but soon it was near enough for them to see the horns upon its back, and its scales, and its one fierce eye, and its nostrils that breathed out and in. In their fear the people cried upon the King to save them from the monster, but the King had no power to save them more than any other man. His sword, Snickersnapper, was the brightest and sharpest and most wonderful sword in all the world, but it would need a longer sword than Snickersnapper to pierce through that great body to the monster’s heart. The King summoned his councillors,—all the wisest men in the kingdom,—and they consulted and talked together, but none of them could think of any plan to beat or drive the Stoorworm off, so powerful it was.
The Royal Coach was speeding down the lonely dirt road, racing away from bandit's that are in front of them, as well as behind them. A shot rang out from the bandits in the front of them, and hit the driver in the heart. Just then the horses began to buck, and the coach was thrown onto its side. Queen Leah, and the Prince were thrown into the woods. Thrown to their death. Then King Zandor heard someone say" Put him on my horse and I will take him back to the Castle. Who was to be assassinated and why? Read THE ROYAL HUNT to find out...
In this path breaking study, anthropologist Nancy Marie Mithlo examines the power of stereotypes, the utility of pan-Indianism, the significance of realist ideologies, and the employment of alterity in Native American arts.